I'd recognize that bass anywhere. Giant's , 'Iron Man'. That is dead fucking on.cmgoodman1226 wrote: Soundcloud

I'd recognize that bass anywhere. Giant's , 'Iron Man'. That is dead fucking on.cmgoodman1226 wrote: Soundcloud
SoundcloudCoolschmid wrote:Just buy as many $200 synths as possible so you can be bad at all of them.
Coolschmid wrote:I don't even fucking understand some of the questions getting posted on here now.
On mobile, so can u name the track? c:Dustwyrm wrote:Hi everyone - I want to get some tips on how to do this particular technique which I believe is just a really strong sidechaining method. In this song by Skrillex, at about 4:30+ he comes in with a snare that really pumps hard. The thing that I'm confused on is exactly how he gets it to sounds like it's breaking through each time it hits. It really sounds nice.
From what I understand this is just sidechaining and a reverse snare leading up to it, however I'm sure there is some stuff going on with the attack/release or something else that I don't quite understand. When I reverse a snare and add heavy sidechaining, I can't achieve this level of effect. Was hoping someone can help me with some pointers on how to make it slam like this.
I know it's Skrillex, but please try and refrain from any bs.
Thank you I appreciate it.
Yes it's the With You, Friends (Long Drive) track that is on the Scary Monsters Disc 1. It's towards the end part of the song when the hard hitting beat comes in around 4:30blinkesko wrote:On mobile, so can u name the track? c:Dustwyrm wrote:Hi everyone - I want to get some tips on how to do this particular technique which I believe is just a really strong sidechaining method. In this song by Skrillex, at about 4:30+ he comes in with a snare that really pumps hard. The thing that I'm confused on is exactly how he gets it to sounds like it's breaking through each time it hits. It really sounds nice.
From what I understand this is just sidechaining and a reverse snare leading up to it, however I'm sure there is some stuff going on with the attack/release or something else that I don't quite understand. When I reverse a snare and add heavy sidechaining, I can't achieve this level of effect. Was hoping someone can help me with some pointers on how to make it slam like this.
I know it's Skrillex, but please try and refrain from any bs.
Thank you I appreciate it.
He's just using sidechain comp on the pad-ish chords with a medium long release. It seems alot bumpier since there hasnt been much sidechaining earlier in the tune, if that makes sense. I dunno how experienced u are with sidechaining, but should be pretty easyDustwyrm wrote:Yes it's the With You, Friends (Long Drive) track that is on the Scary Monsters Disc 1. It's towards the end part of the song when the hard hitting beat comes in around 4:30blinkesko wrote:On mobile, so can u name the track? c:Dustwyrm wrote:Hi everyone - I want to get some tips on how to do this particular technique which I believe is just a really strong sidechaining method. In this song by Skrillex, at about 4:30+ he comes in with a snare that really pumps hard. The thing that I'm confused on is exactly how he gets it to sounds like it's breaking through each time it hits. It really sounds nice.
From what I understand this is just sidechaining and a reverse snare leading up to it, however I'm sure there is some stuff going on with the attack/release or something else that I don't quite understand. When I reverse a snare and add heavy sidechaining, I can't achieve this level of effect. Was hoping someone can help me with some pointers on how to make it slam like this.
I know it's Skrillex, but please try and refrain from any bs.
Thank you I appreciate it.
Thanks
It's really just heavy sidechaining with the release timed well to the decay of the snare so they sort of bleed together. When trying to use reverse snares, take the snare you're using, pitch it down a bit and lower the volume then line it up perfectly in reverse - pitching/lowering the volume stops you taking away the punch of your actual snare. Also there's layered claps on that snare making it sound big, maybe some low end too.Dustwyrm wrote:Hey thanks Blink - I do know how to sidechain, however I'm still learning to better understand attack/relase/ratio etc. However, It seems like he has a reserve snare or something else that's really powering the way it hits each time. Is there anything you'd suggest to really make it stand out like the way he did it here?
Credz to mthrfnk on that one :pDustwyrm wrote:Awesome thank you Blink, this gives me something to try today. Appreciate it sir!
BumpSlizmon wrote:Hey guys, anyone have a clue how to make this stabby laser that comes in at 0:45
Thanks!
Toolman4 wrote:
I know it's a reese.
Looking for tips on processing the reese like that...I know it's embarking on that fabled noisia territory...Just seeing if anyone knows much about getting that distortion/clipping/speaker ripping almost crappy audible but awesomeness that is this bass...
Cheers all
Kit Fysto wrote:How many different words can you place before the word "step" and have that be a genre that people take seriously. Fuck it, I'm starting Christstep, all Christian, all the time.
fragments wrote:I am sure there are a million shitty "EDM" producers all jerking each other off with their "cool tune bro feedback4feedback" posts and "net labels".
A couple things that stand out to me in this synth, obviously there's a lot of unison going on somehow so your going to have to experiment with a few ways of creating that. Secondly its definitely saw based which you already know. I can also hear a synth underneath which sounds like some sort of sine wave.Cubicle wrote:Hey guys, anyone have a clue how to make the synth that comes in at 1:01.
I'm getting close but I can't get that natural feel to it, mine just sounds like a poor attempt with some saws.
Thanks!
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