if i see something i wanna buy on vinyl, I BUY IT!

pete bubonic wrote:All Soul Motive vinyl releases (as pointed out) have unique download codes to get the mastered MP3's with digital copies of the artwork for you desktop. In fact we deliberately stagger the MP3 releases on sites to encourage and reward people for buying the vinyl.
We will continue to do this and add and expand the service when we come up with new ideas and as long as the service isn't abused.
Surely you must have some room for a single turntable, it's not like it's gigantic.Alex-C wrote:My turntables are in storage because I have no room in my flat for them
My room is jam packed, there's not a single free surface and it's another thing to plug in to the adapter, and hook up to speakers which I'd have to have too.Frodo wrote:Surely you must have some room for a single turntable, it's not like it's gigantic.Alex-C wrote:My turntables are in storage because I have no room in my flat for them
What a stupid idea. Turntables should come in pairs.Frodo wrote:Surely you must have some room for a single turntable, it's not like it's gigantic.Alex-C wrote:My turntables are in storage because I have no room in my flat for them
i still think there's a better case to argue for what labels like soul motive are doing for their vinyl customers. Besides, creating the boundaries, as you suggest, which labels go out of their way to do (which is, to only release on vinyl), can only serve to encourage unlawful copying of dubs (whether or not for personal use).Earthling wrote: There's a reason some labels/artists only release their tracks on vinyl without the option of any sort of digital copy.
Quite.Earthling wrote:The whole point to vinyl is that it's not digital.
well Im not really into arguing, but being understood. I hope I understand you, that you want to be able to appreciate all of these tracks, and play them out, and turn people onto them, and all of this with a practical digital format available with the 12" you payed for.spencerTron wrote:i still think there's a better case to argue for what labels like soul motive are doing for their vinyl customers. Besides, creating the boundaries, as you suggest, which labels go out of their way to do (which is, to only release on vinyl), can only serve to encourage unlawful copying of dubs (whether or not for personal use).Earthling wrote: There's a reason some labels/artists only release their tracks on vinyl without the option of any sort of digital copy.
although it's nice to have tracks on vinyl unavailable on anyother format (some i have), it's a shame that others go without, their only option is to hope of somebody else providing it to them, which will definetly not be the label, Those consumers won't buy the vinyl just for the download code supplied with a vinyl purchase if they only play mp3's, but i think it comes down to labels providing more than one medium for their product and subsidizing those that fork out for the vinyl and listen to music in more than one place without having to do additional ripping/processing of something they have bought.
I aint interested in opening the standard vinyl vs digital can of worms, but I will say that by only making music available on one format alienates those that don't have the equipment to play it. Clearly not everybody benefits from having tunes available through one medium.Earthling wrote:Well to me its also more the way i feel about it
Digital just doesn't quite feel right to me; It just doesnt LIVE, somehow soulless. The difference is large for me and I take this seriously.
i think a lot of us vinyl people go out of our way to preserve the vinyl sound by making our music on vinyl only, either because we fear it might get wiped out if every last track was available digitally, or because we see music as having much higher artistic value when on vinyl format.
To me it has nothing to do with money or piracy, but the artistic substance, the sound of dubstep and my desire for it to represent that vinyl sound. I know it might seem forceful or unfair, for individuals to release their substance on only the one format, but I feel that everyone benefits from this activity, and we all seem to be scraping by some pretty nice music here thanks to all of us and our diverse intentions
hmm hopefully this doesnt sound too scattered
yes, the majority feel the same, and so do i, but that is far from the point.Earthling wrote: Digital just doesn't quite feel right to me; It just doesnt LIVE, somehow soulless. The difference is large for me and I take this seriously.
hmm yeah actually deleted that post as you were writing because it came out weird.Shafey wrote:I aint interested in opening the standard vinyl vs digital can of worms, but I will say that by only making music available on one format alienates those that don't have the equipment to play it. Clearly not everybody benefits from having tunes available through one medium.Earthling wrote:Well to me its also more the way i feel about it
Digital just doesn't quite feel right to me; It just doesnt LIVE, somehow soulless. The difference is large for me and I take this seriously.
i think a lot of us vinyl people go out of our way to preserve the vinyl sound by making our music on vinyl only, either because we fear it might get wiped out if every last track was available digitally, or because we see music as having much higher artistic value when on vinyl format.
To me it has nothing to do with money or piracy, but the artistic substance, the sound of dubstep and my desire for it to represent that vinyl sound. I know it might seem forceful or unfair, for individuals to release their substance on only the one format, but I feel that everyone benefits from this activity, and we all seem to be scraping by some pretty nice music here thanks to all of us and our diverse intentions
hmm hopefully this doesnt sound too scattered
I too also take this seriously and for me it's a no-brainer that in this day and age, all music for release should be made available across a range of formats. It does of course depend on what a label/producer's intentions are; whether they're looking to reach as many people as they can or whether they're looking to make music purely for themselves.
I'm not suggesting anything is owed to anyone. Just pointing out that by keeping the music to one form, a producer/label is potentially missing out, which personally I don't feel is beneficial to anyone.Earthling wrote:hmm yeah actually deleted that post as you were writing because it came out weird.Shafey wrote:I aint interested in opening the standard vinyl vs digital can of worms, but I will say that by only making music available on one format alienates those that don't have the equipment to play it. Clearly not everybody benefits from having tunes available through one medium.Earthling wrote:Well to me its also more the way i feel about it
Digital just doesn't quite feel right to me; It just doesnt LIVE, somehow soulless. The difference is large for me and I take this seriously.
i think a lot of us vinyl people go out of our way to preserve the vinyl sound by making our music on vinyl only, either because we fear it might get wiped out if every last track was available digitally, or because we see music as having much higher artistic value when on vinyl format.
To me it has nothing to do with money or piracy, but the artistic substance, the sound of dubstep and my desire for it to represent that vinyl sound. I know it might seem forceful or unfair, for individuals to release their substance on only the one format, but I feel that everyone benefits from this activity, and we all seem to be scraping by some pretty nice music here thanks to all of us and our diverse intentions
hmm hopefully this doesnt sound too scattered
I too also take this seriously and for me it's a no-brainer that in this day and age, all music for release should be made available across a range of formats. It does of course depend on what a label/producer's intentions are; whether they're looking to reach as many people as they can or whether they're looking to make music purely for themselves.
and i dont feel like opening that can of worms either
I know this vinyl nut jargon sounds nuts, but if you want to say that I am keeping music to myself, there's the infinitely looping chicken or the egg right there - the argument of "you owe it to the audience to make your music available" and "the audience owes it to me to respect my creation"
all arrogant IMO, but at least I'm aware of the arrogance, and proud of it!
I thought you only did this for your second release? I bought both Soul Motive records and only got the download code for the second one. Although now that I think about it, I did buy the Soul Motive 001 in an actual physical store, so probably someone grabbed the slip with the code on it before i bought it.pete bubonic wrote:All Soul Motive vinyl releases (as pointed out) have unique download codes to get the mastered MP3's with digital copies of the artwork for you desktop. In fact we deliberately stagger the MP3 releases on sites to encourage and reward people for buying the vinyl.
We will continue to do this and add and expand the service when we come up with new ideas and as long as the service isn't abused.
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