Making Kick drums stand out

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puppykicker
Posts: 303
Joined: Tue Aug 05, 2008 6:02 pm
Location: San Diego, Ca. USA
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Post by puppykicker » Wed Jan 14, 2009 12:24 am

Side chain !!!
http://www.soundcloud.com/puppykicker
Image
8/25- Dub Dorado
>>BURNING MAN<<
(all set times for BM are aproximate)
Thursday 1:30pm @ Centercamp w/ UBUV
Thursday sunrise @ Basscamp
Friday 12-1am BrokenBeat @ Bat Country
Saturday Sunrise on the Nautilus X
--
9/10- DUBWISE in SLC, Utah
9/18- SD UNION

skulk
Posts: 10
Joined: Tue Oct 21, 2008 8:17 pm
Location: South East
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Post by skulk » Sun Jan 18, 2009 3:00 pm

Not trying to be clever or anything here but parallel compression is a different technique to sidechaining.

It is really usefull though so here is an explanation straight from Wikipedia:
Parallel compression, also known as New York compression, is a technique used in sound recording and mixing. Parallel compression is achieved by mixing a dry or slightly compressed signal with a heavily compressed identical signal. It is thought to maintain the subtleties of a performance while stabilizing the dynamics. Additionally, the attack and release settings of the compressor can be set in a manner that causes the signal to "pump" or "breathe" in tempo with the song, adding an identifiable character to the sound. It is most usually used on drum buses.

I use Ableton and this works for me:

Set up a return channel with a compressor.
Send (100%) any drums that you want to this channel.
Set the attack and release low (over-drive the inpout a little in you want extra 'bang').
Pull the return right down then gradually mix it back in till the beats sound fuller. You will probably only need to add a little of the return (maybe 20% or so).

Hope someone finds this usefull.

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