TeReKeTe wrote:wait a minute, someone was ignorant 'pon the interwebz????

Okay, I get what you're saying, but I don't really see the point. Are you implying that people who like the more "wobblefest" type of dubstep arent as big of fans as people who like the "darker, moodier" tunes? Perspective takes a big role in music communities. Not everyones gonna dig the same styles, but that doesnt make them any less of a fan..adisize wrote:Not being funny but the people who said "bet you like Rusko" would not be impressed by those artists they are all from the jump-up/Rusko/wobble school of dubstep just because they are more unknown does not make them any better, in fact Rusko has higher production values and so would be held in higher regard.UrbanNerd62 wrote: Secondly, Rusko's alright, but anyone who's chatted with me for more than 10 minutes about dubstep knows Im a fanatic for producers like Trolley Snatcha, Cookie Monsta, Stenchman, Cluekid, Bar9, and others like them.
Personally don't really enjoy that kind of dubstep but not because it's commercial, it's because when I got into dubstep it was because it was dark, moody and the tunes weren't just trying to be harder or faster you could have slow tunes that weren't hype that were the biggest tune in the genre - and the wobblefest that's going on really isn't in line with that vision - the odd tune is fine, but none of this hype for 2 hours shit.
dubstee wrote:Dubstep in California is an abomination tbh.
UrbanNerd62 wrote:Not everyones gonna dig the same styles, but that doesnt make them any less of a fan..
Reptilian wrote:to me trolley snatcha, cookie monsta and stenchman bear absolutely no relationship whatsoever to what i originally liked about dubstep
NONE WHATSOEVER - it might as well be a totally different genre of music
i agree. cookie monster and rusko are virtually the same. constant crack head wobble.adisize wrote:Not being funny but the people who said "bet you like Rusko" would not be impressed by those artists they are all from the jump-up/Rusko/wobble school of dubstep just because they are more unknown does not make them any better, in fact Rusko has higher production values and so would be held in higher regard.UrbanNerd62 wrote: Secondly, Rusko's alright, but anyone who's chatted with me for more than 10 minutes about dubstep knows Im a fanatic for producers like Trolley Snatcha, Cookie Monsta, Stenchman, Cluekid, Bar9, and others like them.
Personally don't really enjoy that kind of dubstep but not because it's commercial, it's because when I got into dubstep it was because it was dark, moody and the tunes weren't just trying to be harder or faster you could have slow tunes that weren't hype that were the biggest tune in the genre - and the wobblefest that's going on really isn't in line with that vision - the odd tune is fine, but none of this hype for 2 hours shit.
what is your opinion of splitting into sub-genres?Reptilian wrote:to me trolley snatcha, cookie monsta and stenchman bear absolutely no relationship whatsoever to what i originally liked about dubstep
NONE WHATSOEVER - it might as well be a totally different genre of music
im pretty sure he was being sarcastic. (could be wrong though)drum syndicate wrote:dubstee wrote:Dubstep in California is an abomination tbh.
LOL
I wanna know why you think or would say this when some of the more prolific and popular producers are out of Cali right now.
Antiserum, Babylon System, Roommate, OSC, DJG, Djunya, Jus Wan, Blackheart and a fuckload of other DOPE producers reside here.
I know it sounds cliche but 'to each their own.' I don't say shit to you because you like a different sound... I say shit to you because you're a fucking self-righteous tnuc about it like your musical preference is so much better than anyone elses.
I fully appreciate (and play) all different kinds of dubstep sounds. it sucks that other people can't appreciate the various sounds.. but hey... that's on you pigeonholing motherfuckers haha.
I'll be happy to skank out to some deep minimal subweight or some straight speaker ripping grinding basslines just the same.
correcto, in regards to the music splitting, as long as it doesnt get to the dnb stage where u can only play a set of identical tunes i think its good.Reptilian wrote:to me trolley snatcha, cookie monsta and stenchman bear absolutely no relationship whatsoever to what i originally liked about dubstep
NONE WHATSOEVER - it might as well be a totally different genre of music
When did I ever say you weren't as big of a fan? who gives a fuck how much of a fan you are? I would rather talk to some one who just heard ramadanman and said oi mate this is wikid can you show me some new stuff than someone who had been listening to jump-up for 5 years - it's not "how much of a fan" you are it's if you like the same music as me.UrbanNerd62 wrote:Okay, I get what you're saying, but I don't really see the point. Are you implying that people who like the more "wobblefest" type of dubstep arent as big of fans as people who like the "darker, moodier" tunes? Perspective takes a big role in music communities. Not everyones gonna dig the same styles, but that doesnt make them any less of a fan..adisize wrote:Not being funny but the people who said "bet you like Rusko" would not be impressed by those artists they are all from the jump-up/Rusko/wobble school of dubstep just because they are more unknown does not make them any better, in fact Rusko has higher production values and so would be held in higher regard.UrbanNerd62 wrote: Secondly, Rusko's alright, but anyone who's chatted with me for more than 10 minutes about dubstep knows Im a fanatic for producers like Trolley Snatcha, Cookie Monsta, Stenchman, Cluekid, Bar9, and others like them.
Personally don't really enjoy that kind of dubstep but not because it's commercial, it's because when I got into dubstep it was because it was dark, moody and the tunes weren't just trying to be harder or faster you could have slow tunes that weren't hype that were the biggest tune in the genre - and the wobblefest that's going on really isn't in line with that vision - the odd tune is fine, but none of this hype for 2 hours shit.
I wasn't referring to California-based producers so much, more what the nights are like (some of the worst I've come across: very few decent clubs, closed minded crowds etc). Anyway, of the producers you mention I only really rate Jus Wan, and his sound certainly isn't repped at nights in Cali.hpuk wrote:Go listen to some of these then :dubstee wrote:Dubstep in California is an abomination tbh.
Antiserum
Eskmo
Jus Wan
Roommate
Ripple
Quest
etc.
And if you can't appreciate them then I don't think ur in the right scene mate
Again, that's not really what I was talking about. Same comment re: those producers though.drum syndicate wrote:LOLdubstee wrote:Dubstep in California is an abomination tbh.
I wanna know why you think or would say this when some of the more prolific and popular producers are out of Cali right now.
Antiserum, Babylon System, Roommate, OSC, DJG, Djunya, Jus Wan, Blackheart and a fuckload of other DOPE producers reside here.
I know it sounds cliche but 'to each their own.' I don't say shit to you because you like a different sound... I say shit to you because you're a fucking self-righteous tnuc about it like your musical preference is so much better than anyone elses.
I fully appreciate (and play) all different kinds of dubstep sounds. it sucks that other people can't appreciate the various sounds.. but hey... that's on you pigeonholing motherfuckers haha.
I'll be happy to skank out to some deep minimal subweight or some straight speaker ripping grinding basslines just the same.
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