spoot088 wrote:Today wrote:spoot088 wrote:skrillex is awesome, everyone who hates on him is just jealous because he's miles away from every other producer ever which i obviously know a fuckton about. No one can make skrillex sounds he is just that genius. Oh btw I can make a skrillex growl its just a matter of modulating everything and dumping 15 plugins on the track
FUCK. OFF.
post audio if you've made the sound, you and hookey can jerk off to how complex and modulated it sounds
OK.
http://soundcloud.com/pitches_and_hoes/ ... -eq-is-all
I could have spend a lot more time tweaking the cutoff points and shit like that and it would sound even closer. But I think you can tell that thats the method.
This is a decent attempt, I got something similar. It's also similar to letssynthetize's guy tutorial. But again, it's missing lots of harmonics. There is something that makes it look cheaper. The difference between that and the actual growl is what makes it great.
Having read your post, I would say most of the magic of the sound is not thanks to lots of chains of different FX's. Your sound sounds washed up, suffers from the average SMANS take (muffled, lack of harmonics etc, phase problems, fuzzyness, ugly resonances when making the bass talk etc). All of that is the difference that separates the quality growl to the average growl, and when you think "im almost there and this just needs some tweaking" you spend an entire day on it and you are not getting anywere near the sweet spot.
I would still be interested if you went into more detail about the vocoder usage part and what do you modulate precisely inside FM8.
Btw, the thing about EQ is I don't use Ableton so I can't have the default EQ8's formant vowels on there to play with. Is there any way to use the EQ8 as an standalone VST to use in other DAWs? Or is there a good EQ out that has the vowel presets ready to use? Setting all the vowels yourself looking at a chart looks like a pain in the ass.