How To Make This Sound - January 2013

[JTreeZY]

I want to make some low kromestar wubs. Any help?

[Cubicle]

Hey guys, anyone have a clue how to make the synth that comes in at 1:01.
I'm getting close but I can't get that natural feel to it, mine just sounds like a poor attempt with some saws.


Thanks!

A couple things that stand out to me in this synth, obviously there's a lot of unison going on somehow so your going to have to experiment with a few ways of creating that. Secondly its definitely saw based which you already know. I can also hear a synth underneath which sounds like some sort of sine wave.
With all these types of synths theres usually a sort of chord within your soft synth, this sounds like a fifth to me, so in your soft synth change one oscillator to plus or minus seven semitones.
Play about with the pulse saw oscillators if you're in massive, they are usually good for this sort of sound.
Again if you're in massive, go to the voicing section put sort of four unison on maybe, and then on the pitch cutoff tab, make it full, change it to chord, and change the one to a seven, this gives a great natural sounding unison without the cheesy pitch cutoff sound.
Other than that, you won't need much intensity on your oscillators, put a lowpass on it, maybe mixed with a bandpass, and use some small reverb and dimension expander to give it some dynamics.
I've gotten pretty close with these methods, if you want to add a bit more grit for more of a 'purple' sound, then layer it with a sine and a saw with some distortion on them. Hope this helps! should give you some ideas at least and will definitely give you a similar sound. I can post a patch I've made if you're really stuck.

Didn't expect anyone to reply so sorry for the late reply back.
Going to try it all out soon and I'll keep you updated if I find it out. Thanks for the help man!

[hubsahubsa]

NINJA EDIT: Getter's Fallout bass. 100% NI Massive (other than the probable EQing). How do I make it? I understand that he either bounced down 2 versions to audio, or he used a performer. Please help. I don't necessarily want to make the exact bass, I just want to know how he did it, because when I use a performer, and throw on a triangle wave in the perf., it goes too high.

it is 100% massive with no resampling/freq splitting
some tips

crude wavetable bend -/+
modulation osc phase on it
double notch & bandreject filter
tube distortion
tonal delay

figure out the modulating etc yourself

[Moskra]

been loving this lately, really curious how to achieve that low mid range bass sound at 0:55 and 1:01 and throughout. I'm assuming its a low pass square? maybe a low passed reese?

[Augment]

yeah automating a lp filter on a reese will get you pretty close

[IamDroid]

NINJA EDIT: Getter's Fallout bass. 100% NI Massive (other than the probable EQing). How do I make it? I understand that he either bounced down 2 versions to audio, or he used a performer. Please help. I don't necessarily want to make the exact bass, I just want to know how he did it, because when I use a performer, and throw on a triangle wave in the perf., it goes too high.

it is 100% massive with no resampling/freq splitting
some tips

crude wavetable bend -/+
modulation osc phase on it
double notch & bandreject filter
tube distortion
tonal delay

figure out the modulating etc yourself

You know, the funny thing is that I have been trying to make Getter sig patch for 2 weeks now and I still can't make the sound. You can make the majority of his synths from Freq Skank just from crude alone, but you need to add a formant layer to accentuate the vocally freq ranges.
But, does anyone have an idea how I can get the Aeiih Vowel sound from Getter's track, it comes in at 55 and plays at the first of ever other bar after that.



I have the entire sound already, but I can't get the modulation down. I ive tried: Automating the two filters, using a HP filter, Osc WT and Amp, EQ Modulation (Within massive, so automating the High, Freq, and ammount) And I still can't manage to get that sound. I've come fairly close to it, but the sound is muddy as shit. Getter makes the vowel sound souley inside of massive, not filtering or EQ work outside of it.

[hubsahubsa]

NINJA EDIT: Getter's Fallout bass. 100% NI Massive (other than the probable EQing). How do I make it? I understand that he either bounced down 2 versions to audio, or he used a performer. Please help. I don't necessarily want to make the exact bass, I just want to know how he did it, because when I use a performer, and throw on a triangle wave in the perf., it goes too high.

it is 100% massive with no resampling/freq splitting
some tips

crude wavetable bend -/+
modulation osc phase on it
double notch & bandreject filter
tube distortion
tonal delay

figure out the modulating etc yourself

You know, the funny thing is that I have been trying to make Getter sig patch for 2 weeks now and I still can't make the sound. You can make the majority of his synths from Freq Skank just from crude alone, but you need to add a formant layer to accentuate the vocally freq ranges.
But, does anyone have an idea how I can get the Aeiih Vowel sound from Getter's track, it comes in at 55 and plays at the first of ever other bar after that.



I have the entire sound already, but I can't get the modulation down. I ive tried: Automating the two filters, using a HP filter, Osc WT and Amp, EQ Modulation (Within massive, so automating the High, Freq, and ammount) And I still can't manage to get that sound. I've come fairly close to it, but the sound is muddy as shit. Getter makes the vowel sound souley inside of massive, not filtering or EQ work outside of it.

I have pretty much recreated like 90% of his sounds almost exactly, only things i modulate is bandreject filter cutoff (2 bandreject filters=great vowels), double notch filter cutoff, phase amount, wavetable intensity, distortion drive amount and amp, nothing fancy

oh and sometimes i like to modulate bandreject filter bandwidth also

[vault]

I'm looking into this sound at 0:28 , it's after the growl, the lfo lead . I tried the triangle with Parabolic Shaper full dry/wet, but it's still not the sound I'm looking for :-/

Also, it can be found on Noisestorm's - Together.

at 0:42

[Augment]

I'm looking into this sound at 0:28 , it's after the growl, the lfo lead . I tried the triangle with Parabolic Shaper full dry/wet, but it's still not the sound I'm looking for :-/

Also, it can be found on Noisestorm's - Together.

at 0:42

In massive, sine wave @ +24 semitones in osc 1, and sine wave @ -24 semitones in osc 2. Parabolic shaper with 100% on both knobs. Scream filter with cutoff all the way up, like 1/4 scream and resonance. Some tube disto, dimension expander yadayada, and an LFO on either a lowpass filter or volume, whatever you want really

[vault]

I'm looking into this sound at 0:28 , it's after the growl, the lfo lead . I tried the triangle with Parabolic Shaper full dry/wet, but it's still not the sound I'm looking for :-/

Also, it can be found on Noisestorm's - Together.

at 0:42

In massive, sine wave @ +24 semitones in osc 1, and sine wave @ -24 semitones in osc 2. Parabolic shaper with 100% on both knobs. Scream filter with cutoff all the way up, like 1/4 scream and resonance. Some tube disto, dimension expander yadayada, and an LFO on either a lowpass filter or volume, whatever you want really

Haha yeah, I already knew about this bass, typical circus records, eptic etc, but I don't think it's really the same, hehe.

[mthrfnk]

Try the same with square waves, set an LFO on the scream filter and use near 100% wet/drive classic tube disto (try with/without P. Shaper)

[YeahItsMe]

Hey guys, I found this sample and have heard it in songs from many different artists, this one particularly is from High Rankin. I can't describe how it sounds, but I have the sample.

HERE IS THE SOUND:
https://soundcloud.com/anthroid9/ds-bas ... e-14-f-174

It sounds similar to the lazer/whooping sound of detuned saws with pitch mod, reverb, some distortion and a tiny bit of white noise, but it that kind of sound lacks the same punch. It's as if this sound is just sooo fat or there's something else I'm stupidly overlooking like some crazy wave I'm not trying.

I'm using Massive and I've tried modulating intensity, wavetable pos, mod osc phase, cutoff spread, but I just can't get it. I have the clean sample (clearly as it's posted to my soundcloud), but I prefer making my own sounds.

It would be awesome it someone could give it a shot and tell me what they did, it would definitely save me some hair pulling, and like with any tutorial I plan on reverse engineering what I am given and creating my own filth. Thanks in advance!

https://soundcloud.com/anthroid9/ds-bas ... e-14-f-174

[mthrfnk]

Try adding a formant saw layer and it's distorted/limited to fuck?

[Augment]

I'm looking into this sound at 0:28 , it's after the growl, the lfo lead . I tried the triangle with Parabolic Shaper full dry/wet, but it's still not the sound I'm looking for :-/

Also, it can be found on Noisestorm's - Together.

at 0:42

In massive, sine wave @ +24 semitones in osc 1, and sine wave @ -24 semitones in osc 2. Parabolic shaper with 100% on both knobs. Scream filter with cutoff all the way up, like 1/4 scream and resonance. Some tube disto, dimension expander yadayada, and an LFO on either a lowpass filter or volume, whatever you want really

Haha yeah, I already knew about this bass, typical circus records, eptic etc, but I don't think it's really the same, hehe.

It's exactly the same as the one in the first clip. Maybe a tiny bit of eq or reverb, but other than that pretty much the same

[vault]

Haha, yeah... Had to mess up with the lfo amp modulation and expand it a lil bit more

[pbbila]

Hello everybody! I think I have something that might stump everyone! However, if this is anwsered somewhere then I am very sorry. I used the search button but to no avail.

Now, does anyone have any idea how to make the bass attack at the drop of this song by the massive big riddim bois Requake from https://soundcloud.com/requake/no-air-t ... er-kiss-fm ?