Creating music with a computer is not real music
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It doesn't matter, it can be kind of irritating but that's it. If you get that worked up about it maybe you also doubt your artistic merit and need to prove it to yourself as well as the other person.
Last edited by bandshell on Mon Sep 14, 2009 2:40 pm, edited 1 time in total.
Abs wrote:truth is though that you can't play an instrument, you can arrange things and edit them in a computer program, you didnt make that sine wave.. the programers who made fruityloops did all that, you just drew out a note and probably put an lfo on it.
i on the other hand have been playing the drums and guitar for years, so when people ask i say i play those.. and make tunes on a laptop
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A synthesizer is as much an instrument as a violin, in my most humble opinion. Thing is, the definition of what is music is shifting, and thus what MAKING music is. I have a friend who goes on about "there's more honour in learning an instrument, as opposed to producing". To which I can only reply that if you're into music for the honours, you'd best quit now.
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bass hertz
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well said.Vivace wrote:A synthesizer is as much an instrument as a violin, in my most humble opinion. Thing is, the definition of what is music is shifting, and thus what MAKING music is. I have a friend who goes on about "there's more honour in learning an instrument, as opposed to producing". To which I can only reply that if you're into music for the honours, you'd best quit now.
Abs wrote:truth is though that you can't play an instrument, you can arrange things and edit them in a computer program, you didnt make that sine wave.. the programers who made fruityloops did all that, you just drew out a note and probably put an lfo on it.
i on the other hand can suck a penis better than anybody else and often go out into town in my gimp suit
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one of my best mates from uni was a piano performance major who was absolutely sick with it in classical styles - virtuoso grade, straight performance
after getting his compositon masters from UCLA now he does music for Nick Jr. on computers and has completely disowned the way he used to judge the merits of music
it used to be like, the music was only good because it was difficult to actually perform, or because only a few very talented people could pull it off
now he sees that viewpoint as really shallow, and is way more into having fun with music, in fact doing more things with it than he ever was doing as a single player
small minded people really, computers aren't even anything new
its a way to extend our imaginations and incorporate the cultural acheivements of the past not forget them, as well as making new acheivements... creating whole new realities with sound etc
after getting his compositon masters from UCLA now he does music for Nick Jr. on computers and has completely disowned the way he used to judge the merits of music
it used to be like, the music was only good because it was difficult to actually perform, or because only a few very talented people could pull it off
now he sees that viewpoint as really shallow, and is way more into having fun with music, in fact doing more things with it than he ever was doing as a single player
small minded people really, computers aren't even anything new
its a way to extend our imaginations and incorporate the cultural acheivements of the past not forget them, as well as making new acheivements... creating whole new realities with sound etc
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Uncle Bill wrote:That's not fair really. If you're making all your patches from scratch (which you ought to be) you've got to understand synthesis and there's a lot of skill in that. Drum programming also takes a lot of skill if you're going to do it with any complexity and subtletly. So does editing and arranging samples. Capo Ultra is right - you're playing a whole load of different instruments.Abs wrote:truth is though that you can't play an instrument, you can arrange things and edit them in a computer program, you didnt make that sine wave.. the programers who made fruityloops did all that, you just drew out a note and probably put an lfo on it.
Granted, it's a different set of skills from playing a traditional instrument but I find it a lot easier to tear off a bit of guitar for my band than I do to compose and arrange a whole tune from scratch using Logic.
If you do it unimaginatively and use presets to create sounds you're no less of a musician than someone who plays clichéd licks on a guitar that he's ripped off other people's songs.
That's all pretty true, though comparing a bit of riff on guitar to a whole tune on logic is a bit biased. I'd say that it'd probably be easier for a musician to learn to produce rather than visa versa. I've spent years learning cello to 7/8 standard as well as time learning to produce and find production easier as there's already the knowledge of musical theory there. Essentially it's just a case of knowing where everything is, though obviously that takes time to learn properly. I'd like to see a producer pick up a cello though and automatically have an idea of what he was doing.
Should probably add though that'd they'd be equally difficult starting from scratch. Cubase is a blag for anyone, no matter how much experiance you have.
Last edited by stephisaint on Mon Sep 14, 2009 4:01 pm, edited 1 time in total.
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IMO 'how hard is it to do' is the wrong way to judge music anyway. You expect someone to say "oh, my tunes sound a bit rubbish, but that's because I've spent 15 years learning to play the guitar with my elbows, ergo I'm better than all the people who use their fingers."
Doing something the hard way purely because it's harder is not the one imo...
Doing something the hard way purely because it's harder is not the one imo...
but for guitarists, they didn't make the strings themselves, or the neck, or the body. and if they decide they want a new sound, they buy different strings or an FX pedal. no different that relying on someone else to make a sine wav, or buying a new vst or synth because you want new sounds.Abs wrote:truth is though that you can't play an instrument, you can arrange things and edit them in a computer program, you didnt make that sine wave.. the programers who made fruityloops did all that, you just drew out a note and probably put an lfo on it.
i on the other hand have been playing the drums and guitar for years, so when people ask i say i play those.. and make tunes on a laptop
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yeah, I never understood guitarists doing solo work(wank) like Joe Satriani and Steve VaiSlothrop wrote:IMO 'how hard is it to do' is the wrong way to judge music anyway. You expect someone to say "oh, my tunes sound a bit rubbish, but that's because I've spent 15 years learning to play the guitar with my elbows, ergo I'm better than all the people who use their fingers."
Doing something the hard way purely because it's harder is not the one imo...
admitted they are very good guitarists but they make shit music
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but theres a middle road...Defekt wrote:yeah, I never understood guitarists doing solo work(wank) like Joe Satriani and Steve VaiSlothrop wrote:IMO 'how hard is it to do' is the wrong way to judge music anyway. You expect someone to say "oh, my tunes sound a bit rubbish, but that's because I've spent 15 years learning to play the guitar with my elbows, ergo I'm better than all the people who use their fingers."
Doing something the hard way purely because it's harder is not the one imo...
admitted they are very good guitarists but they make shit music
who wants to see a douche run on with power chords for an hour?
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exactlySouth3rn wrote:for guitarists, they didn't make the strings themselves, or the neck, or the body. and if they decide they want a new sound, they buy different strings or an FX pedal. no different that relying on someone else to make a sine wav, or buying a new vst or synth because you want new sounds.
+1The Acid Never Lies wrote:exactlySouth3rn wrote:for guitarists, they didn't make the strings themselves, or the neck, or the body. and if they decide they want a new sound, they buy different strings or an FX pedal. no different that relying on someone else to make a sine wav, or buying a new vst or synth because you want new sounds.
Also I only thought the "computer no instrument" argument was only used by 12 year olds and frustrated metalfags?
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