baseband wrote:this might sound obvious, but aside from just "knowing your music", also make sure you are solid on the intros. many dubstep tracks dont start on "1". james blakes rmx of maybes is the best example i can think of right, which starts on the two. other start on the "and-of-4" or whatever. this isnt an issue for people who are working from a computer screen, but when you are on vinyl it can be tricky. the intro can sound great in the blend, but then the drop comes in out of time or whatever. this same thing applies with songs that don't have an obvious beat on the intro. sounds wretched.
and if all else fails, a spin-back on the outgoing track in a blend always sounds better than clashing beats. good luck though, always good to see other working doing the vinyl-only thing
hmm i see what you mean, to avoid any "surprise" i prepare a full set, so i'll know exactly which track i'll play,
the things that scares me is a bad drop, you know everyone is waiting for it and you're slightly off beat when it comes which completely break the effect, otherwise i know i can allways cut the bass frome one track during the mix to avoid train wrecks and then get the records back in beat
for the vinyl thing, it's really all i know, i started with that and it's the only way i know to mix, but recently i watched some tutorials and demonstrations of DVS and CDJ and i sort of discovered the "sync" functionnality and all that stuff that help you beatmatching, i seriously thought about switching to a dvs with timecode vinyl (why bother spending time beatmatching as it adds nothing to the mix itself) but this week i watched the video from the red bull music academy with mala from 2008 (link bellow) and it definitely strenghten my love for the vinyl and the mixing of it, the pleasure you get from manipulate records and build a collection can't be reach with other mixing device in my opinion
http://www.redbullmusicacademy.com/lect ... perfection