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Ldizzy
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by Ldizzy » Thu Jun 21, 2012 7:31 pm
Earjax wrote:cut your lows AFTER compressing, on your bass/mids, makes the sound fatter and the compression less obvious.
Depending on what you want to achieve it could be considered very bad mixing advice.
Low frequencies tend to make compressors go stoop and clip sounds in a rather unpleasant way. I personally would rather eq the very low freqs before compressing, then add a bit of distortion to make it fatter.. but controlled..
just my 0.02 cad.
Sharmaji wrote:2011: the year of the calloused-from-overuse facepalm
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outbound
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by outbound » Fri Jun 22, 2012 7:46 am
Ldizzy wrote:Earjax wrote:cut your lows AFTER compressing, on your bass/mids, makes the sound fatter and the compression less obvious.
Depending on what you want to achieve it could be considered very bad mixing advice.
Low frequencies tend to make compressors go stoop and clip sounds in a rather unpleasant way. I personally would rather eq the very low freqs before compressing, then add a bit of distortion to make it fatter.. but controlled..
just my 0.02 cad.
I have to side with Ldizzy on this one. It's the power in the low-end that is more likely to trigger the compressor, this is why you get high-pass filter side chains in certain compressors to give a more natural sound.
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Burgeamon
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by Burgeamon » Fri Jun 22, 2012 10:09 am
The guys from Koan apparently do all of their EQ'ing BEFORE distortion / Compression so that you can really drive the frequencies you want into the compressors. Gives a much cleaner / rounded sound.
They also mix down all of their tunes on a £15 pair of headphones that they've had for years.
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dublerium
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- Location: London UK
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by dublerium » Fri Jun 22, 2012 2:41 pm
Burgeamon wrote:The guys from Koan apparently do all of their EQ'ing BEFORE distortion / Compression so that you can really drive the frequencies you want into the compressors. Gives a much cleaner / rounded sound.
They also mix down all of their tunes on a £15 pair of headphones that they've had for years.
I mix down on two paper cups attached to strings attached to my laptop, had them for years.
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Lucifa
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by Lucifa » Fri Jun 22, 2012 3:47 pm
dublerium wrote:Burgeamon wrote:The guys from Koan apparently do all of their EQ'ing BEFORE distortion / Compression so that you can really drive the frequencies you want into the compressors. Gives a much cleaner / rounded sound.
They also mix down all of their tunes on a £15 pair of headphones that they've had for years.
I mix down on two paper cups attached to strings attached to my laptop, had them for years.
just splurted my coffee out over this, so errr, thanks.
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Ldizzy
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by Ldizzy » Fri Jun 22, 2012 3:54 pm
yeah but the strings have to be the same length otherwise phasing issue n iss really bad
Sharmaji wrote:2011: the year of the calloused-from-overuse facepalm
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cmgoodman1226
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by cmgoodman1226 » Sun Jun 24, 2012 4:12 pm
dublerium wrote:Burgeamon wrote:The guys from Koan apparently do all of their EQ'ing BEFORE distortion / Compression so that you can really drive the frequencies you want into the compressors. Gives a much cleaner / rounded sound.
They also mix down all of their tunes on a £15 pair of headphones that they've had for years.
I mix down on two paper cups attached to strings attached to my laptop, had them for years.
That's so analogue.
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ehbes
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- Location: Massachusetts
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by ehbes » Thu Jun 28, 2012 9:22 pm
Sub Bass:
open audacity > generate > tone > sine > 45 hz > export > boom
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dickman69
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by dickman69 » Thu Jun 28, 2012 9:33 pm
smoking cigarettes makes your mixdowns better
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Artie_Fufkin
- Posts: 1072
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- Location: Missouri
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by Artie_Fufkin » Thu Jun 28, 2012 9:56 pm
ehbrums1 wrote:Sub Bass:
open audacity > generate > tone > sine > 45 hz > export > boom
That's between F and F#
If you start with 55hz, that's an A note and so you already know what to tune the base note to if you throw it in a sampler. If you remember A440 and then divide or multiply by 2 you'll get the octaves....so: 440, 220, 110, 55, and 27.5Hz are all "A" notes.
Also make sure the first sample point is at the zero crossing or you'll get a click sound at the beginning of all your notes. (something that drove me crazy when I first started hah)
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ehbes
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by ehbes » Thu Jun 28, 2012 10:33 pm
Artie Fufkin wrote:ehbrums1 wrote:Sub Bass:
open audacity > generate > tone > sine > 45 hz > export > boom
That's between F and F#
If you start with 55hz, that's an A note and so you already know what to tune the base note to if you throw it in a sampler. If you remember A440 and then divide or multiply by 2 you'll get the octaves....so: 440, 220, 110, 55, and 27.5Hz are all "A" notes.
Also make sure the first sample point is at the zero crossing or you'll get a click sound at the beginning of all your notes. (something that drove me crazy when I first started hah)
I usually. Just adjusted adsr in the sequencer lol
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legend4ry
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by legend4ry » Fri Jun 29, 2012 2:28 am
My topgear top tip today is; Stop making Dubstep what isn't relatable to pre 2008; the new sounds are so over produced and boring haha.

Soulstep wrote: My point is i just wanna hear more vibes
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Sonika
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by Sonika » Fri Jun 29, 2012 5:32 am
G sounds really good with sub bass
so does F
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legend4ry
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by legend4ry » Fri Jun 29, 2012 5:34 am
Sonika wrote:G sounds really good with sub bass
so does F
G/F minor all day urr day.
Soulstep wrote: My point is i just wanna hear more vibes
Soundcloud
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Sonika
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by Sonika » Fri Jun 29, 2012 5:37 am
fuck yeah

"The idea is to remain in a state of constant departure while always arriving."
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outbound
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by outbound » Fri Jun 29, 2012 7:22 am
rayman612 wrote:smoking cigarettes makes your mixdowns better
You have to be careful with this one mind because if overdone it can get rid of a lot of the 'air' in a mix

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NinjaEdit
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by NinjaEdit » Fri Jun 29, 2012 8:09 am
The smoke can be harmful to your gear as well.
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ehbes
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by ehbes » Fri Jun 29, 2012 12:15 pm
legend4ry wrote:Sonika wrote:G sounds really good with sub bass
so does F
G/F minor all day urr day.
I can understand Sonika wanting his gf to be a minor but I never would have expected you to as well...
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Sonika
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by Sonika » Fri Jun 29, 2012 8:58 pm
ehbrums1 wrote:legend4ry wrote:Sonika wrote:G sounds really good with sub bass
so does F
G/F minor all day urr day.
I can understand Sonika wanting his gf to be a minor but I never would have expected you to as well...
Ooh hooooo nice one matey
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antipode
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by antipode » Mon Jul 02, 2012 1:02 pm
oh you guys didn't know about E1?
damn.
PS "good sub bass" is relative to your room
E1 is still the best note tho
jrkhnds wrote:and I've never really rated dubstep..
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