tbh some of the best dubstep producers never got the praise and recognition they deserved. Cyrus being the most obvious one. Milanese, Omen, Moving Ninja...
AxeD wrote:I dunno, there's some thoroughly unemployed people on this forum.
that's an extremelly overrated record imo. then again i don't rate kromestar much apart from the funky/broken beat stuff he put out as dark knight
but w/e
probably doesn't help that these guys didn't put much music out there - unlike say kromestar, skream etc who churned out 12" after 12" or digital mystikz who had the most hyped dubs around
plus, bar cyrus, they disappeared before dubstep got big. altho farj from moving ninja is still involved with aquatic lab and garage pressure. and paul reactivated subtext but went all modern classical/dark ambient/industrial
shame omen vanished. his six6six label was promising
"If your chest ain't rattlin it ain't happenin'" - DJ Pinch
"Move pples bodies and stimulate their minds"
we just ride the wave
Life sucks; Get used² it.
ultraspatial wrote:that's an extremelly overrated record imo
definitely agree but only because there are so many other kromestar records out there in the same style that are basically as good / almost as good but are waaaaayyyyy cheaper eg Badman, Get Up, Coca Cola, Agravashon, etc
ie, i don't think the tunes are over-rated, but i think the record is way overpriced, based on arbitrary things such as label, cat no, year, etc when records should be judged purely on the music imo
Medi01 sounds so dated aswell, and it's not like the tunes went off really hard or did something very exciting or new. just some wobblers. Mere Sher is much much better, at least it packs a punch.
AxeD wrote:I dunno, there's some thoroughly unemployed people on this forum.
Etches828 wrote:assuming that 130 is a tempo not a sound, which is the point, think it's pretty good when stuff is just described by tempo opposed to some made up name
I think he is up there with the best of em, but he does seem to get overlooked a fair bit.
soronery wrote:Too easy to sit behind a keyboard with a playlist of dubstep tunes on, arguing about the defintion of a word in relation to a sound.
All that melts away when the lights are down and the bass is up.
I think he is up there with the best of em, but he does seem to get overlooked a fair bit.
I think we where kind of spoiled in my city with starkey, pinch, cyrus and similar comming over and showcasing some stuff right in the beginning, but at the same time that kind of ruined the genre for me because most other stuff was at the very least referencing their sound. Until Burial
@hubb re: wonky dubstep
that stuff was too maximalist and only marginally related to dubstep to really appeal to the heads and too weird for brosteppers imo
always thought the target audience for that sound was more "bass music" via idm types