ehbrums1 wrote:da fuq?Reversed wrote:I believe this is true, which leads to a different problem: EDM is a pretty much region-based thing. In some areas you'll hear only House music (like here in Germany), while in areas like Texas, I believe? They prefer harder types of Dubstep/EDM, like Excision. In the UK, the less screechy dubstep vibes are more common. And so on. Which means, that only producers that make those types of EDM in those areas are likely to get exposure quickly. Which kinda sucks. (I personally haven't had any luck finding dubstep/drum'n'bass clubs around here yet. I know of one that existed a while ago, but that one closed over a year ago)adover wrote:I'll always maintain the same view... if your tracks are big enough then they'll get noticed, your friends will be proud to have a friend who makes bangers and will push your tunes to their friends, and so on and so on... you'll gain followers on SC that way, and maybe someone will pick them up. If they don't then maybe the tunes aren't good enough - that's my belief... and I feel that by holding that belief and getting only 30-40 listens on a track drives me to do better (if I want more listeners, my tracks need to be better etc...)
This whole thing just sounds like lonely rich kids with shit songs begging for friends... Maybe they'll make a fast buck but that's all - there's no longevity in them
anyone share this though/opinion? Or am I totally wrong on those locations?I think it's about right though, i read about it a while ago
quote was taking a bit out of context i was not trying to dog the kid, i am trying to help him have a more realistic view and possibly inspire him to take it further and expect less when it comes to art.

