I'm more of a "tear out" fan. I like the big sounds and aggressive drops. I don't know why.. I just makes me want to jump up. Equally though I can happily sit back and enjoy the darker side of dub.
Loefah - Life Dub
Mala & Loefah - Da Wrath
Benga & Coki - Night
Nero - This Way (I love this beat, it's got that aggressive feel without being overpowering. Defo worth a listen if you haven't already)
I know it's in not dub related (don't shoot me down).. But I've been proper milking this lately. So smooth.
jondavey wrote:[my 2$]
IMHO the best way to make something sound heavy is to play it after something deep. There needs to be a thread of something that will hold the oposing tunes together. Or joining the dots as Giles Peterson would say.
I agree. That would make for a very interesting thread.
murky21 wrote:
Didn't really care for the original, but I think I love this tune.
And as I've already said, I haven't heard anything by Flux that I could stomach... but I listened to I Can't Stop and It was ok. If properly dropped in a set, I think one could make it work.
Widowmaker wrote:bar 9's early stuff is prime, they were one of the first to experiment alot.. big respect
Definitely agree. I hated it when people slagged bar 9 off. Midnight, Pull up and Strung out were all really experimental for their time (ha like 2 ears ago).
I've refrained from joining in, but now that Bar9 has been mentioned I decided to comment. Bar9 - Faded is about as tear out I can get while enjoying it or without just fucking off the dance floor or turning it off. A wobbly tune that could be enjoyable if dropped into a deep set and still get the nod.
16Bit is another producer(s) that to me is kind of like Goth-Trad; in that he does the tear-out stuff and the deeper stuff. Obviously, I prefer and only enjoy the latter, but its nuts to believe that stuff like Swine Flu and Skyline were made by the same guys.
I got into dubstep via all the wobble/bro but have definitley been converted to the deeper side. And most of the stuff I loved I now despise.
But tunes I still like on that tip
Bar 9 - The beginning
Downlink & Ale Fillman - Uncut
And im still a massive sucker for Emalkay - When i look at you. Ill never play it out. But as a wobble track i feel its still immense and would go nutz if it was dropped in a dance.
I'm new here and pretty new to the genre as far as getting into it heavily...I've always been heavy into Hip-Hop like J DIlla, Madlib, RJD2, Shadow etc so have always liked soulful, swinging, deep, somewhat experimental instrumental music and def have heard a lot of the dub most people like around here over the years through friends but was always more into/kept up with the Hip-Hop stuff I mentioned. I don't mind a bit of 'bro-step' ....it's good in the morning to get me going, at the gym sometimes, when I'm out but overall it does get a but much if ya try to listen to it all the time. I like stuff like Flux, Doctor P, Datsik etc etc but also like and have been playing the shit out of artists such as James Blake and Burial which I heard about when I started lurking here about a month back and def think that type of music will stand the 'test of time' better. I understand the viewpoint of those who 'hate on' the new stuff and the sudden blowing-up of the scene as I went through it myself with Hip-Hop, as the same thing happened pretty much in that genre but I don't pretend to have been heavy into dub for ages so it doesn't upset me and I embrace whatever I like.
And for the ones bout Flux Pavilion. Meathead truly is a great track imo. But the only one that i like and still play. Why doesnt he make more tracks like this?
jondavey wrote:[my 2$]
IMHO the best way to make something sound heavy is to play it after something deep. There needs to be a thread of something that will hold the oposing tunes together. Or joining the dots as Giles Peterson would say.
I agree. That would make for a very interesting thread.
murky21 wrote:
Didn't really care for the original, but I think I love this tune.
And as I've already said, I haven't heard anything by Flux that I could stomach... but I listened to I Can't Stop and It was ok. If properly dropped in a set, I think one could make it work.
...I wasn't talking about a forum thread but a thread that would hold a mix together. You know like some kind of common denominator within a mix that connects the music even though it is of oposing styles. See this for the blueprint; http://www.discogs.com/Coldcut-Journeys ... se/2653988