Here we go --->
http://www.mediafire.com/?jmjmzz2e1ln
Here's how I did it.
I created a malstrom to be used as the LFO source. (Mod A)
I set the polyphony to 1 on both the Subtractor (the noise source) and the Malstrom (the LFO source).
I combined the two so I could use the Combinators performance controls for more flexability.
I've put the midi notes that you actually hear on the Combinators Piano roll
I've created and extra sequencer lane for the Malstrom so that I could trigger the LFO changes with a new midi note. This resets the LFO (Mod A) so it triggers at the speed we automate it, not half way through the tempo sync (if that makes sense)???
I swapped the wobble duties to Filter 2 on the Subtractor... This freed up the lovely Notch filter on Filter 1

I added a sub layer and a beef layer.
Bobs your uncle!
Serox wrote:futures_untold wrote:Ok, I've sussed it. I just need to tidy up the automation and beef that bass and I'll send it over!

sounds like bit of a mission tbh.
The only problem he has is the subtraktor is going out of sync? why not just find out what the problem is.
The problem was that because the lfo was sync'd, and the rate changed mid note, it went out of time. Setting polyphony to 1 retriggered the lfo each time a new midi note was played.
Using the Malstroms Mod section negates the fact the the Subtractors LFO freecycles.
Using a seperate lane just to sequence the LFO rate changes by using midi notes to retrigger the LFO every time sussed the problem.
I also use a nonsync'd LFO!
Proppa mission
Time for lunch!
Ps, if you don't like the extra synths, just solo OSC A on the submixer to return to the original sound.
Pps, don't worry that the group blocks are not the same colour. They actually sound exactly the same!
