story of brostep
Re: story of brostep
boooooooooooooooooooooooooooooo, excision, datsik, and funtcase are sickkkkkkkkkkkkkk
Re: story of brostep
good
let's hope now the epilogue video link will come soon...
let's hope now the epilogue video link will come soon...
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Re: story of brostep
i would agree 100% with pkay. this type of dubstep is just american DnB slowed down to 140
i bet in a couple of years it will be 150+, that's how they did DnB at least...
what's weird is that in both cases percussion is the first part of the music that becomes formulaic, wonder why?
i bet in a couple of years it will be 150+, that's how they did DnB at least...
what's weird is that in both cases percussion is the first part of the music that becomes formulaic, wonder why?
sub.wise:.
slow down
slow down
epochalypso wrote:man dun no bout da 'nuum
Re: story of brostep
bunzer0 wrote:good
let's hope now the epilogue video link will come soon...

sub.wise:.
slow down
slow down
epochalypso wrote:man dun no bout da 'nuum
Re: story of brostep
Mixing purposes, is my guess.fractal wrote:i would agree 100% with pkay. this type of dubstep is just american DnB slowed down to 140
i bet in a couple of years it will be 150+, that's how they did DnB at least...
what's weird is that in both cases percussion is the first part of the music that becomes formulaic, wonder why?
- Mints
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Re: story of brostep
I don't know, but I bet it would make a crazy sociological study. A mad thesis could come out of that.fractal wrote: what's weird is that in both cases percussion is the first part of the music that becomes formulaic, wonder why?

- NickUndercover
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Re: story of brostep
You had a bad day ? Dieselboy one hell of a DJ, I know that. I just miss the time where he used to play fucking jungle, although he's always been keeping the darker side alive. Get that sand out of your vagina, reallypkay wrote:Dudes coming up on 18 years of repping drum and bass for the states, and is one of a handfull of people responsible for taking drum and bass global. I'd pick a better target to talk shit about.Rönin wrote:Dieselboy has good taste. What... Had ? Okay.

cloaked_up wrote:im not a fan of belgium tho TBQH (genocide in the congo anyone????)
Re: story of brostep
Rönin wrote:You had a bad day ? Dieselboy one hell of a DJ, I know that. I just miss the time where he used to play fucking jungle, although he's always been keeping the darker side alive. Get that sand out of your vagina, reallypkay wrote:Dudes coming up on 18 years of repping drum and bass for the states, and is one of a handfull of people responsible for taking drum and bass global. I'd pick a better target to talk shit about.Rönin wrote:Dieselboy has good taste. What... Had ? Okay.
I generally don't get along with dumb people
Re: story of brostep
fractal wrote:
what's weird is that in both cases percussion is the first part of the music that becomes formulaic, wonder why?
severely edited drum patterns don't do as well on the dancefloor in most places. The art of the drum edit is lost on the current generation of producers.
I enjoyed Breakage a bit more back in these days (still enjoy him tho)
Re: story of brostep
Rusko spoke truth there, good to hear!!
Re: story of brostep
pkay wrote:I generally don't get along with dumb people

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Re: story of brostep
This. Seems strange to me that most Americans are nearly oblivious to heavy bassline dubstep. Japanese scene is on point though.brasco wrote:Yeah and whether he started it or lot, he is a privileged position to start turning it around. A lot of the audiences he plays to don't know any better than filth it seems, its all down now to what he plays/makes in the future.wilson wrote:Fair play to Rusko there, talked a lot of sense.
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- spaceghost
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Re: story of brostep
every day i thank the gods that seattle is not one of these places! i'm not even talking about severely edited beats, just something other than the exact same halftime snare on the third beat. there's so many things you can do with the beat while still maintaining dancefloor flavor imhopkay wrote:fractal wrote:
what's weird is that in both cases percussion is the first part of the music that becomes formulaic, wonder why?
severely edited drum patterns don't do as well on the dancefloor in most places. The art of the drum edit is lost on the current generation of producers.
I enjoyed Breakage a bit more back in these days (still enjoy him tho)
sub.wise:.
slow down
slow down
epochalypso wrote:man dun no bout da 'nuum
Re: story of brostep
yeah washington state and oregon are one of the last holdovers for that sound in the states (phoenix being another). Your breakcore scene is one of the best in the worldfractal wrote:every day i thank the gods that seattle is not one of these places! i'm not even talking about severely edited beats, just something other than the exact same halftime snare on the third beat. there's so many things you can do with the beat while still maintaining dancefloor flavor imhopkay wrote:fractal wrote:
what's weird is that in both cases percussion is the first part of the music that becomes formulaic, wonder why?
severely edited drum patterns don't do as well on the dancefloor in most places. The art of the drum edit is lost on the current generation of producers.
I enjoyed Breakage a bit more back in these days (still enjoy him tho)
people who didn't grow up around it don't understand that a 4/4 is a 4/4 and don't understand how to dance to it.
a kid who's 23 grew up with 2-step beats being the norm in drum and bass even. So the whole generation coming up right now just doesn't know the beauty of lush drum editing. There's such great US talent now in those regards that isnt blowing up. I'm still bitter Soundmurderer didn't blow up. Dude was sick beyond belief.
RIP the art of the edit
Re: story of brostep
wow, powerfullly tru...wise words my man wise wordsfractal wrote: sometimes things are taken to another place and become something else
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All orginal mix............dubstep>garage>UK funky>house>moombahton>drum and bass
All orginal mix............dubstep>garage>UK funky>house>moombahton>drum and bass
Re: story of brostep
funny thing is tbh, if rusko never made brostep he would be a fucking nobody, dubstep wouldn't be getting any air play, meaning less people involved, less gigs for the producers, smaller genre, but hey would that be a bad thing or wouldn't it?
ironic i think
ironic i think
Re: story of brostep
ummm... no.izaac c wrote:funny thing is tbh, if rusko never made brostep he would be a fucking nobody
Rusko was already well established producing amazing dub influenced dubstep before making his aggressive tunes.
Re: story of brostep
A horrible, horrible thing to say. And completely incorrect.izaac c wrote:funny thing is tbh, if rusko never made brostep he would be a fucking nobody, dubstep wouldn't be getting any air play, meaning less people involved, less gigs for the producers, smaller genre, but hey would that be a bad thing or wouldn't it?
ironic i think
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