wub wrote:I miss hip hop being about the samples. The 808/synth lines are boring as shit to me.

wub wrote:I miss hip hop being about the samples. The 808/synth lines are boring as shit to me.
Pretty Lights uses samples, synthesizers, and records himself playing instruments. He released his music completely free as an experiment which ended up skyrocketing him to selling out huge venues and headlining big festivals in a couple years. Everyone also is making Daft Punk out to be like they owe it all to samples when they too use a lot of synthesizers (mostly analog) and instruments (mostly guitars). DJ Shadow's "Endtroducing" is made from 100% samples and is one of the best albums I have ever heard.Atac wrote:Heartless wrote:You'd think, but then you look at the amount of people supporting Girl Talk..Atac wrote:I always thought the line between "moral" and "immoral" sampling was obvious?True.
Also I've never listened to this guy but according to a friend of mine the artist Pretty Lights uses only recognizable samples to create his music?
Supposedly he doesn't sell his music (for obvious reasons). I think that is alright because it seems to be more of a tribute to his musical influences.
Still not 100% sure on who this guy is, can anyone confirm?
Careful EQ'ing, filtering, volume automation.djdeadb3ats wrote:I dont even get how these people get a lot of dubstep bass samples like skrillexs, iv tried it but theres always drums or something else going on in the back round
LumiNiscent wrote: I wouldn't samples something from another dubstep, dnb or hiphop track
Heartless wrote:Speaking of Homework, a previously unreleased track from the Homework era entitled "Drive" is being released next month on the Soma 20 year anniversary compilation.
+2-[2]DAY_- wrote:wub wrote:I miss hip hop being about the samples. The 808/synth lines are boring as shit to me.
Sharmaji wrote:2011: the year of the calloused-from-overuse facepalm
You're right, but it's also important to note the distinction between using interesting samples in an artistic way, and throwing together a bunch of loops and presets because you're lazy/don't know how to make your own sounds. It makes a big difference.dubbyconqueror wrote:
Produce something a fraction as innovative as this, then you can talk down on sampling. Personally, I think that doing something really original with samples takes in some ways, more skill as a producer than writing something yourself. Not one way or the other, both of course take a great deal of talent, but people underestimate how difficult it is to be able to just hear music and just pick out bits of unrelated music that work together in a new context.
Sorry to revive this thread, just wanted to throw that out there.
Yeah, but it's also pretty much self-selecting - if you just bang a load of loops together or nick a Skrillex bassline and stick it over your own predictable halfstep beat, you might come up with something that sounds a bit slicker than if you'd tried to write your own stuff and done it badly, but it's extremely unlikely to actually be interesting enough to get noticed in a big way.Jacob15728 wrote:You're right, but it's also important to note the distinction between using interesting samples in an artistic way, and throwing together a bunch of loops and presets because you're lazy/don't know how to make your own sounds. It makes a big difference.
Yeah, and can you (or anyone else here) match what he does with samplers?paradigm x wrote:Amon Tobin
100% synth tracks are, generally, shite. FACT.
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