
seckle what is that slice of deliciousness that runs in the intro??
leave it to Joe to bridge what-the-fuck into DMZ vs. MZN. big things amigo!
i agree with darknes except i thought intra:mental did have it together, great set!darknes wrote:dave, incyde, and joe brought it as usual, but vaccine put me to sleep and instra:mental never quite got it together. add in the 'there's always a way to the front of the line' $20-bill loving bouncer on the door and i was just confused.
i'll try to answer your concerns as much as i can..brand100 wrote: good:
-separate windows for tickets and coatcheck... cut down on the clusterf*ck that LOVE's entrance can be
-removal of the rock slab by the front bar... a no brainer to make room for things like bathroom and coatcheck lines
indifferent:
-opening up the rave(rape)cave
bad:
-both bars running out of beer and eventually serving warm beer
-coat check being full very early in the night... even though i've been there in the winter when it's been more crowded and coat check wasn't full
-seating along the back wall... if you wanna sit, go to the rave cave
really bad:
-the sound system has been moved around and i can't tell but have some components been eliminated (or just moved) for the sake of seating???sure the bass sounded good this past dub war, but not like i remember. or did instra:mental not take advantage of the system? i'm kind of scared about messing around with the best sound system in NYC so that NYU students who can't handle their drugs have a place take a breather... no matter how douchey the crowd is, you could always reassure myself it was worthwhile just to hear it on that system... was Gary Stewart consulted about these changes??? if anyone has any info about what changes were made to the system, i'd love to know.
keepitrealupinthefeel
abstractsound wrote:random "bro" turns to me, 30 minutes into shack's set. "it hasn't really dropped yet, has it?" Out to shackleton for sailing one over their heads.
Thanks for the info! much appreciated. i didn't realize those subs haven't been functional in so long...incyde wrote: and finally, about the sound.. there were 2 "scoop" style subs that used to be installed in the back (where the seats now are), but they haven't been functional for over a year or something like that. so they got rid of them, cuz they weren't doing anything.
and the reason it didnt sound quite as weighty as previous months is because 2 months ago, 1/2 of the back corner stack's sub driver was blown out. so the back subs were not as strong as the front ones.
thanks for your feedback... from what i hear they will be fixing those drivers ASAP.
Technical excellence and musical depth has always been more important to me as an artist than danceability, which is what I was trying to get at in my previous response - I'm known for a specific style. I think the problem is false expectations, which you admit to having. Had I played a significantly meaner set, conversely there might be people complaining that it wasn't what they came expecting to see. If Burial played out, would you expect something very different from how he's always defined himself as an artist? It's a fair question. No wonder he doesn't.darknes wrote:Vaccine-I like your music. A lot. You're one of the reasons I was excited about going to this Dub War. I just thought you were going to play a danceable set, since it was peak hour, plus I thought it would be more different from the Mary Anne Hobbes set than it was. Technically, it was fantastic, but I wasn't the only one a bit bored, waiting for something more, for more tension, more release, whatever. I felt like the room was ready to pop off when you started, and it didn't. Glad everyone had fun though!
abstractsound wrote:random "bro" turns to me, 30 minutes into shack's set. "it hasn't really dropped yet, has it?" Out to shackleton for sailing one over their heads.
I don't think that you needed to necessarily play meaner, that wouldn't have made me happy eitherlittle boh peep wrote:Technical excellence and musical depth has always been more important to me as an artist than danceability, which is what I was trying to get at in my previous response - I'm known for a specific style. I think the problem is false expectations, which you admit to having. Had I played a significantly meaner set, conversely there might be people complaining that it wasn't what they came expecting to see. If Burial played out, would you expect something very different from how he's always defined himself as an artist? It's a fair question. No wonder he doesn't.darknes wrote:Vaccine-I like your music. A lot. You're one of the reasons I was excited about going to this Dub War. I just thought you were going to play a danceable set, since it was peak hour, plus I thought it would be more different from the Mary Anne Hobbes set than it was. Technically, it was fantastic, but I wasn't the only one a bit bored, waiting for something more, for more tension, more release, whatever. I felt like the room was ready to pop off when you started, and it didn't. Glad everyone had fun though!
I'm also somewhat limited to tunes that I have the parts for, given that it was a live PA. There's music by other artists I would definitely like to incorporate into future sets - case in point my live remix of "LFO" by Kito - however they didn't get back to me with the parts in time.
Thank you for the carefully-worded review though, I'll take that under advisement. Please also understand that this was my second gig ever, and by nature there might be kinks.
anyone know what the breaksy track at 2:08 is? Love it.seckle wrote:
it's ramadanman - "glut" mixed with skream "minimalistix"blumarten wrote: anyone know what the breaksy track at 2:08 is? Love it.
nice one cheersdq wrote:it's ramadanman - "glut" mixed with skream "minimalistix"blumarten wrote: anyone know what the breaksy track at 2:08 is? Love it.
Hey there...really bad:
-the sound system has been moved around and i can't tell but have some components been eliminated (or just moved) for the sake of seating??? sure the bass sounded good this past dub war, but not like i remember. or did instra:mental not take advantage of the system? i'm kind of scared about messing around with the best sound system in NYC so that NYU students who can't handle their drugs have a place take a breather... no matter how douchey the crowd is, you could always reassure myself it was worthwhile just to hear it on that system... was Gary Stewart consulted about these changes??? if anyone has any info about what changes were made to the system, i'd love to know.
seckle wrote:Security/Door problems or comments are really important to us, and your input is really helpful. If anyone's got other examples from last night of strange door/security treatment, please let us know.
jibberish wrote:seckle wrote:Security/Door problems or comments are really important to us, and your input is really helpful. If anyone's got other examples from last night of strange door/security treatment, please let us know.
I've been going to Dubwar for almost three years now. I always have great time, no matter my particular tastes within the genre, but this last time, the general management of the venue almost ruined it for me. The bouncer at the coat check counter was forcing to people check there coats, even if they didn't want to. I saw a guy in a light nylon jacket get totally hassled. At the bar, the bartender told me that there was a $50.00 minimum for credit cards, which is ridiculous. It used to be a reasonable $20.00.
Love is awesome because of the wicked sound system. But it also used to be awesome because it was a quirky post-raver venue, with nothing but good vibes. Now it seems like it just want to be becoming another meat packing district bottle service club. It's alienating at best.
Seckle, I don't know how much sway you guys have with the management, and I'm sure financial considerations play into this, but it sucks to watch a great thing get spoiled.
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