Blackdown - big DMZ feature
- ajantis_art
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hey everyone, thanks for all the feedback. I spent a very long time on this and given how good Digital Mystikz and Loefah are, it was important to me to do them justice.
yes the pdf seems to have a line missing running over the join of p36-38.
It should read from the Loefah quote:
“I felt something in Forward>> that night that I hadn’t felt in years. It just felt like the [seminal Metalheadz jungle club] Blue Note again.”
They’d attended Forward>>, held in east London’s Plastic People, to hear Hatcha, the DJ credited with leading dubstep from a UK garage offshoot into a distinct genre.
As for the polyrythm reference, before "Bury the Bwoy" i dont think i'd ever heard kicks used in those places in dubstep.
As for the post-timbaland comment, it's a reference to the harsh, non-pitch shifted, stiff hats in Mud that sound like they come straight out of late 90s Timbaland (for reference, to me, jungle used looser, rolling breaks, garage's swing came from shifting lighter hats).
yes the pdf seems to have a line missing running over the join of p36-38.
It should read from the Loefah quote:
“I felt something in Forward>> that night that I hadn’t felt in years. It just felt like the [seminal Metalheadz jungle club] Blue Note again.”
They’d attended Forward>>, held in east London’s Plastic People, to hear Hatcha, the DJ credited with leading dubstep from a UK garage offshoot into a distinct genre.
As for the polyrythm reference, before "Bury the Bwoy" i dont think i'd ever heard kicks used in those places in dubstep.
As for the post-timbaland comment, it's a reference to the harsh, non-pitch shifted, stiff hats in Mud that sound like they come straight out of late 90s Timbaland (for reference, to me, jungle used looser, rolling breaks, garage's swing came from shifting lighter hats).
Keysound Recordings, Rinse FM, http://www.blackdownsoundboy.blogspot.com, sub, edge, bars, groove, swing...
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yeah I know what exactly you're saying, despite many other tracks having polyrhythmic elements, Bury was novel in it's application - with magical results. But hey, I'm just arguing over semantics, the rest of the article was superb, and some diamond words from the Mala and Loefah.Blackdown wrote: As for the polyrythm reference, before "Bury the Bwoy" i dont think i'd ever heard kicks used in those places in dubstep.
respect.
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- Posts: 1038
- Joined: Mon Nov 14, 2005 10:10 pm
- Location: Berlin / Edinburgh
http://www.sendspace.com/file/dm9r5z
Edit: http://www.megaupload.com/?d=7VFLLTKG
Big up Blackdown on this, really great bit of writing.
Edit: http://www.megaupload.com/?d=7VFLLTKG
Big up Blackdown on this, really great bit of writing.
Last edited by 4linehaiku on Mon Mar 19, 2007 4:00 pm, edited 1 time in total.
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- Location: Glasgow - no more hungover bus journeys home!
Very good article, big up yourself 4linehaiku. Blackdown is like the poet laureate of dubstep, except he's not a poet.
http://www.thehungersite.com
ckzdub wrote:no 1 fucking cares about ur oppinion go back to listening to ur soft ass homophobe. garage 2step medatative bullshit
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