Its out october 22ndlazytechnician wrote:Is this actually out yet???
Had a quick flick through the october edition in smiths but didnt really see anything.
Computer Music - Guide to Dubstep - Oct 22nd
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- Jak The lad
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ABBmusic wrote:Am I missing something? is Skrillex too main stream for you guys?
there allready are hundreds of shit dubsteppers, just because they're doing something on dubstep doesn't mean the entire readerbase of cm is going to join the forum posting shitty tunes.jagle wrote:Get ready for hundreds of shit Dubsteppers
and anyway, it'll probably be incredibly generic and pointless, rubbish samples with advice on how to get 'that perfect wobble' or skank, or whatever.
- Jak The lad
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Got my copy of this today through the post. Looks pretty good. Got the standard ComputerMusic format of breaking down each part of the track. Got a little history of Dubstep too. Gonna delve into the samples this weekend and see what they're like.
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ABBmusic wrote:Am I missing something? is Skrillex too main stream for you guys?
- Jak The lad
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just had a quick flick through and the forum gets a mention too lol.
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ABBmusic wrote:Am I missing something? is Skrillex too main stream for you guys?
as far as i could see there wasn't a single mention of the word wobble. most i could find was a small section called "Bass in the place" on page 32:
"Simply insert a low-pass filter over your bassline and automate its cutoff frequency. or use the built-in filter on your sampler, connecting the cutoff to and LFO and automating the LFO speed for some really crazy sounds."
all-in-all i think it was a good look into dubstep, didn't give to much away, no "This is how you make dubstep" more of a gentle push in the right direction. and it did keep mentioning that dubstep was all about breaking the mould and not following all the rules. i think it gave just enough away and if i read that not knowiong what dubstep was i would imediatly want to know more. +1 for CM.
"Simply insert a low-pass filter over your bassline and automate its cutoff frequency. or use the built-in filter on your sampler, connecting the cutoff to and LFO and automating the LFO speed for some really crazy sounds."
all-in-all i think it was a good look into dubstep, didn't give to much away, no "This is how you make dubstep" more of a gentle push in the right direction. and it did keep mentioning that dubstep was all about breaking the mould and not following all the rules. i think it gave just enough away and if i read that not knowiong what dubstep was i would imediatly want to know more. +1 for CM.
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Future music + Computer Music mags are made and marketed for 14-17 year olds
Get ready for the barrage of 14 year old reason users (not dissing reason, we all start somewhere) making tracks out of brick-a-brack and spilling their strawberry milk over their half wobble basslines.
I prefer SOS, it delves a bit deeper into this rabbit hole called music
Get ready for the barrage of 14 year old reason users (not dissing reason, we all start somewhere) making tracks out of brick-a-brack and spilling their strawberry milk over their half wobble basslines.
I prefer SOS, it delves a bit deeper into this rabbit hole called music
- Jak The lad
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Yeh, think i'll suscribe to SOS, Computer music is good, but half the mag is reviews.Ecliptic wrote:Future music + Computer Music mags are made and marketed for 14-17 year olds
Get ready for the barrage of 14 year old reason users (not dissing reason, we all start somewhere) making tracks out of brick-a-brack and spilling their strawberry milk over their half wobble basslines.![]()
I prefer SOS, it delves a bit deeper into this rabbit hole called music
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ABBmusic wrote:Am I missing something? is Skrillex too main stream for you guys?
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- gravious
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I will stop posting this picture when it stops being true...
Who knows though, this article might even be good?

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LOL hahagravious wrote:
I will stop posting this picture when it stops being true...
*removes flute part from latest track*
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- Disco Nutter
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I have to thank you for this, it increased my 'dubbityah' 10-foldgravious wrote:
I will stop posting this picture when it stops being true...
![]()
Who knows though, this article might even be good?
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Minette - Temptation [Vonboyage Remix]
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Final cut uploaded / Feedback appreciated!
http://www.bassinvaders.org
^^2nd This^^darkmatterUK wrote:^^^this^^^TeReKeTe wrote:if this article leads to someone better-understanding the process of programming, who gets really excited, works for a year, and then starts making banging tunes that magically appear in my inbox-- then it's all good.
they did a thing on d&b recently, which raised an eyebrow... until i read the first interview w/ logistics, in which he discussed inspiration (on one hand), and some pretty involved reason programming (on the other).
computer music does this type of shit pretty well.
funny how no one was crying woe for the scene w/ the benga vid posted a few months ago. how is this intrisically different?
if it gives someone with inspiration and a voice to develop a better clue on how to develop-- excellent. if not, the world hasn't died under the weight of 1,000 same-sounding 140bpm wobblers, and it's not gonna with a few more.
out to everyone makin tunes!
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- darkmatteruk
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Haven't listened to the samples, but I thought the article made a decent job of a very hard task... they essentially gave some ideas for production techniques but said "Well, we can't really tell you much about your arrangement and sound as it's such a broad genre"... which is true. Dubstep's becoming almost a treatment rather than a genre... like you can Dubstep up stuff that sounds like it should be Techno, Hip Hop, DnB/Jungle, Dancehall, House etc etc...
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