Does Joker engineer / master his own tracks?

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kingcannibal
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Post by kingcannibal » Tue Apr 07, 2009 12:37 pm

Paulie wrote:
Fused Forces wrote:Jokers tunes are big, which is down to him..... being a sick producer, an having a good ear.

Thousands of pounds of hardware equipment does not make a great producer.

Quote by Liam Howlett of The Prodigy...

“I could sell all of the equipment in the studio tomorrow, i couldn't give a shit about that stuff anymore because all of the new album came from my sample sources and the laptop running Reason and those few pieces of kit I mentioned, which is about as technical as it got — and about as technical as it should get.”

:wink:
He was making much better stuff when he was still using the hardware though tbf.
for sure, it just sounds like overly layered plastic to me know - same with a lot of dnb these days too.

dreamizm
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Post by dreamizm » Tue Apr 07, 2009 1:08 pm

KingCannibal wrote: same with a lot of dnb these days too.
Too much software on the mixdown.

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kingcannibal
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Post by kingcannibal » Tue Apr 07, 2009 4:29 pm

dreamizm wrote:
KingCannibal wrote: same with a lot of dnb these days too.
Too much software on the mixdown.
I wouldn't go that far, its what you do with it that counts. Its just the fashion to fill out every day frequency possible. I'd really like to get an Akai & an Emu but it'd be a pain in the arse incorporating it in to my set up, but i guess that is one of the reasons that its mostly software these days.

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fused_forces
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Post by fused_forces » Tue Apr 07, 2009 6:16 pm

KingCannibal wrote:
Paulie wrote:
Fused Forces wrote:Jokers tunes are big, which is down to him..... being a sick producer, an having a good ear.

Thousands of pounds of hardware equipment does not make a great producer.

Quote by Liam Howlett of The Prodigy...

“I could sell all of the equipment in the studio tomorrow, i couldn't give a shit about that stuff anymore because all of the new album came from my sample sources and the laptop running Reason and those few pieces of kit I mentioned, which is about as technical as it got — and about as technical as it should get.”

:wink:
He was making much better stuff when he was still using the hardware though tbf.
for sure, it just sounds like overly layered plastic to me know - same with a lot of dnb these days too.
Yea i must say i do majorly prefer DnB in the days b4 everything was digital, an i would defo rather have more hardware in my studio than ive got. But i do think knowing ya way around what ever software or hardware uve got can make a big difference compared to having loads of sick equipment an knowing just a little on each, we have a fair few friends that have thrown soooo much money into all sorts in there studio an aint gotta clue wot they are doin on half of it an end up making fuck all lol.

1 thing ive been looking at for a while tho is the "liquid mix", heard its a proper nice bit of kit for the money, anyone got or used 1?

jokerkhk
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Post by jokerkhk » Tue Apr 07, 2009 7:04 pm

Fused Forces wrote:
KingCannibal wrote:
Paulie wrote:
Fused Forces wrote:Jokers tunes are big, which is down to him..... being a sick producer, an having a good ear.

Thousands of pounds of hardware equipment does not make a great producer.

Quote by Liam Howlett of The Prodigy...

“I could sell all of the equipment in the studio tomorrow, i couldn't give a shit about that stuff anymore because all of the new album came from my sample sources and the laptop running Reason and those few pieces of kit I mentioned, which is about as technical as it got — and about as technical as it should get.”

:wink:
He was making much better stuff when he was still using the hardware though tbf.
for sure, it just sounds like overly layered plastic to me know - same with a lot of dnb these days too.
Yea i must say i do majorly prefer DnB in the days b4 everything was digital, an i would defo rather have more hardware in my studio than ive got. But i do think knowing ya way around what ever software or hardware uve got can make a big difference compared to having loads of sick equipment an knowing just a little on each, we have a fair few friends that have thrown soooo much money into all sorts in there studio an aint gotta clue wot they are doin on half of it an end up making fuck all lol.

1 thing ive been looking at for a while tho is the "liquid mix", heard its a proper nice bit of kit for the money, anyone got or used 1?
Yes a mate has it he really likes it i think it's pretty good im just getting into

SSL Duende atm i think its sik

skream
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Post by skream » Tue Apr 07, 2009 7:22 pm

jokerkhk wrote:
Fused Forces wrote:
KingCannibal wrote:
Paulie wrote:
Fused Forces wrote:Jokers tunes are big, which is down to him..... being a sick producer, an having a good ear.

Thousands of pounds of hardware equipment does not make a great producer.

Quote by Liam Howlett of The Prodigy...

“I could sell all of the equipment in the studio tomorrow, i couldn't give a shit about that stuff anymore because all of the new album came from my sample sources and the laptop running Reason and those few pieces of kit I mentioned, which is about as technical as it got — and about as technical as it should get.”

:wink:
He was making much better stuff when he was still using the hardware though tbf.
for sure, it just sounds like overly layered plastic to me know - same with a lot of dnb these days too.
Yea i must say i do majorly prefer DnB in the days b4 everything was digital, an i would defo rather have more hardware in my studio than ive got. But i do think knowing ya way around what ever software or hardware uve got can make a big difference compared to having loads of sick equipment an knowing just a little on each, we have a fair few friends that have thrown soooo much money into all sorts in there studio an aint gotta clue wot they are doin on half of it an end up making fuck all lol.

1 thing ive been looking at for a while tho is the "liquid mix", heard its a proper nice bit of kit for the money, anyone got or used 1?
Yes a mate has it he really likes it i think it's pretty good im just getting into

SSL Duende atm i think its sik
SSL DUENDE IS THE SHIZZLEEEEE!!!!

asa
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Post by asa » Tue Apr 07, 2009 7:42 pm

skream wrote:
jokerkhk wrote:
Fused Forces wrote:
KingCannibal wrote:
Paulie wrote: He was making much better stuff when he was still using the hardware though tbf.
for sure, it just sounds like overly layered plastic to me know - same with a lot of dnb these days too.
Yea i must say i do majorly prefer DnB in the days b4 everything was digital, an i would defo rather have more hardware in my studio than ive got. But i do think knowing ya way around what ever software or hardware uve got can make a big difference compared to having loads of sick equipment an knowing just a little on each, we have a fair few friends that have thrown soooo much money into all sorts in there studio an aint gotta clue wot they are doin on half of it an end up making fuck all lol.

1 thing ive been looking at for a while tho is the "liquid mix", heard its a proper nice bit of kit for the money, anyone got or used 1?
Yes a mate has it he really likes it i think it's pretty good im just getting into

SSL Duende atm i think its sik
SSL DUENDE IS THE SHIZZLEEEEE!!!!
Defiantly worth the money if you can afford it, no more cpu being rinsed on plug in's, if you've got alot of hardware running through firewire then it garuntee's some cool runnings ;)

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vonboyage
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Post by vonboyage » Tue Apr 07, 2009 7:47 pm

jokerkhk wrote:
Desire wrote:is this a joke? (excuse pun) but jokers tunes were sounding swag at fwd last week! and to the dude saying u cant get a good master with software alone, put down the crack pipe son.
AUTO PAR IS TURNED on turbo
Lol, them par there.

Cuda answered the Q while u were here though. :twisted:
Origininja

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hopper
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Post by hopper » Fri Apr 10, 2009 8:33 pm

skream wrote:
jokerkhk wrote: SSL Duende atm i think its sik
SSL DUENDE IS THE SHIZZLEEEEE!!!!
how exactly does it work? do you use it like a plugin onto the tracks of your DAW?
:ghost:

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