LIVE - FWD @ The End
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By using this "Mixes" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk.
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dutty yuppie
- Posts: 668
- Joined: Mon Jul 09, 2007 10:19 pm
- Location: SW9
Pray tell me how it is "utterly bizarre" that a producer should be entitled to receive money on something that is released and sold to the paying public?
There is an argument that they should be receiving PRS monies from the 'public performance' that constitutes the playing of their track in a club so I'm not sure what I'm saying is so unfeasible.
There is an argument that they should be receiving PRS monies from the 'public performance' that constitutes the playing of their track in a club so I'm not sure what I'm saying is so unfeasible.
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dutty yuppie
- Posts: 668
- Joined: Mon Jul 09, 2007 10:19 pm
- Location: SW9
This is where i stopped listeningq_vazk wrote:I never defined 'they' so it can be anybody... The djs, the punters, the organizers... doesn't matter.
And yes, these 'punters' could be trying to make it 'something to pay for' just because they feel like bragging to less fortunate fellas about their 'signed' original FWD boxset or smth on which they popped 'mommy's' quid on..
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ZzzzzzzzzZzzzzzzzzzzzzzzzzz
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clone.a.k.
- Posts: 751
- Joined: Tue Oct 18, 2005 6:30 pm
- Location: Humboldt County, California
- Contact:
straightq_vazk wrote:I'm sorry... I may be a little 'over the top' regarding this matter...
But why on earth would you think an 'event' deserves a 'cd pack release'??!!
Just... Make me understand please! What kind of effort gets put into mixing at a live event that deserves so much remuneration in addition to the tickets sold and the dj's fee?!...
I mean, are you all really that "money greedy"?
Thomas > you act a bit like an ignorant...
clone.A.K. > do you agree or not?
Dutty Yuppie > could you please elaborate, I never heard of PRS ... I deserve a little shame, I agree. Anyway, I strongly believe that if we were to continue enforcing this manner of thought in no time at all software companies will start demanding a fee if you generate wobbly wobbles using their DAW's or whatever they're called... I don't know exactly how things work, but don't DJ's (I mean some that are not widely aknowledged) pay for their vinyls? Or do you mean that if it gets played in a public place artists are entitled to some remuneration? A bit hilarious and highly unlikely to become common practice.. And on the other side - you have those top'class DJ's that everybody hype to... So in my humble opinion to get your gutty tracks played - aka 'featured' on one of those DJ's set it's already a reward in itself - and you may view it like some sort of a marketing schemeThere is an argument that they should be receiving PRS monies from the 'public performance' that constitutes the playing of their track in a club so I'm not sure what I'm saying is so unfeasible.
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ramadanman
- Posts: 2924
- Joined: Sun Mar 05, 2006 12:10 pm
from what i gather
technically a club has to have a PRS licesnse (prs = performing rights society) which enables them to have the music publically performed in their venue
then DJs are meant to submit tracklists with what they play at the club to the PRS, then royalties get distributed accordingly to artists who are signed up to the prs
in theory obviously...
technically a club has to have a PRS licesnse (prs = performing rights society) which enables them to have the music publically performed in their venue
then DJs are meant to submit tracklists with what they play at the club to the PRS, then royalties get distributed accordingly to artists who are signed up to the prs
in theory obviously...
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