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Slangor - Modulation Sock (Drumstep)
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Re: Slangor - Modulation Sock (Drumstep)
Nice! I love that skank on the upbeats, I've been doing a bit of that recently. All in all, it's got a nice groove going all the way through which is often hard to do so you've got that down. One thing I would do differently is either get rid of or tweak that synth in the background. I didn't love the sound or the melody and it didn't really seem to fit with the other sounds, but that's just me. The first two drops are excellent and that last one is sick. Also, the bass that you have sidechained that's pumping (like at 0:12) is golden. It plays perfectly off of that formant high pitched bass. Keep the tracks coming man, this shit's good.
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Barbosa1405
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Re: Slangor - Modulation Sock (Drumstep)
mate, think it sounds good and agree with most oif what hhans says above - he has given a good, detailed review in my opinion...the song shows you got a lot of skill and variety to your style too..nice work mate...would like to hear a more dubby tune from you..
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Re: Slangor - Modulation Sock (Drumstep)
hhans has said most of what I was going to so here are a few other things, but again LOVE THIS SHIT!:
You might want to change some of the notes on the up beats...those stabs...make that groove more novel throughout the track by changing the pitch...or create a new melody using them. The mixdown is SOLID. You could even add rhythm novelty using those up beat stabs. I do understand they are a HUGE component of the groove, but I think a bit of novelty, particularly rhythm novelty can take this track to the next level.
Well done though, well done.
You might want to change some of the notes on the up beats...those stabs...make that groove more novel throughout the track by changing the pitch...or create a new melody using them. The mixdown is SOLID. You could even add rhythm novelty using those up beat stabs. I do understand they are a HUGE component of the groove, but I think a bit of novelty, particularly rhythm novelty can take this track to the next level.
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