Word.
Sunday Times 'Style' Magazine
As far as I'm concerned, if worst comes to worst, the overground can have the label 'dubstep'. Its just a word. I agree the vibes are whats important, and the vibes will always be there if we want them to be.[/quote]
Word.
Word.
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i see your points. The more randoms coming into the music -> the more money in it -> the poorer the quality control an so on.
I just think its important not to be too snobby about it, and to welcome the uninformed and sometimes ill-informed. I know that I feel reservations towards 'outsiders' commenting on 'our' scene, and I suppose others have felt the same thing, especially when they are doing so in such a poorly informed manner ("riddims from the 'hood..."), otherwise threads like this wouldn't exist.
But we can't shut ourselves away from the world is all.
I just think its important not to be too snobby about it, and to welcome the uninformed and sometimes ill-informed. I know that I feel reservations towards 'outsiders' commenting on 'our' scene, and I suppose others have felt the same thing, especially when they are doing so in such a poorly informed manner ("riddims from the 'hood..."), otherwise threads like this wouldn't exist.
But we can't shut ourselves away from the world is all.

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init!gravious wrote:we can't shut ourselves away from the world is all.
I think we need a bit of a reality check... How many scenes have their been in the past that have gone from underground to overground? Tons and tons. If the music is good, this is inevitable. This might lead to diluation of sound, diluation of quality and diluation of vibes...
Which is bad...
But the good thing is that there always be something new and exciting happening on the underground... it might be dubstep by another name, but - without getting all cliched on your literary arses - a dub by any other name sounds as sweet... Maybe you think that the diluted sound that you fear don't deserve to be called dubstep. Maybe so. But, as i said before, its just a word...
Reinvent and survive...
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By itself, of course it won't. But the point is that I think we have to resign ourselves to the fact that this music may well not stay underground for that much longer... and i think the line in the sunday times style magazine brings that to our attention.Spaceboy wrote:FFS - its only a one liner in a style mag. It will make absolutely no difference to the status quo.
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And then disregarded as passeDJ Whistla wrote:Yes Ramadanman! That is it completely!ramadanman wrote:well i think the concern is a dilution of quality and of vibes.Rich_c90 wrote:gravious wrote: Does it matter if people don't know what this music is about? Do you have to know to enjoy it? (and if so, why??)
Whats to lose?
one of the things that distinguishes dubstep from other scenes is seriously good vibes at the dance, and also pretty high standards when it comes to releases.
for me, the cliché description of dubstep as music from the "hood" kinda sums it up... all a bit voyeuristic really..
IMO the N.A.S.A (nice an safe attitude) that has pervaded this scene is going goin.... not yet gone but nearly.
A good example of this is the insulting emails i know Deapoh has recieved demanding that there mixes be put on barefiles (i'm only using deapoh as an example hope u dont mind bro). The scene is made up of people spending there free time creating and making available the music they like. When big players (like Radio 1 bla bla bla) get involved these people are the first ones who see the switch from people interested in music to people interested in money.
When this new mindset enters a scene it destroys the original creativity that grew it and ends up making the scene into a genre with no character.
rant over
I hate to sound pessimistic, but i am, so i do. This happens with every scene regardless of form, it being music, art, or cultural. There is nothing you can do about it once something infiltrates the mainstream apart from make another scene. Lets put this into perspective. There's only been a handfull of remarks in the sunday papers. At least Kode 9 isn't in East bloody Enders. When that happens you know the original ethos of the scene is dead and buried. We are nowhere near that. And there's allways going to be pricks around, you just hope the don't become dominant. I think we'll be fine for a while yet. It still is a tiny scene comparetivly speaking.
Screw them.
Car company's don't use dubstep in they're ads, yet.
I do agree with you, by the way Whistla
If people want to sell it as music from the hood they will do this regardless of what we say or do. At the end of the day "music from the hood" make much better copy than say, the thruth " music from smelly bedrooms made by men with computers". People like to hear the glamerous side of things. We all know the hood is far from glam, but once it goes through the marketing/image paradigm it does become appealing/edgy/dangerous.
Oh f**k it.
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