I've gotten plenty of mixes to master that sound great w/ a compressor on the master bus. I usually ask for it off, but if a producer is adamant that it's the sound he/she wants for the song-- who am i to complain? At that point, i may have chosen to do it differently, but if that's what you're going for an you know it-- that's what you're going for.-[2]DAY_- wrote:Typically, should a pre-mastered mix not make use of any leveling amps/plugins on the master? Or maybe that's pretty much up to the artist/mix engineers preferences?
Can't think of a single mix that sounded great when it had a limiter. Not only does it wall you in in terms of available dynamics-- if it's hitting the limiter hard, then you're going to have a fair bit of ugliness in the top end, and who knows what kind of malarky in the low end.