DSF Q&A Sessions 5 : Numbernin6
Forum rules
By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk.
Quick Link to Feedback Forum
By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk.
Quick Link to Feedback Forum
-
roistermusic
- Posts: 36
- Joined: Sat Aug 05, 2006 8:12 pm
- Contact:
- numbernin6
- Posts: 200
- Joined: Fri Mar 14, 2008 9:01 pm
- Location: library
- Contact:
Nitz: thank you!
I was always listening to dub and dnb back when I was producing trance but didn't fully understand dubstep until I heard it on a big system. It was at an event where Juju was playing in Philadeplhia that got me turned onto dub but it was DMZ in March of last year that really converted me. I was spending a term out in the UK for my studies and took the bus into London after hearing about the event the night before. The atmosphere, the people, the vibes were so positive. Everybody was friendly and there was no fakeness, no dresscode, no popped collars or glowsticks. Dub wasn't an image thing (as Skream has mentioned in an interview), and I liked that a lot. There's nothing to conform to in dub, I can make my intros as long or short as I want, my basslines don't have to follow rules, I can draw influences from reggae, hip hop, heavy metal or even some old hindi songs. Anything is fair game.
I didn't have a mentor as I learned to produce... the hardest part is not giving up and not being able to get proper technical advice on how to make my tunes sound cleaner or more professional... it can be quite frustrating. I remember doing a lottttt of forum reading when I was learning and taking everyone's advice with a grain of salt. If I had any advice to give it would be to read read and read. Learn your music theory and your intervals (plenty of online tools out there). Picking up an instrument doesn't hurt either. I played the guitar a few years before I started seriously producing.
ChrisH wrote:What got you out of trance & into dubstep?
I was always listening to dub and dnb back when I was producing trance but didn't fully understand dubstep until I heard it on a big system. It was at an event where Juju was playing in Philadeplhia that got me turned onto dub but it was DMZ in March of last year that really converted me. I was spending a term out in the UK for my studies and took the bus into London after hearing about the event the night before. The atmosphere, the people, the vibes were so positive. Everybody was friendly and there was no fakeness, no dresscode, no popped collars or glowsticks. Dub wasn't an image thing (as Skream has mentioned in an interview), and I liked that a lot. There's nothing to conform to in dub, I can make my intros as long or short as I want, my basslines don't have to follow rules, I can draw influences from reggae, hip hop, heavy metal or even some old hindi songs. Anything is fair game.
Can't give you a clear answer for that one... I just sit down and try to write something that I'd enjoy listening to. I try not to listen to too many dubstep tunes before I try to think of a tune because I don't like getting influenced by other tunes. If anything, I'll put on a hip hop tune or a rock or jazz tune to clear my head. A lot of the time it's me doing something else (like walking, doing dishes, sitting in class) when I'll come up with an idea for a rhythm or a melody.ChrisH wrote:How did you learn to produce? Trial & error, or did you have a mentor?
Do you produce tunes by recreating sounds in your head, or by playing around with your tools until you find an inspiring sound to build a song from?
I didn't have a mentor as I learned to produce... the hardest part is not giving up and not being able to get proper technical advice on how to make my tunes sound cleaner or more professional... it can be quite frustrating. I remember doing a lottttt of forum reading when I was learning and taking everyone's advice with a grain of salt. If I had any advice to give it would be to read read and read. Learn your music theory and your intervals (plenty of online tools out there). Picking up an instrument doesn't hurt either. I played the guitar a few years before I started seriously producing.
- numbernin6
- Posts: 200
- Joined: Fri Mar 14, 2008 9:01 pm
- Location: library
- Contact:
EDIT: posting this as a link because it makes the thread look far too messy£10 Bag wrote:can we see a shot of your sequencer with one of your tunes loaded up, please?
http://www.numbernin6.com/ribs.JPG
I don't smoke but I love my beer tho!£10 Bag wrote:+ what you smoking?
-
__________
- Posts: 6338
- Joined: Tue Mar 06, 2007 5:51 pm
It always amazes me how 1 person can think a tune sounds so brilliant yet another just doesn't get it - I played the original version of the prayer to the Mad Professor @ Ariwa in 2000 and he wasn't really feeling it so I just thought it must be shit and it sat on a tape for the next 8 years gathering dust! Fuk what those ppl say (no matter who they are) - if u think your tunes good there's a good chance plenty of others do as well, get it out there!!numbernin6 wrote:I had passed it over to Joe Nice and he wasn't feeling it at all so I said "ahh whatever, I'll just put it up on the boards and see what happens." Guess I got lucky!
I need to take a leaf, thanks.Rob Sparx wrote:It always amazes me how 1 person can think a tune sounds so brilliant yet another just doesn't get it - I played the original version of the prayer to the Mad Professor @ Ariwa in 2000 and he wasn't really feeling it so I just thought it must be shit and it sat on a tape for the next 8 years gathering dust! Fuk what those ppl say (no matter who they are) - if u think your tunes good there's a good chance plenty of others do as well, get it out there!!numbernin6 wrote:I had passed it over to Joe Nice and he wasn't feeling it at all so I said "ahh whatever, I'll just put it up on the boards and see what happens." Guess I got lucky!
numbernin6 wrote:Nitz: thank you!![]()
ChrisH wrote:What got you out of trance & into dubstep?
I was always listening to dub and dnb back when I was producing trance but didn't fully understand dubstep until I heard it on a big system. It was at an event where Juju was playing in Philadeplhia that got me turned onto dub but it was DMZ in March of last year that really converted me. I was spending a term out in the UK for my studies and took the bus into London after hearing about the event the night before. The atmosphere, the people, the vibes were so positive. Everybody was friendly and there was no fakeness, no dresscode, no popped collars or glowsticks. Dub wasn't an image thing (as Skream has mentioned in an interview), and I liked that a lot. There's nothing to conform to in dub, I can make my intros as long or short as I want, my basslines don't have to follow rules, I can draw influences from reggae, hip hop, heavy metal or even some old hindi songs. Anything is fair game.
Glad some people still realise this!
SoundcloudSoulstep wrote: My point is i just wanna hear more vibes
- numbernin6
- Posts: 200
- Joined: Fri Mar 14, 2008 9:01 pm
- Location: library
- Contact:
when I first started producing it would be like 1/30 or 1/40... but since then I've had less and less available time to dedicate to the studio so I think about an idea for a while before I sit down and try to create it.... maybe 1/10 now get finished.The_Dza88 wrote:Out of the tunes you start, how many of them get finish?
- numbernin6
- Posts: 200
- Joined: Fri Mar 14, 2008 9:01 pm
- Location: library
- Contact:
I don't appreciate a lot of my old tunes because they lack production value but every now and then I'll listen to an old tune and try to appreciate the concept...Hurtdeer wrote:How satisfied do you get with tracks when you've finished them? Can you appreciate and old track for what it is or do you find yourself going 'aw, I wish I had/hadn't done that'?
hard part of listening to an old tune is just letting it go... You can always redo an old tune to today's production value or style but you just gotta let it be at some point and I'm starting to get better at doing that.
Tough Q. I try not to compare because a lot of my inspiration comes not from other dubstep artists but from genres outside of dub and even electronic... so the music becomes difficult to compare. One of the few ppl I really look up to for technical skill (as mentioned earlier) is BT and I could never compare to him... that's just setting me up for disappointmentHurtdeer wrote:Do you feel like your tracks compare well to the musicians you where inspired by, or is it not really a consideration?
thanks for the questions so far
- numbernin6
- Posts: 200
- Joined: Fri Mar 14, 2008 9:01 pm
- Location: library
- Contact:
absolutely... I still respect the opinions of a lot of ppl out there. Joe's a great guy and him and I have very different tastes, I think... but that's just another testament to how awesome this genre/scene is. So many different styles, so many different opinions. I love it!Rob Sparx wrote: Fuk what those ppl say (no matter who they are) - if u think your tunes good there's a good chance plenty of others do as well, get it out there!!
- numbernin6
- Posts: 200
- Joined: Fri Mar 14, 2008 9:01 pm
- Location: library
- Contact:
Yea I started in fruity and have dabbled around with cubase, ableton, reason... FL is just too damn intuitive for me to change to something else. I think it's is a great piece of software and I've found no reason to switch DAWs... I was interested in giving Logic a go but since it's Mac only, it's not gonna happen (not that I don't like Macs, I just can't be bothered to throw down 2g for one).Roistermusic wrote:have you always used fruity? or have you dabbled in other software? ...if so what made you choose fruity over them?
Yea everyone has different tastes and opinions yet im still dumb enough to waste hours every week arguing about it trying to get them round to my point of view when its never going to happen!numbernin6 wrote:absolutely... I still respect the opinions of a lot of ppl out there. Joe's a great guy and him and I have very different tastes, I think... but that's just another testament to how awesome this genre/scene is. So many different styles, so many different opinions. I love it!Rob Sparx wrote: Fuk what those ppl say (no matter who they are) - if u think your tunes good there's a good chance plenty of others do as well, get it out there!!
yo,
how did it feel when Rusko used your remix in his essential mix? Must have been a total break through in the way you thought about your music...
good work!
how did it feel when Rusko used your remix in his essential mix? Must have been a total break through in the way you thought about your music...
good work!
"Jonny it is getting beyond ridiculous now.I thought we could get along, but apparently not.Your basses makes the whole house tremble.You crossed the line,no discussion now,will need to resort to drastic measures"
- numbernin6
- Posts: 200
- Joined: Fri Mar 14, 2008 9:01 pm
- Location: library
- Contact:
I'll use fruity compressor only to compress my kicks... otherwise I stay away from it. FL EQ does the job fine and EQ2 is great to visualize some of the more difficult sounds.Mumble wrote:What do you make of Fruitys standard EQ, Compressor etc plugins ?
Do you use them ?
It's also a juggle with CPU usage as well... sometimes it wouldn't make sense to use a VST EQ for every single little thing.
- swamptang q("q)
- Posts: 86
- Joined: Fri Jan 09, 2009 9:12 am
- Location: Syracuse New York
- Contact:
- numbernin6
- Posts: 200
- Joined: Fri Mar 14, 2008 9:01 pm
- Location: library
- Contact:
hard to pick one track, honestly... but I remember the people that really made an impact on me for me back in 03-05 were trance producers like smith and pledger, matt hardwick, above and beyond, etc. I'd say if there was one tune I had to pick, it would be Sonorous - Protonic (Ronski Speed Mix) http://www.youtube.com/watch?v=uiRqxRK9yfc&fmt=18 (hands in the airChrisH wrote:Do you have a favorite dance music track that really got you into the sounds,or inspired you in a way?
- numbernin6
- Posts: 200
- Joined: Fri Mar 14, 2008 9:01 pm
- Location: library
- Contact:
viralcode wrote:yo,
how did it feel when Rusko used your remix in his essential mix? Must have been a total break through in the way you thought about your music...
good work!
I had heard rumor that he was going to put it in his EM before it actually came out so the surprise was a bit ruined! The reaction to the remix still surprises me... it hasn't changed the way I think about my music, though. It's definitely a motivator, I feel like I've got my foot in the door, now.
Who is online
Users browsing this forum: No registered users and 0 guests