Won't pendulum leave anything alone
true.. but still. where is the DUBSTEP???Utopian wrote:something tells me this wouldn't get the same level of criticism if it wasn't Pendulum.
wheres the space, where's the originality, the mood, the music... i like banger tunes, i like some rusko bits, also i LOVE kromestar especially for the "simplicity" of his tunes. but this slowed-down-DnB-stuff is just sooo formulaic. it's dancefloor tools with no soul to it. fuck this kind of music.
also, anyone noticing how the drums rip off the "night" beat? (listen to the cowbells)
oh, it's just a percent game. 
			
			
									
									
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i am actually enjoy reading this thread..
because.. i could SWEAR that if this tune was made by someone else there wouldn't be so much HATING around the track...
I think it's allright.
i know there's alot more peeps who likes this track
			
			
									
									because.. i could SWEAR that if this tune was made by someone else there wouldn't be so much HATING around the track...
I think it's allright.
i know there's alot more peeps who likes this track
http://www.mixcloud.com/djdubzy
Assign the LFO to the Cutoff
						Assign the LFO to the Cutoff
Yeah, if it was made by a new producer it'd get a thread in dubs with about four people saying "yeah decent sounds, any chance of a 320?"dubzy wrote:i am actually enjoy reading this thread..
because.. i could SWEAR that if this tune was made by someone else there wouldn't be so much HATING around the track...
I think it's allright.
i know there's alot more peeps who likes this track
On the other hand, if it was made by a new producer it wouldn't get a major label release (like actually major label, not just 'well known dubstep label'), have literally thousands of Pendulum fanboys fawning over it, possibly represent a lot of people's first experience of dubstep and so on.
No longer talking specifically about Pendulum, but your response to a new producer who (as far as you know) has only just learnt which end of a synth is and really wants to make dubstep but hasn't developed an individual style yet is going to be a bit more polite and encouraging than your response to a producer with evident technical skill who seems to have bashed out something well polished but fairly derivative in a popular style where you kind of suspect they've thought "yeah, dark sounds, snare on three, wobble bass, I reckon I can do that..."
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				sam the dnb man
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They went downhill as soon as they released blood sugar.
Axle grinder on the flip was aight though
			
			
									
									Axle grinder on the flip was aight though
http://www.myspace.com/felthamdrumandbass
check ''the darkened light'' still needs alot of work on it though
						check ''the darkened light'' still needs alot of work on it though
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				sam the dnb man
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prefer it if vex'd did it.bjackman wrote:
PENDULUM - MASOCHIST (BENNY PAGE DUBSTEP RMX) anyone? (sorry)
that would be BEEEEFY!
http://www.myspace.com/felthamdrumandbass
check ''the darkened light'' still needs alot of work on it though
						check ''the darkened light'' still needs alot of work on it though
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				sam the dnb man
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I like alot of thier old stuff, but they are overrated man.Slothrop wrote:For some reason I don't like anything I've heard by them except Tarantula, which I rate as a moment of gonzoid pop genius to compare with Dancing Queen or Jumping Jack Flash...Sam the DnB man wrote:They went downhill as soon as they released blood sugar.
Axle grinder on the flip was aight though
there are so many artists who deserve the recognition they get.
But in some ways im glad they dont get that recognition commercially because i want dnb to stay as underground as possible.
http://www.myspace.com/felthamdrumandbass
check ''the darkened light'' still needs alot of work on it though
						check ''the darkened light'' still needs alot of work on it though
jeezus christ people.... sorry, just looking for my yawn emoticon....   .... here it is
 .... here it is
i guess being who they are, and the level of exposure they have, leaves them open to a lot of criticism. but really.... stop wasting your time worrying about what they are doing. at least a wider audience are getting exposure to a different genre of music and hopefully producers out there that have put in years of hard work (like pendulum) might start making a bit more cash from the exposure
just get over it kids, if you don't like it, ignore it, don't buy it. and if you're worried about dubstep getting to "commercial" and "overdone" then piss off and find something else to listen to, i hear microfidgetminimaltechhouse is pretty underground these days
			
			
													 .... here it is
 .... here it isi guess being who they are, and the level of exposure they have, leaves them open to a lot of criticism. but really.... stop wasting your time worrying about what they are doing. at least a wider audience are getting exposure to a different genre of music and hopefully producers out there that have put in years of hard work (like pendulum) might start making a bit more cash from the exposure
just get over it kids, if you don't like it, ignore it, don't buy it. and if you're worried about dubstep getting to "commercial" and "overdone" then piss off and find something else to listen to, i hear microfidgetminimaltechhouse is pretty underground these days
					Last edited by d-vo on Fri Oct 24, 2008 2:20 am, edited 1 time in total.
									
			
									gimme some sugar baby....
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				allstrungout
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I don't know d-vo, i'm not [well i guess i am] been elitist but have you seen the sort of people that go to their gigs and what goes down there? i went to see them at leeds fest this year [went to see RATM  ] and it was fucking horrible, The mc was actualy telling people to start pits, at a 'drum and bass' gig. i just cba with people who would be willing to do that when i go out for a dance tbh. I have nothing against people getting in to new music, the amount of people i've draged along to events but some people attract dickheads and judging by what i saw at leeds fest [ and the year before when i went to see them before they started releasing shit] pendulum do that with flying colours.
 ] and it was fucking horrible, The mc was actualy telling people to start pits, at a 'drum and bass' gig. i just cba with people who would be willing to do that when i go out for a dance tbh. I have nothing against people getting in to new music, the amount of people i've draged along to events but some people attract dickheads and judging by what i saw at leeds fest [ and the year before when i went to see them before they started releasing shit] pendulum do that with flying colours.
			
			
									
									
						 ] and it was fucking horrible, The mc was actualy telling people to start pits, at a 'drum and bass' gig. i just cba with people who would be willing to do that when i go out for a dance tbh. I have nothing against people getting in to new music, the amount of people i've draged along to events but some people attract dickheads and judging by what i saw at leeds fest [ and the year before when i went to see them before they started releasing shit] pendulum do that with flying colours.
 ] and it was fucking horrible, The mc was actualy telling people to start pits, at a 'drum and bass' gig. i just cba with people who would be willing to do that when i go out for a dance tbh. I have nothing against people getting in to new music, the amount of people i've draged along to events but some people attract dickheads and judging by what i saw at leeds fest [ and the year before when i went to see them before they started releasing shit] pendulum do that with flying colours.fair point in regards to the crowds. same as when they come back this way. same ugly rock bogan crowds. but thats their roots i guess. honestly don't think their dubstep excursions will appeal to meth'd up d&b bogans thoughJester wrote:I don't know d-vo, i'm not [well i guess i am] been elitist but have you seen the sort of people that go to their gigs and what goes down there? i went to see them at leeds fest this year [went to see RATM] and it was fucking horrible, The mc was actualy telling people to start pits, at a 'drum and bass' gig. i just cba with people who would be willing to do that when i go out for a dance tbh. I have nothing against people getting in to new music, the amount of people i've draged along to events but some people attract dickheads and judging by what i saw at leeds fest [ and the year before when i went to see them before they started releasing shit] pendulum do that with flying colours.
gimme some sugar baby....
						d-vo think you missed joe muggs joke. He's takin the piss when he said pendulum are worst than hitler, hence the eye's rolling sarcastic smiley    
 
dont mind the tune either i wouldnt buy it, but i've heard worst from some of the "supposed" big names of dubstep.
Best thing to do if you really dont like something ignore it, dont dance leave the dancefloor, big up something you do like focus on that instead.
			
			
									
									
						 
 dont mind the tune either i wouldnt buy it, but i've heard worst from some of the "supposed" big names of dubstep.
Best thing to do if you really dont like something ignore it, dont dance leave the dancefloor, big up something you do like focus on that instead.
Yer need some audio for this.Vyron wrote:Audio anywhere? Masochist was one of the better tunes in the old daysSam the DnB man wrote:prefer it if vex'd did it.bjackman wrote:
PENDULUM - MASOCHIST (BENNY PAGE DUBSTEP RMX) anyone? (sorry)
that would be BEEEEFY!
Have to agree with the majority of people here just ignore them. When there utterly rubbish samey tunes that get played on radio 1 every ten minuets come on just put a bit of classic fm and appreciated some decent music. I would prefer to skank to that rather than listening to tracks that all sound the same and ultimately shit.
And yes there are worse things being released in dubstep but they have all the money they need, probably a massive studio, imo some decent dnb tracks a massive profile and they still produce utter garbage and by the sounds of it use the same sounds in all there new songs.
I read somewhere that they get £3,000 for every dj set they do and £9,000 everytime they play live. Can anyone back this up with some fact
s?
Im starting to see chase and status turning into the new pendulum though.
Lets not make this into a 20 page.
Pendulum should not be making dubstep end of.
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