downlink isn't downlink?AllNightDayDream wrote:Not himdeadly habit wrote:why don't you pm him?
http://www.dubstepforum.com/memberlist. ... le&u=86835
news to me
downlink isn't downlink?AllNightDayDream wrote:Not himdeadly habit wrote:why don't you pm him?
http://www.dubstepforum.com/memberlist. ... le&u=86835
yeah nvm I read it wrongdeadly habit wrote:downlink isn't downlink?AllNightDayDream wrote:Not himdeadly habit wrote:why don't you pm him?
http://www.dubstepforum.com/memberlist. ... le&u=86835
news to me
For some reason I don't think I'd get the response I'm lookin for. Those big dogs don't like to give their secrets up. Fuck it, I'll figure it out eventually.deadly habit wrote:why don't you pm him?
http://www.dubstepforum.com/memberlist. ... le&u=86835
and if you never ask...th@-pu$$y wrote:For some reason I don't think I'd get the response I'm lookin for. Those big dogs don't like to give their secrets up. Fuck it, I'll figure it out eventually.deadly habit wrote:why don't you pm him?
http://www.dubstepforum.com/memberlist. ... le&u=86835
Very true. Guess It never hurts to ask.deadly habit wrote:and if you never ask...th@-pu$$y wrote:For some reason I don't think I'd get the response I'm lookin for. Those big dogs don't like to give their secrets up. Fuck it, I'll figure it out eventually.deadly habit wrote:why don't you pm him?
http://www.dubstepforum.com/memberlist. ... le&u=86835
putting people on pedestals is one of the biggest impedances you can put on yourself and building up a network of contacts
Gonna give this a shot just as soon as I get home. Thanks for hooking up the learning. On another note, That song still has my brain all fucked up. Some-0-tha coolest shit I've ever heard.downlink wrote:Hey guys, I'm stoked your diggin my sound design as that's what I focus on most as a producer. For the sound in question I think it was a pretty simple process. I think it was just a square wave on osc 1 with the amp all the way up. On osc2 I had a touch of of one of the digital waveforms like a quarter of the way up or something, and maybe an octave higher I can't remember. It's all going through the scream filter with a generous amount of "scream" and resonance. There is also a healthy amount of classic tube distortion on it. A bit of widening on the pan position, a bit of camelphat, a bit of Downlink's special 2 day steak marinade, and voila! If you still can't figure it out I will open the project up and check it out, but from what I remember that's about it. The key is really the "scream" and resonance settings. They are very dependent on eachother and very small changes do a lot. With a bit of time tweaking you can usually find the sweet spot. Also, I used envelopes and separate midi notes for this track rather than lfo's with different rates. Hope this helps.
Where can I buy said marinade?downlink wrote:Downlink's special 2 day steak marinade
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