You're right, usually I would say tempo is the definer for me too, but I'm actually loving being able to play a full range of 65 - 140 and everything in between and 'dubstep' has opened those doors allowing a lot more expression and variation of tempos.SamSupa wrote:Hey Dov. So personally I tend to classify the Lazer Bass stuff as Glitch period. I think Rustie Glitch Mob Flying Lotus all that stuff can all fall under Glitch and has elements of Lazer Bass Gltich Hop etc. If I find a Glitch like track in with the Dubstep it better be 138 or more. I think Back in the day we could even call that stuff LEFTFIELD or even NU-IDM or Big Beat or even Nu-Downtempo because again the tempo is the definer to me.
Also a lot more places (like discogs) now have a 'Glitch' section, just like you mentioned. We put out our first midtempo / glitch-hop track on Muti in 2004 and websites and stores made us list it under leftfield, trip-hop, big beat etc
'lazer bass' is like a micro-micro-genre of the more 'hoppy' stuff.shane wrote:LAZER BASS has me pretty intrigued.
The guys who are calling their stuff 'lazer bass' are generally doing more of a fusion of 'hyphe' and 'dirty south' hip hop, like exactly what 'Glitch Mob' and also 'Megasoid' are doing more than anything else. Basically the more hyped up very produced hip hop vs the Flying Lotus deep / emotive headspaces very produced hip hop.
However vibe wise I would maybe even class Flying Lotus alongside Burial in some ways.
anyway, it's all just expressionist urban music and the rest is pretty much for database filing and marketing





 
 


