o**k has been taken down
- bob crunkhouse
- Posts: 2165
- Joined: Thu Aug 24, 2006 1:24 pm
- Location: Bwighton, Dirty South
Great article! i agree about the radiohead thing to.ThinKing wrote:that's a great article. Genuinely highlights the contradiction many people face when trying to consider the wider issues. Thisrelaks wrote:This basically sums it up for me. OiNk pwned
is absolutely correct. I can't believe the amount of bluster Radiohead have made about their new LP.If Radiohead (the British rock band who achieved worldwide success via a long-term mutually-beneficial relationship with a major record label) were truly radical, they would have posted their new album as a BitTorrent file with a PayPal & bank account link for the fans who felt like paying. Not hosting it on some weird website with an awkward interface & requiring credit card info…
Square Roots
Plastician, Tempa T, Joy Orbison @ Audio, Brighton - September 4th
The Field (Live) + Support @ Audio, Brighton - November 11th
DMZ in Brighton - Mala/Loefah/Pokes @ Audio, Brighton - November 13th
Plastician, Tempa T, Joy Orbison @ Audio, Brighton - September 4th
The Field (Live) + Support @ Audio, Brighton - November 11th
DMZ in Brighton - Mala/Loefah/Pokes @ Audio, Brighton - November 13th
- alex deadman
- Posts: 413
- Joined: Wed Jan 11, 2006 10:27 pm
- Location: Sheffield
- Contact:
Man there is so much confusion.
Public domain filesharing was and is a massive part of dubstep's growth - FACT
I've downloaded many gigs of fully legitimate dubstep for free without ever visiting a P2P site like Oink or Limewire or Kazaa or whatever.
Everyone accepts that mixes, if recorded with permission, are fair game.
You download the free mix with has been stuffed full of the freshest beats, you decide what you like, you go and buy the vinyl. This is how it should work. This is what i did and this is what true supporters of the scene will do.
If you decide what you like based on the illegal full tracks you've downloaded there's no need for you to buy a vinyl or legitimate download because you have your rip-off tracks. You're taking from the scene and not giving anything back in return. If everyone acts in this way and vinyl finally becomes obselete WE WILL HAVE NO SCENE. Not for you, not for anyone. Simple The genre is what unifies all our efforts but it doesn't simply exist ipso facto, it must be nurtured through the passage of time by the individuals. If we all just take (this applies to absolutely everyone) we will take apart our own scene, seen?
We're not majors, we're running this shit from our bedrooms.
Please see sense, income from bookings alone will not pay for the individuals who arn't DJs but are fundamental to the scene. These people will give up.
Sorry for the rant, I know this is not a clear issue. I just have to voice my opinion and that's all this is.
Public domain filesharing was and is a massive part of dubstep's growth - FACT
I've downloaded many gigs of fully legitimate dubstep for free without ever visiting a P2P site like Oink or Limewire or Kazaa or whatever.
Everyone accepts that mixes, if recorded with permission, are fair game.
You download the free mix with has been stuffed full of the freshest beats, you decide what you like, you go and buy the vinyl. This is how it should work. This is what i did and this is what true supporters of the scene will do.
If you decide what you like based on the illegal full tracks you've downloaded there's no need for you to buy a vinyl or legitimate download because you have your rip-off tracks. You're taking from the scene and not giving anything back in return. If everyone acts in this way and vinyl finally becomes obselete WE WILL HAVE NO SCENE. Not for you, not for anyone. Simple The genre is what unifies all our efforts but it doesn't simply exist ipso facto, it must be nurtured through the passage of time by the individuals. If we all just take (this applies to absolutely everyone) we will take apart our own scene, seen?
We're not majors, we're running this shit from our bedrooms.
Please see sense, income from bookings alone will not pay for the individuals who arn't DJs but are fundamental to the scene. These people will give up.
Sorry for the rant, I know this is not a clear issue. I just have to voice my opinion and that's all this is.
R8004 - RSD - On Deck / Accepted - Out Now
R8005- Rogue State & Twisted - Logical Regression / Infect - Out Soon
R8005- Rogue State & Twisted - Logical Regression / Infect - Out Soon
To complain about no money being pumped into the scene, and then turn around and NOT repress records that have been sold out for months or even years, is hypocrisy to say the least. You want me to pay, then let me buy it! No more of this STRICTLY LIMITED nonsense, there's obviously a market.
Note: This has been a post by a regular downloader of dubstep mp3s AND regular buyer of dubstep vinyl.
Note: This has been a post by a regular downloader of dubstep mp3s AND regular buyer of dubstep vinyl.
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- Posts: 351
- Joined: Tue Feb 27, 2007 10:19 pm
- Location: USA
Dubstep is the only scene I've been in where people get uppity about file-sharing. It's really pretty crazy considering how people are always talking about sharing the love, spreading the music, posting free mixes and sometimes tracks.. but then when you download a 12 from somewhere like Oink, you're some kind of jackass stealing from poor artists? Fuck off mates, if it wasn't for file-sharing I wouldn't have ever gotten into dubstep or bought all the 12s I have. Those of you who think otherwise are backwards. The days when people would buy something without the ability to check it out first (legally or not) are over, in my opinion. And I'm not going to pay $20 to buy a record with 2 tracks and ship it from London to my house based on 30 second Boomkat samples, sorry.
Oink was the best place around and I eagerly await the rise of another great tracker.
The benefits of file-sharing for a growing scene like dubstep far outweigh the negative side-effects.
Oink was the best place around and I eagerly await the rise of another great tracker.
The benefits of file-sharing for a growing scene like dubstep far outweigh the negative side-effects.
but you can hear tracks from mixesQuietmouse wrote:Dubstep is the only scene I've been in where people get uppity about file-sharing. It's really pretty crazy considering how people are always talking about sharing the love, spreading the music, posting free mixes and sometimes tracks.. but then when you download a 12 from somewhere like Oink, you're some kind of jackass stealing from poor artists? Fuck off mates, if it wasn't for file-sharing I wouldn't have ever gotten into dubstep or bought all the 12s I have. Those of you who think otherwise are backwards. The days when people would buy something without the ability to check it out first (legally or not) are over, in my opinion. And I'm not going to pay $20 to buy a record with 2 tracks and ship it from London to my house based on 30 second Boomkat samples, sorry.
Oink was the best place around and I eagerly await the rise of another great tracker.
The benefits of file-sharing for a growing scene like dubstep far outweigh the negative side-effects.
there's free mixes with loads of new tracks on them on this forum.
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- Posts: 351
- Joined: Tue Feb 27, 2007 10:19 pm
- Location: USA
they know it's inevitable, but they're still trying to make a bit of money from what they're doing. it isn't because they're greedy, but it takes a considerable amount of their time. most of the time, they're not even profiting, just trying to keep going, or buying the equipment/vinyl they need.Quietmouse wrote:If it doesn't bother an artist if I hear a nearly full track in a mix, why should it bother him/her if I hear the whole thing by itself?Jennifer wrote: but you can hear tracks from mixes
there's free mixes with loads of new tracks on them on this forum.
There's a lot of hypocrisy in this scene.
good for you to buy tracks that you like, but people just aren't that honest most of the time. if they can find it for free, they won't pay jack shit.
Last edited by Jennifer on Wed Oct 24, 2007 1:07 am, edited 1 time in total.
- bob crunkhouse
- Posts: 2165
- Joined: Thu Aug 24, 2006 1:24 pm
- Location: Bwighton, Dirty South
Yeh but taking into account what the guy said about things not being repressed and that a lot of labels don’t do digital downloads, its not surprising people get things off oink. People have got to remember that not all dubstep fans are Dj's as well, im not interested in buying vinyl for one....(its to expensive). If there was a legal service as good as oink for the kind of music we like think how popular it would be! until that day it will be no surprise to me that people continue to use these services, and i cant really blame them.Alex Deadman wrote:Man there is so much confusion.
Public domain filesharing was and is a massive part of dubstep's growth - FACT
I've downloaded many gigs of fully legitimate dubstep for free without ever visiting a P2P site like Oink or Limewire or Kazaa or whatever.
Everyone accepts that mixes, if recorded with permission, are fair game.
You download the free mix with has been stuffed full of the freshest beats, you decide what you like, you go and buy the vinyl. This is how it should work. This is what i did and this is what true supporters of the scene will do.
If you decide what you like based on the illegal full tracks you've downloaded there's no need for you to buy a vinyl or legitimate download because you have your rip-off tracks. You're taking from the scene and not giving anything back in return. If everyone acts in this way and vinyl finally becomes obselete WE WILL HAVE NO SCENE. Not for you, not for anyone. Simple The genre is what unifies all our efforts but it doesn't simply exist ipso facto, it must be nurtured through the passage of time by the individuals. If we all just take (this applies to absolutely everyone) we will take apart our own scene, seen?
We're not majors, we're running this shit from our bedrooms.
Please see sense, income from bookings alone will not pay for the individuals who arn't DJs but are fundamental to the scene. These people will give up.
Sorry for the rant, I know this is not a clear issue. I just have to voice my opinion and that's all this is.
It was such an amazing resource for old music to, some great 2 step and forgotten old whites, wasn’t just downloading the latest new 12”s and making Coki starve.
Square Roots
Plastician, Tempa T, Joy Orbison @ Audio, Brighton - September 4th
The Field (Live) + Support @ Audio, Brighton - November 11th
DMZ in Brighton - Mala/Loefah/Pokes @ Audio, Brighton - November 13th
Plastician, Tempa T, Joy Orbison @ Audio, Brighton - September 4th
The Field (Live) + Support @ Audio, Brighton - November 11th
DMZ in Brighton - Mala/Loefah/Pokes @ Audio, Brighton - November 13th
Surely its not that silly but i meant getting thousands of people investigated, nonsense business! They won't do anything else than tracking down people who uses Oink and torrents to download illegal stuff, no matter what they do, no matter how hard they try to fight piracy its a completely ungrateful mission.seckle wrote:it's not that silly
The problem here is that there are no global lesgislation that says how people got to be judged by downloading copyrighted content, european lesgislation its completely different from the australian one for instance, thats a big problem for the courts and for the final decisions.
They will even get some problems to judge the young developer of the 'service', Oink works sharing trackers, its almost the same situation than sharing links that lodges files containing illegal content.
This decision was taken in Norway and as you can see its no that linear.The issue was whether a consumer portal on the Internet, ABC Startsiden, contributed to infringement of copyright by publishing links to file-sharing services like KaZaA. The plaintiff was Phonofile, a company organising the licensing of musical works for the Internet.
ABC Startsiden is a typical portal, the first page including a categorisation of different services. By selecting the category "MP3", the user was directed to a new page, which included the choice "file sharing". If this was selected, a page was displayed with links to several file-sharing services, including KaZaA.
The court states that file-sharing services may have both lawful and unlawful objectives. The court also based its decision on evidence that proved that users who had been referred to KaZaA from the home page of Startsiden used the file-sharing service for unlawfully making protected musical works available to the public. In this way, the court found that there had been established a certain actual causation between the links and the infringements. However, to be legally relevant, the causation also had to be qualified according to Norwegian legal doctrine. The court did not find that such a qualified causation had been proven. After having accessed the home page of the file-sharing service using the link from Startsiden, the user would have to make further individual choices before being able to employ the service for offering music files to the public download the appropriate software, upload files to his or her own disk, etc. In the sequence of events leading to the infringement, the court found that the links of Startsiden were "elements of little importance".
The court also considered whether the law of unfair competition would be relevant. The court found that Startsiden and Phonofile were not competitors in the same market, which would require a rather strong degree for an "unfair" action to be relevant. The court did not find that the links represented such action.
Startisiden was acquitted. The decision has not been appealed, and is therefore final.
Piracy its like internet, one of the biggest networks world wide, the industry got to create new strategies to make profit of this tremendous business, maybe the internet service providers will begin to make a charge so people can download some stuff legally, who knows?
Suddenly, there was a terrible roar all around us, and the sky was full with what looked like huge bats, all swooping and screeching and diving around the car, and a voice was screaming:
Holy Jesus. What are these goddamn animals?
Holy Jesus. What are these goddamn animals?
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But of course there's no hypocrisy with P2P at all. No no never. because it's not stealing it's "copying" right? it's just automatically yours now because you have an internet connection.Quietmouse wrote: There's a lot of hypocrisy in this scene.
i'm glad oink is down, and i'm glad some p2p people are getting a taste of their own medicine.
before i say anything please don't read what i write to imply dogmatic support of p2p without proviso or contextual considerationsseckle wrote:But of course there's no hypocrisy with P2P at all. No no never. because it's not stealing it's "copying" right? it's just automatically yours now because you have an internet connection.Quietmouse wrote: There's a lot of hypocrisy in this scene.
i'm glad oink is down, and i'm glad some p2p people are getting a taste of their own medicine.
but
do you think that in no circumstances whatsoever piracy is justified?
what do you say of the many, many producers (especially, i suspect, in dubstep and grime) who were given a window to production via cracked software? by the hard language and logic of property rights and retribution that you're using they deserve to be pirated...
i'm voicing a hard personal opinion. i'm not telling people what to do or not to do. don't twist this into something it's not. i just have ZERO time for P2P advocates that start speaking about hypocrisy.elgato wrote:before i say anything please don't read what i write to imply dogmatic support of p2p without proviso or contextual considerationsseckle wrote:But of course there's no hypocrisy with P2P at all. No no never. because it's not stealing it's "copying" right? it's just automatically yours now because you have an internet connection.Quietmouse wrote: There's a lot of hypocrisy in this scene.
i'm glad oink is down, and i'm glad some p2p people are getting a taste of their own medicine.
but
do you think that in no circumstances whatsoever piracy is justified?
what do you say of the many, many producers (especially, i suspect, in dubstep and grime) who were given a window to production via cracked software? by the hard language and logic of property rights and retribution that you're using they deserve to be pirated...
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- Posts: 351
- Joined: Tue Feb 27, 2007 10:19 pm
- Location: USA
Easy mate. I mean no actual disrespect to anyone, except maybe the people who download without giving anything back (be it buying the music they really like, going to shows, supporting the community, promoting the artist, whatever). I am definitely against that and I'll cede that probably the majority of file-sharers don't give anything back and it's a damn shame. So there's hypocrisy in p2p too of course, and there's hypocrisy in dubstep, but there's hypocrisy in everything, so what's the point in arguing over it? But I think the people who do file-share, and who do give back, that's what it's really all about, and that's what good about file-sharing and why I support it. The pros outweigh the cons to me at least.seckle wrote:i'm voicing a hard personal opinion. i'm not telling people what to do or not to do. don't twist this into something it's not. i just have ZERO time for P2P advocates that start speaking about hypocrisy.
Dubstep wouldn't be where it is now if it wasn't for file-sharing. The global community would be much, much smaller. There's an audience for this music now outside of the raves which many dubstep fans don't have the chance to go to. I think this is a very positive thing and definitely see file-sharing playing at least some role in the rise of the genre's popularity.
It's not my right to download dubstep. It's my privilege to hear this awesome music and try to support the artists best I can, even though it's not always monetarily.
Hope this clears some things up for those of you who don't understand or sympathize with a pro-filesharing viewpoint..
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