Dubstep Fans Are murder. . . . .

debate, appreciation, interviews, reviews (events or releases), videos, radio shows
poax
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Post by poax » Thu Jul 20, 2006 9:35 am

must ... fight..... the..... urge...... to...... arrrrrrrrrrrggggggggggghhhhhhhhhhhh!

spaceboy
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Post by spaceboy » Thu Jul 20, 2006 10:24 am

Mr Hyde wrote:I reckon the 'scene' is doing just fine- if you want to hear freshest beats then you need to listen into radio shows or go to the clubs where the people who either make those beats or have got to know people who do play. Some records do take ages to come out and so loose some of the hype but sometimes you can have half of what is played in a club on TP's or promos or by asking producers for MP3's and getting dubs cut or CD's- just takes a bit more commitment and effort to be one step ahead of everyone else.

Only problem I have is that almost every big Dubstep DJ is there because they are a big producer- which means that a lot of people who are real good DJ's but don't produce don't get to play out (and vise-versa).
thats where the dj's have got to show their skills. i.e mr yunx - although i know he can take it up a few notches...
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subzer
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Post by subzer » Thu Jul 20, 2006 11:15 am

Mr Hyde wrote:Only problem I have is that almost every big Dubstep DJ is there because they are a big producer.
this is how most bookers and promoters look to it here (prob in uk also)... sorry for you, but it will be the future... IMO

spaceboy
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Post by spaceboy » Thu Jul 20, 2006 11:17 am

Mr Hyde wrote:
Spaceboy wrote:
Mr Hyde wrote:I reckon the 'scene' is doing just fine- if you want to hear freshest beats then you need to listen into radio shows or go to the clubs where the people who either make those beats or have got to know people who do play. Some records do take ages to come out and so loose some of the hype but sometimes you can have half of what is played in a club on TP's or promos or by asking producers for MP3's and getting dubs cut or CD's- just takes a bit more commitment and effort to be one step ahead of everyone else.

Only problem I have is that almost every big Dubstep DJ is there because they are a big producer- which means that a lot of people who are real good DJ's but don't produce don't get to play out (and vise-versa).
thats where the dj's have got to show their skills. i.e mr yunx - although i know he can take it up a few notches...
Yeah exactly, Youngsta's a quality DJ but skills like that are more like the exception than the rule.
nah...not the exception...just gotta work hard at it. and know a few people also...
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digital
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Post by digital » Thu Jul 20, 2006 11:41 am

Jospeh J, if you had read my comment from the right angle, you would realise that my comment on alientated customers was with regard to yours on saying that if people really want the fresh music they need to get good at djing and get in with the right people.

This alienates people because as I said before they may not have the time, money or knowledge to become a DJ. Plus for me, there is NO dubstep scene at all in and around Southampton (I wouldn't be surprised if I was the only person that listened to dubstep in and around where I live). So I have to make at least a 100 mile round trip each time I go to a fwd or dmz.

Anyway there is a point to this somewhere, oh yeah....By making a few more tunes more accessible to someone like me, would make a huge difference in keeping me interested, up to date and more encouraged and entusiastic about my djing.

poax
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Post by poax » Thu Jul 20, 2006 11:43 am

or you could start a night.

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DeepThought
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Post by DeepThought » Thu Jul 20, 2006 12:04 pm

yeah or write yr own stuff - thatll keep yr rubs fresh and yr djing interestin..

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dj skeeze
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Post by dj skeeze » Thu Jul 20, 2006 12:25 pm

still love it every time and all the wheel's!!!!!!!

defo needs more diff dj's

the scene can only get bigger then

maybe more nights could b started then.............

spaceboy
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Post by spaceboy » Thu Jul 20, 2006 12:34 pm

runnin a night is long unless your dmz really and truly
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poax
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Post by poax » Thu Jul 20, 2006 12:40 pm

Spaceboy wrote:runnin a night is long unless your dmz really and truly
thats london bruv. big up all prospective provincial heads!

j_j
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Post by j_j » Thu Jul 20, 2006 12:52 pm

london is set.. FWD weekly n DMZ being the best dances yet.. more nights around the country to spread the sound would be good ..

poax
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Post by poax » Thu Jul 20, 2006 12:54 pm

J_J wrote:london is set.. FWD weekly n DMZ being the best dances yet.. more nights around the country to spread the sound would be good ..
MORE HEADS LIKE PINCH , GEIOM AND SIMON SUBDUB ARE NECSA

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Post by j_j » Thu Jul 20, 2006 12:55 pm

bristol leeds and nottingham tho...u.k's massive.

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pete_bubonic
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Post by pete_bubonic » Thu Jul 20, 2006 12:58 pm

I thought thi thread was about bare rewinds in a set, not the done and dusted arguement of dubplate culture (which like everything has it's good and bad points).

Bare rewinds = not good
Effective rewinds = bloody good
Long release times = unavoidable
people whinging about the times = inevitable.

poax
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Post by poax » Thu Jul 20, 2006 1:00 pm

J_J wrote:bristol leeds and nottingham tho...u.k's massive.
we can coax them out j.j we can make them come, sunderland and devon and pontifract and what not! hurrah! heres to skankin in canterbury and strood and froom and whitby! the time is nearly upon us!

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Post by j_j » Thu Jul 20, 2006 1:00 pm

zzzz out.

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unlikely
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Post by unlikely » Thu Jul 20, 2006 1:01 pm

we're doin alright

spaceboy
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Post by spaceboy » Thu Jul 20, 2006 1:03 pm

poax wrote:
J_J wrote:bristol leeds and nottingham tho...u.k's massive.
we can coax them out j.j we can make them come, sunderland and devon and pontifract and what not! hurrah! heres to skankin in canterbury and strood and froom and whitby! the time is nearly upon us!

LOLOL.
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unlikely
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Post by unlikely » Thu Jul 20, 2006 1:04 pm

I dunno if there's much scope for eastborne though

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