Yeah his new alias. Not sure which ones he put up but they're probably on his soundcloud https://soundcloud.com/riz_la_teefehbrums1 wrote:Wait riz is irieeee? Yeah fucking mixes
130 thread
Re: 130 thread
- bennyfroobs
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Re: 130 thread
1:03:15 isk1000 wrote:
ID on 1:01:00 ?
I've been looking for that tune forever.. hopefully someone here knows what it is

bnut sry idk that tune
somoneone ID 1:03:15 too


TopManLurka wrote:FTR, requirements for being a 'head':
-you have to be youngsta
-you must have been in that infamous room of ten people.
-a DMZ release is preferable but not necessary.
-please note that being youngsta is mandatory.
- bennyfroobs
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Re: 130 thread
oh lol its the same tune haha, the drums just got spiced up

TopManLurka wrote:FTR, requirements for being a 'head':
-you have to be youngsta
-you must have been in that infamous room of ten people.
-a DMZ release is preferable but not necessary.
-please note that being youngsta is mandatory.
- DiegoSapiens
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Re: 130 thread
that mixmag is really good i wanted to post it to get some footwork id´s

incnic wrote: daddy why u dead and lying in a puddle
son i make techno dadydy on drugs
hubb wrote:its what ive been saying for a while
foxes are the mulattos of the cat/dog world
Re: 130 thread
Epoch just shared this on facebook:
Epoch - All You Dungeon Bastards Leave My Planet
Big up Scotty boy, would've dropped some P on this.

Epoch - All You Dungeon Bastards Leave My Planet
Big up Scotty boy, would've dropped some P on this.



Re: 130 thread
^Big
FWD tonight

FWD tonight

Etches828 wrote:assuming that 130 is a tempo not a sound, which is the point, think it's pretty good when stuff is just described by tempo opposed to some made up name
- murky21
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Re: 130 thread
new mssingno riddim stream http://www.factmag.com/2014/02/20/strea ... certainty/
Re: 130 thread
Yh s'all good, and yeah I do put the labels sometimes just couldn't be fucked to do it that time.skimpi wrote:lol i was only joking lol
SOZ ARD like
yeah nah i didnt realised you meant actual dubs lol, thought they were just tunes you got sent, if your putting dubplate next to tunes how coem you dont put the labels of actual released tunes?
murky21 wrote:
- DJ Irie a.k.a. RIZ LA TEEF makes very fucking legit mixes that you all should listen to
- bye

And yeah man switched it up, IRIE is dead now...ehbrums1 wrote:Wait riz is irieeee? Yeah fucking mixes
Feeling that new mssingno bit
Re: 130 thread
completely new to this stuff. heard Wen - Patwah and loved it, where should I go next?
Mixes and a few tunes here, check it out.kidshuffle wrote:Dmx invented dubstep iirc
Soundcloud
^Donkey Kong Country 2 Enchanted Wood Remix
Re: 130 thread
I put this together a while back. Not perfect, but might give you a good starting point!Direflow wrote:completely new to this stuff. heard Wen - Patwah and loved it, where should I go next?
garethom wrote:Garethom's "I'm Sure Ehbes Will Disagree With This" Guide To 130 In His IMO.
Tha Pa$t
Ruff Sqwad - White Label Classics
Pangaea - Inna Daze/Won't Hurt
Musical Mob - Pulse X
Artwork - Red EP
Kahn & Neek - Gorgon Grime
A Guy Called Gerald - Black Secret Technology
Source Direct - Exorcise The Demons
Putting together this list got me looking through my collection at stuff you should probs listen to that would help understand where the sound has come from IMO. White Label Classics is the only grime compilation you need, I'm sure pretty much all the producers mentioned in this thread have bummed them off at some point. The Red EP is the most prominent mix of that grime and early dubstep sound that you can hear in a lot of 130 stuff. The Gorgon Grime tape is good as a snapshot of the grime-y pirate shows that probs influenced nuff man in the thread. It's hard to explain why I picked Inna Daze/Won't Hurt. Once you know a bit more about 130, it'll probs be easier to hear the similarities in the vibes. I put those two jungle albums at the end, because imo, there's a lot of junglist influences in 130, a lot of similar sounds, vibes, sampling styles, etc.
Tha Cla$$ic$
Keysound Recordings - This Is How We Roll
Wen - Commotion EP
Beneath - No Symbols 001/002
Bias & Gurley - Roll
Wen vs Epoch - Hydraulics
Logos - Kowloon EP
Pretty much, if you only wanted to pick up one release, grab the Keysound compilation. Basically has all the best artists and the best tunes IMO. Epoch, Rabit, Wen, Beneath, Visionist, etc. probably one of the best compilations I own. Worth bagging for The Steppenwolf alone. I picked the Wen release because he's probably the most prominent producer in the scene, and it's his best release. Really dark and sparse, can tell it was heavily influenced by 06 dubstep as much as anything else. The two Beneath releases are quality. I actually prefer his release on Keysound, but I think his self-released stuff is probably more representative of him as a whole. Picked the Bias & Gurley release just to pay tribute to two OG's making garage. Blackdown's remix is sick too. The Wen vs Epoch release got on there because it's probs the primary example of how hard this stuff is to classify, hence the name "130"Finally, the Kowloon EP got on there because it's the best release in the scene imo. It's cold as fuck, spacious, heavy as even though it's basically just four devil mixes (tunes where all/most of the percussion is removed).
Tha L£ftfi£ld
Filter Dread - Space Loops
Filter Dread - Hyper Lost
Unknown To The Unknown - Tales From The Dark Side
Kid Smpl - Skylight
Della - Young Kid
Finally, some stuff that other people might overlook or doesn't fit so perfectly into the confines of this thread. First off, Filter Dread is a serious G. Makes music like nobody else. Space Loops is a massive mix of a tune of tunes, from the gnarliest grime, to the most old school breaks. This was the release that made me think to include Black Secret Technology further up the list. Imagine that album, but possessed by grime demons. Hyper Lost is pretty much the perfect example of how far you could take grime and dubstep if you really wanted to. The Unknown To The Unknown compilation showcases more of the garage-y side (even a bit of bassline). With the Kid Smpl release, don't let bre's mug you off with this "Night Bus" shit. The guy is heavily influenced by grime, stuff like Wiley's devil mixes, but is equally as influenced by ambient artists and Burial, etc. Great switch up, and not as aggy as the rest of the stuff. The Della release is dark as fuck, great sampling, really edgy stuff. Remixes are sick too.
Hope this helps man!
Re: 130 thread
Listening to the November 3rd Butterz show, 4 hour special.. They play a diff version of the Wen refix of Dizzee - Strings Hoe.. pretty biggles.
Two recent Beneath shows on Rinse b2b any Dusk & Blackdown.
And if you've got time, 111 pages in this thread
http://rinse.fm/?s=beneathDireflow wrote:completely new to this stuff. heard Wen - Patwah and loved it, where should I go next?
Two recent Beneath shows on Rinse b2b any Dusk & Blackdown.
And if you've got time, 111 pages in this thread

Re: 130 thread
Source Direct - Controlled Developments > Excorcise The Demons
RKM wrote: when bae hands u the aux mixtape and your squad blunted 9/11 aye lmao
Re: 130 thread
Yeah, you mentioned that at the time and we discussed it then haha
Re: 130 thread
You're obsessed with source direct
Not feeling the rabit EP, sounds too much like someone messing around with an eski sample pack
Not feeling the rabit EP, sounds too much like someone messing around with an eski sample pack
Last edited by Forum on Thu Feb 20, 2014 4:05 pm, edited 1 time in total.


Re: 130 thread
their tunes r rude as fuck
RKM wrote: when bae hands u the aux mixtape and your squad blunted 9/11 aye lmao
- murky21
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Re: 130 thread
dont worry guys im going FWD tonight i'll report back from the front lines of the 130 scene in a 'The Day Today' style documentary format
is anyone else reaching this 'FWD' event?
is anyone else reaching this 'FWD' event?
Re: 130 thread
Yep, hoping Wen is on form since his set at system had poor mixing but he did look fairly nervous.murky21 wrote:dont worry guys im going FWD tonight i'll report back from the front lines of the 130 scene in a 'The Day Today' style documentary format
is anyone else reaching this 'FWD' event?
Etches828 wrote:assuming that 130 is a tempo not a sound, which is the point, think it's pretty good when stuff is just described by tempo opposed to some made up name
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Re: 130 thread
yeah his mixing was pretty shoddy at System but when I saw him before at a much smaller night his mixing was absolutely fine
http://www.soundcloud.com/particleimami wrote:i put secret donks in all my tunes, just low enough so you can't hear them
http://www.mixcloud.com/particlejim
- murky21
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Re: 130 thread
as long as he drops some of that heat he's holding he can clang every mix and ill still be happy
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Re: 130 thread
well you'd have enjoyed his set at System thenmurky21 wrote:as long as he drops some of that heat he's holding he can clang every mix and ill still be happy

http://www.soundcloud.com/particleimami wrote:i put secret donks in all my tunes, just low enough so you can't hear them
http://www.mixcloud.com/particlejim
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