British hip hop from an American's perspective
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Re: British hip hop from an American's perspective
just throwing this out there, id dont know if they are popular in the UK at all but S.A.S. was signed with dipset at the height of their success and those duded could rip.
Re: British hip hop from an American's perspective
nnaahh, really? nearly all those videos i whacked up are in the 90-100bpm category.... and theyre all definitely hiphop with british accents....illum sphere wrote:I think it's a matter of dialect and flow suiting tempo.
For example, in general, US MCs sound better on 85-100 bpm type tracks, where as UK guys sound better on the 70/140 mark. Put a US MC on a grime beat and then you get goofy.
and, just for arguements sake, dead prezs song 'hiphop' is about 76ish bpm, and jayzs big pimpin is 70ish too....
though i agree, british accents suit 140/grime/etc beats better than american, that said i dont think ive every heard american grime.
Re: British hip hop from an American's perspective
a dope mc will flip it over whatever tempo, no matter where he was born.
Re: British hip hop from an American's perspective
illum sphere wrote:Put a US MC on a grime beat and then you get goofy.
If their a good MC (& have skills) tempo, rhythm or whatever shouldn't make a difference.

Re: British hip hop from an American's perspective
brand new uk bizness
tempa t is grime not hiphop.
Re: British hip hop from an American's perspective
yeah I know that a good MC should be able to rock any tempo, but I'm not actually dissing MCs here... I'm saying it's simply a dialect issue...saba wrote:If their a good MC (& have skills) tempo, rhythm or whatever shouldn't make a difference.
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Re: British hip hop from an American's perspective
sirsnaf wrote:and just because Life MC has the sickest flow of any rapper here or anywhere yet remaisn criminally overlooked - heres loads more Phi Life Cypher....
Yeah they friggin kick-ass.
That Cordless Mics song on the Skitz "Countryman" album is insane. The lyrics are awesome and the flow is incredible.
I caught them live up here in Edinburgh a few years back and they were great.
Re: British hip hop from an American's perspective
Matt3r wrote:a dope mc will flip it over whatever tempo, no matter where he was born.
Re: British hip hop from an American's perspective
Life MC has the sickest flow of any rapper
i disagree
Re: British hip hop from an American's perspective
this is simply a masterpiece, at least 10000 views of this track are hit by me.2tall wrote:
brand new uk bizness
now guyzzz pls have a look and give some feedback on this British-Polish collab:
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Re: British hip hop from an American's perspective
Pedro Sánchez wrote:The average British rapper (Not Grime) is better than Lil' Wayne and some were considering him the greatest rapper.
Then again, the average american rapper is "better" than a lot of grime rappers. But I'm not judging, especially when I've never fully bumped to a british hip-hop song/rapper. I definitely relate to the guy who started this topic.
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Re: British hip hop from an American's perspective
illum sphere wrote:I think it's a matter of dialect and flow suiting tempo.
For example, in general, US MCs sound better on 85-100 bpm type tracks, where as UK guys sound better on the 70/140 mark. Put a US MC on a grime beat and then you get goofy.
Naw, because I bet a lot of major american rap/hip-hop artist would be able to deliver as good on a dance/jungle/electronic beat that normally measures up to the higher 100 bpm's. It just wasn't common until it gained some popularity in the 2000's where 808 kits are being more commonly used and in the 73 bpm range as well.
Like Kid Cudi,Crooker's mix of Day n night, and the Tim Westwood freestyle where tim played a garage/funky instrumental which btw, would anyone know the name of??
Re: British hip hop from an American's perspective
Brit hop is just like any other hip hop... I listen to stuff from all over the world. Even some french stuff where I can't understand a word coming out of the emcee's mouth still sounds amazing just because of how he says it.
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Re: British hip hop from an American's perspective
I don't care if you are from the center of the planet, this is almost too amazing. My head almost exploded.
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Re: British hip hop from an American's perspective
This is nice, I just like Noisia's breakdownoni wrote:
I don't care if you are from the center of the planet, this is almost too amazing. My head almost exploded.
Re: British hip hop from an American's perspective
I've never really thought most (good) Grime or British MC's ever sounded all that bad. Once you listen to enough of it, you can start to understand what the slang means and how it's used.
American MC's, on the other hand....90% of them are absolute rubbish. IMHO, MF Doom, Clipse and The Cool Kids are the only MC's worth mentioning these days. I don't understand what the fascination with Southern Rappers is. They can't actually rap. At all.
American MC's, on the other hand....90% of them are absolute rubbish. IMHO, MF Doom, Clipse and The Cool Kids are the only MC's worth mentioning these days. I don't understand what the fascination with Southern Rappers is. They can't actually rap. At all.
Re: British hip hop from an American's perspective
I agree with you completely, Clove. I listen to a lot of Aesop Rock, but as far as mainstream American "Rap" it's 99% bullshit.
Hence why I rhyme more over heavy house, grime, and dub tracks than I do on traditional hip hop tracks.
Hence why I rhyme more over heavy house, grime, and dub tracks than I do on traditional hip hop tracks.
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Re: British hip hop from an American's perspective
i disagree
for me
oddisee
worsmith
unknown
aceyalone
john robinson
j-live
raekwon
ghost
busta
q-tip
blu
r.a.
trek-life
are all pretty sick. though no-one represents at all on distributing dope digital us hiphop, so i'm probably sleeping on a load more too..
for me
oddisee
worsmith
unknown
aceyalone
john robinson
j-live
raekwon
ghost
busta
q-tip
blu
r.a.
trek-life
are all pretty sick. though no-one represents at all on distributing dope digital us hiphop, so i'm probably sleeping on a load more too..
Re: British hip hop from an American's perspective
Perhaps... but if you knew anything about hiphop, you'd know its never been about the mainstream. Yeah, it might be easy to say "Souljah Boy sucks"... but you would have to get in line behind Ice-T, Method Man, Snoop, and the countless other legends who have dismissed that little shit. If you are looking for quality in the charts, you are looking in the wrong place.oni wrote:I listen to a lot of Aesop Rock, but as far as mainstream American "Rap" it's 99% bullshit..
Just remember- terrible mainstream rap is not just an American problem. It is a worldwide problem. For every Souljah Boy & Flo Rida in America, there is a Tinchy Stryder and Chipmunk in England, etc etc...

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Re: British hip hop from an American's perspective
and for every eli porter theres a kersal massive
i.e. the GOATs
i.e. the GOATs
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