New Kode9 Interview for RPM magazine

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synaptic
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New Kode9 Interview for RPM magazine

Post by synaptic » Mon Feb 20, 2006 7:20 am

RPM magazine presents an exclusive Kode9 interview. Good reading...
part 1
part 2

cycle
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Post by cycle » Mon Feb 20, 2006 8:41 am

OK Synaptic... Good job... Big up... The first part is very interesting. :m:

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mestizo
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Post by mestizo » Mon Feb 20, 2006 10:46 am

good read, thanks.

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Post by n-type » Mon Feb 20, 2006 1:20 pm

big up kode!!!


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Post by brklss » Mon Feb 20, 2006 2:21 pm

Well done, thanks a alot.

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Post by elemental » Mon Feb 20, 2006 2:33 pm

Most of the people that produce and deejay dubstep were into jungle and itÂ’s almost like we know jungle so well now that we donÂ’t need to hear the fast breakbeats; itÂ’s in our bodies already. What was exciting about jungle has almost been internalized into our systems, so we donÂ’t need so many elements anymore to get the same vibe.
Interesting point.

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Post by bruno belluomini » Mon Feb 20, 2006 2:39 pm

Very interesting interview!

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secretagentgel
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Post by secretagentgel » Mon Feb 20, 2006 4:03 pm

There are a lot of the kind of ghosts of dub and dancehall within the sound.
what a great way to say it. any influence rreally - "ghosts of dnb" etc.

corey

synaptic
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Post by synaptic » Tue Feb 21, 2006 3:08 pm

elemental wrote:
Most of the people that produce and deejay dubstep were into jungle and itÂ’s almost like we know jungle so well now that we donÂ’t need to hear the fast breakbeats; itÂ’s in our bodies already. What was exciting about jungle has almost been internalized into our systems, so we donÂ’t need so many elements anymore to get the same vibe.
Interesting point.
Definitely. As well as this long-term view:
In a way I prefer the word hyperdub to dubstep because it includes aspects of jungle, drum and bass, UK garage and dubstep and will evolve into something else—dubstep is not the end of the line… More than being interested in the specific scenes, I’m interested in how that sound evolves and mutates in different genres.

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Post by chef » Tue Feb 21, 2006 3:18 pm

nice read
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Post by hamzen » Wed Feb 22, 2006 12:03 am

synaptic wrote:
elemental wrote:
Most of the people that produce and deejay dubstep were into jungle and itÂ’s almost like we know jungle so well now that we donÂ’t need to hear the fast breakbeats; itÂ’s in our bodies already. What was exciting about jungle has almost been internalized into our systems, so we donÂ’t need so many elements anymore to get the same vibe.
Interesting point.
Definitely. As well as this long-term view:
In a way I prefer the word hyperdub to dubstep because it includes aspects of jungle, drum and bass, UK garage and dubstep and will evolve into something else—dubstep is not the end of the line… More than being interested in the specific scenes, I’m interested in how that sound evolves and mutates in different genres.
Sorta jumped out at me as well, makes good sense.

His book'll be interesting to read that's for sure

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Post by alex bk-bk » Wed Feb 22, 2006 12:11 am

very nice the bit about us all internalising dnb hyperactivity. explains neatly why its just not exciting anymore and also why its so easy for - me for one - to dance to dubstep. the bit about filling in the beats in your head is pefect, especially for people like loefah who trace around the outlines of things rather than spell them out

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Post by autonomic » Wed Feb 22, 2006 2:34 am

More than being interested in the specific scenes, IÂ’m interested in how that sound evolves and mutates in different genres.
Yes

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