Pitchfork 2008 End of Year round up...
the irony is that by labelling all this stuff under wonky it makes it more easier for this sound to attract copyists and therefore get rinsedpompende wrote:and as boring as a night of loef-a-likes is, if i listened to 2 hours of tunes using the same wonky synths and vocoders i would probably glass myself in the face.
ah it's no biggie. they have enough in common to warrant loose proximity in a paragraph of their own but still enough in common with the rest of the piece to be part of a "dubstep and grime" column. i have full faith in the artists involved that it will take a little bit more than an online paragraph shape to stop them being innovative, free thinking and creative.pompende wrote:i think the last thing this genre needs is to have interesting producers like that pushed into a different sub genre
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shit can't be that bad??pompende wrote:i think the last thing this genre needs is to have interesting producers like that pushed into a different sub genre.hopper wrote:interesting how you class joker, ikonika, zomby, starkey and gemmy as wonky and not dubstep.
and as boring as a night of loef-a-likes is, if i listened to 2 hours of tunes using the same wonky synths and vocoders i would probably glass myself in the face.

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well said.Blackdown wrote:ah it's no biggie. they have enough in common to warrant loose proximity in a paragraph of their own but still enough in common with the rest of the piece to be part of a "dubstep and grime" column. i have full faith in the artists involved that it will take a little bit more than an online paragraph shape to stop them being innovative, free thinking and creative.pompende wrote:i think the last thing this genre needs is to have interesting producers like that pushed into a different sub genre
Parson wrote:...and then God said unto Eve, "Have some of that, slag."
first, no, it's not that bad. I actually quite like all of the artists in question. I am presuming that the same sound done with less finesse could be actively dis-enjoyable, however.
it wouldn't be worrisome at all if I could think of more djs (like yourself and dusk) who blend these styles.
speaking of which, how nice would it be if kode started doing the fwd show again!
right. i am thinking about peeps who read pitchfork on the regs tho. generally an overly-impressionable bunch.Blackdown wrote:ah it's no biggie. they have enough in common to warrant loose proximity in a paragraph of their own but still enough in common with the rest of the piece to be part of a "dubstep and grime" column. i have full faith in the artists involved that it will take a little bit more than an online paragraph shape to stop them being innovative, free thinking and creative.pompende wrote:i think the last thing this genre needs is to have interesting producers like that pushed into a different sub genre
it wouldn't be worrisome at all if I could think of more djs (like yourself and dusk) who blend these styles.
speaking of which, how nice would it be if kode started doing the fwd show again!
brasco wrote:evolution via youtube tutorials
this article seems overly negative and is quite divisive really
joker's dubstep/grime as far as most people are concerned
wonky? seriously what is this bullshit? thought this article was supposed to be about the year in grime and dubstep..
dont even get me started on what the fuck funky has to do with it...

joker's dubstep/grime as far as most people are concerned
wonky? seriously what is this bullshit? thought this article was supposed to be about the year in grime and dubstep..
dont even get me started on what the fuck funky has to do with it...
I would have liked to hear a mention of some of fine contributions this year in the full length album format. CD's by 2562, Scuba, Matty G, and Pinch to name a few explored the sound in a format not intended for club impact but which nonetheless brought a more reflective and thoughtful side to dubstep which was refreshing given all of the sudden hype last year.
not sure i agree with the idea that the dancefloor smashing wobble tracks will necessarily lead to dubstep becoming purely "functional"
this implies that their only purpose might be to make people dance, rather than contain any innovative content. skream, coki and jakes tunes, amongst others, are wildly innovative sonically and structurally, even while some of their tracks are total dancefloor wreckers
its possible to be danceable and innovative - a recent distance set I witnessed at the west indian centre demonstrated this well with some real upbeat distorted stuff and more meditative tunes together
this implies that their only purpose might be to make people dance, rather than contain any innovative content. skream, coki and jakes tunes, amongst others, are wildly innovative sonically and structurally, even while some of their tracks are total dancefloor wreckers
its possible to be danceable and innovative - a recent distance set I witnessed at the west indian centre demonstrated this well with some real upbeat distorted stuff and more meditative tunes together
ello mr q. really enjoyed your set at dmz last night.dq wrote:I would have liked to hear a mention of some of fine contributions this year in the full length album format. CD's by 2562, Scuba, Matty G, and Pinch...
re your above points, I included the (excellent) Pinch album in my '07 round up. i covered the 2562 album this year but i didn't feel strongly enough to include it in the '08 "best of" column.
And i've not heard the Scuba or Matty G albums and have this minor rule of not recommending or writing about things i've not heard
but out to all the album artists in dubstep and grime. stand up!
Keysound Recordings, Rinse FM, http://www.blackdownsoundboy.blogspot.com, sub, edge, bars, groove, swing...
Def a good article - thought it was nice to see the related sub-genres broken down like that. End of year list in November's a bit odd but sure that's Pitchfork's perogative.
On a related note it's kinda frustrating that there's not a couple more scene steeped writers out there with a Pitchfork sized platform at their disposal. Different journo's are always gonna be into different styles and artists and Martin's views on wobble are pretty well documented. It'd be interesting to see someone as clued up come back with a defence of wobble (which liek it or not is a huge part of the scene) beyond OMG!!!!!!! MASSIV DROP!!!!!!!
Be good to have a broader range of opinions out there, but that's hardly Martin's fault.
Editors, get on it..
On a related note it's kinda frustrating that there's not a couple more scene steeped writers out there with a Pitchfork sized platform at their disposal. Different journo's are always gonna be into different styles and artists and Martin's views on wobble are pretty well documented. It'd be interesting to see someone as clued up come back with a defence of wobble (which liek it or not is a huge part of the scene) beyond OMG!!!!!!! MASSIV DROP!!!!!!!
Be good to have a broader range of opinions out there, but that's hardly Martin's fault.
Editors, get on it..
big up blackdown as ever for pushing good music and sticking the knife (fork?) into the soulless, the retrograde, the sexless, the bludgeoning and the swingless. if you like all the music he doesn't and hate all the music he does then write yr own bloody column
('wobbleblogspot.com' would be hilarious actually, i'd love to see someone try and make the case for it convincingly)
('wobbleblogspot.com' would be hilarious actually, i'd love to see someone try and make the case for it convincingly)
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