JizzMan wrote:so basically you are saying that dj's need to get more creative and involved in their music to a point where they can wow even the biggest druggie and make em all remember the tunes you played last night for a while? If so, thats a good point, even though it aint revolutionary or anything, its literally the fundamental aim that all dj's should go for, but only a few do I guess... liked the whole talking about the concept of a narrative in your sets, something that I try to do but eventually just end up mixing loads of stuff of the same kind and beat haha
you could've presented it in a better way but for an on-the-fly thing that was decent
edit: I need to try and catch a live set of yours (if you do them that is), after this little speech I'm well interested in seeing how you will approach a DJ set haha

It was more than that. I'm not just talking about DJs - I'm talking about what we can learn from DJs in terms of the interaction of ideas and cultures. That is to say, DJs don't and can't just jam things together and expect them to work, but have to learn a craft which enables them to spot the points of connection between records (and thus ideas) that nobody else would think to combine. When you hear a true genius like, say, Twitch from Optimo, or Oneman or Mala, they are manipulating the way you understand culture in real time. I'm old enough that some of my earliest introductions to what a DJ could do were the Orb / KLF (after all 'Chill Out' is pretty much a 45-minute DJ set), who could mix literally anything, from any era, to create a mood and interchange of thought, without having to worry about matching tempo or keeping the dancefloor full.
As for the delivery, well, it was an experiment with format. I was kind of doing what I described: forcing opposing ideas together to see how they mix... And also, while I'm all in favour of academic seminars on underground music, I think they can often become a deathly tedious clusterfuck too, so I want to look at ways of looking at serious ideas but maintaining the energy and ambiguities of the culture under discussion instead of going into that chin stroking, above-it-all mode. I'm not surprised many hated it, but enough people who've responded, both on the night and since, got what I was doing to have made it worthwhile. I love the fact that youtube has been absolutely dead level on "likes" and "dislikes" consistently.
The main criticisms have been interesting:
- "
this makes no sense" ...no, it makes no sense to YOU, that's your problem
- "
it's not funny" - fair enough
- "
it's not making a coherent point" - who said it was meant to? I'm just chucking ideas around
- "
this guy is no fun / must only go to shit clubs / isn't as cool as me" - way to miss the point: a) the negative part at the beginning is not intended to sum up my experiences - it's a condensed version of observation of many people over the years b) if you think your cool / brilliant / drug free etc club experiences are somehow separate from the shit stuff, you have your head buried in the sand. All of club life, good and bad, is part of the same social and economic machine, which is built on drink/drug consumption. It's great that some people are able to build something more intelligent, engaged and culturally valuable - but they are always building it from base materials. c) try basing your criticism on more than the title and the first three minutes, which are obviously taking the piss in any case!
- "
this guy''s fat / mental / rubbish" - yeah fuck you too
As for DJing, I do play, I'm not a very good mixer and I tend to be extremely inconsistent in a club environment - probably because I go overboard with diverse selections but haven't got the skills to make it work... When it works it REALLY works though. I'm more of a bar DJ to be honest, I like Sunday afternoon sessions where you can really go round the houses.
I've been doing more online mixes lately, just getting to grips with what I can do with technology to make up for my malcoordination with a mixer... see this 'Thousand Tons Dream' mix, which features no beatmatching at all:
http://soundcloud.com/veryverymuch/thousand-ton-dreams - or this one, which joins the dots between grime and electro -
http://soundcloud.com/veryverymuch/joe- ... rectro-mix - or this one which mixes and matches a fair few genres at 156bpm
http://soundcloud.com/ninja-tune/solid- ... -show-9-12