Mono vs. Stereo for Club Systems
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Mono vs. Stereo for Club Systems
Safe,
When you're mixing down a tune, how do you like to treat your stereo width for properly playing on loud club style systems? For example, which elements do you feel need to be mono (aside from everything below ~120hz)? Do you have anything mid/high range in mono? Will you mono percussion and pan it accordingly? Perhaps there aren't any hard and fast rules for mixing down a tune for a club system, but perhaps someone can point me in the right direction.
Overall I'd like my mixdowns to be a more controlled and I feel like it may be time to mono certain sounds and pan them rather than having weird stereo effects fluttering around everywhere. Does anyone else do this?
When you're mixing down a tune, how do you like to treat your stereo width for properly playing on loud club style systems? For example, which elements do you feel need to be mono (aside from everything below ~120hz)? Do you have anything mid/high range in mono? Will you mono percussion and pan it accordingly? Perhaps there aren't any hard and fast rules for mixing down a tune for a club system, but perhaps someone can point me in the right direction.
Overall I'd like my mixdowns to be a more controlled and I feel like it may be time to mono certain sounds and pan them rather than having weird stereo effects fluttering around everywhere. Does anyone else do this?
Re: Mono vs. Stereo for Club Systems
most clubs are mono,
regarding that logic...
think of the things u wouldnt want to see disappear from your track or loose significant volume... and center them...
thats the first thing id do
regarding that logic...
think of the things u wouldnt want to see disappear from your track or loose significant volume... and center them...
thats the first thing id do
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Re: Mono vs. Stereo for Club Systems
It shouldnt be a big deal above sub range, if it is, 99% bet youve made a brostep tune with just plain to many effects (Im guilty as sin)
Just check everything in full mono while you work, remember to switch back to stereo but as you add elements, stop occasionally, mono the track n have a listen. if anythings going phased, you at least have time to fix it.
USE YOUR DAMN EARS.
Just check everything in full mono while you work, remember to switch back to stereo but as you add elements, stop occasionally, mono the track n have a listen. if anythings going phased, you at least have time to fix it.
USE YOUR DAMN EARS.

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Re: Mono vs. Stereo for Club Systems
Scrolling down about ten threads in the list of threads in the production forum would have revealed http://www.dubstepforum.com/topic42895.html 

Re: Mono vs. Stereo for Club Systems
All i do is make my tune, Use my sonalksis stereo tools to check the stereo field/correlation, and then hit the mono button to check the mono summed. If it sounds banging... its all i need doing. You shouldn't make tunes with club systems being mono in mind. You should always strive for the best stereo sound, but make sure it translates ok to mono.
In my honest opinion.
In my honest opinion.
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Re: Mono vs. Stereo for Club Systems
^^^
I would disagree. If you make music for the club then work with that in mind.
It won't sound as rich on a hi-fi but does that always matter?
I would disagree. If you make music for the club then work with that in mind.
It won't sound as rich on a hi-fi but does that always matter?
Re: Mono vs. Stereo for Club Systems
to me it doessully.harmitage wrote:^^^
I would disagree. If you make music for the club then work with that in mind.
It won't sound as rich on a hi-fi but does that always matter?
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Re: Mono vs. Stereo for Club Systems
and more power to ya!
depends on the intended environment...
depends on the intended environment...
Re: Mono vs. Stereo for Club Systems
Fair enough, and I guess I'm concerned about losing that banging dance music sound with my highs running around all over the place. But your tunes don't seem to have that problem. I take it you don't mono (or close to it) your hats/perc and pan them accordingly?Depone wrote:If it sounds banging... its all i need doing.
Ldizzy wrote:most clubs are mono,
regarding that logic...
think of the things u wouldnt want to see disappear from your track or loose significant volume... and center them...
thats the first thing id do
Isn't there a difference between mono and center panning?
Re: Mono vs. Stereo for Club Systems
there is indeed.. i didnt want to imply it was the same... i just said its the first thing i would care about... but i def saw the potential confusion... and then went like ''fuck it'' and clicked submit mehehehehehhee...tylerblue wrote:Fair enough, and I guess I'm concerned about losing that banging dance music sound with my highs running around all over the place. But your tunes don't seem to have that problem. I take it you don't mono (or close to it) your hats/perc and pan them accordingly?Depone wrote:If it sounds banging... its all i need doing.
Ldizzy wrote:most clubs are mono,
regarding that logic...
think of the things u wouldnt want to see disappear from your track or loose significant volume... and center them...
thats the first thing id do
Isn't there a difference between mono and center panning?

ill rephrase that : say, ur kick is stereo.... it prolly wont sound exactly the same thru a mono system, but if its centered it wont vanish!

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Re: Mono vs. Stereo for Club Systems
Nope, i make my tracks full stereo with panning, widening and all. I just check that it sounds ok/ish in mono at the last stage, so that it would have a leg to stand on in the club.tylerblue wrote:Fair enough, and I guess I'm concerned about losing that banging dance music sound with my highs running around all over the place. But your tunes don't seem to have that problem. I take it you don't mono (or close to it) your hats/perc and pan them accordingly?Depone wrote:If it sounds banging... its all i need doing.
Remember around %80 of digital music sold is going to listened to on ipods, home hifi's etc... only a handful will be actually played out in a club. To a lot more people granted, but think about your target audience.
Re: Mono vs. Stereo for Club Systems
i agree.Depone wrote:All i do is make my tune, Use my sonalksis stereo tools to check the stereo field/correlation, and then hit the mono button to check the mono summed. If it sounds banging... its all i need doing. You shouldn't make tunes with club systems being mono in mind. You should always strive for the best stereo sound, but make sure it translates ok to mono.
In my honest opinion.
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Re: Mono vs. Stereo for Club Systems
Why do i doubt this?Depone wrote: Remember around %80 of digital music sold is going to listened to on ipods, home hifi's etc... only a handful will be actually played out in a club. To a lot more people granted, but think about your target audience.
I mean, youve more experience in sales field then me man, but my predictions/mindset always had me assuming the only people actually buying tunes were djs. before I mixed i know all i did was download sets and get what i could off pirate sites. djs have that motivation that if they buy it now they can get it sooner then the pirates/normal listeners, and also creative motivation(this will mix perfectly with...)
IDK, doesnt seem the ordinary listeners would be your market in edm is all. Could be all wrong though.
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Re: Mono vs. Stereo for Club Systems
Ldizzy wrote:there is indeed.. i didnt want to imply it was the same... i just said its the first thing i would care about... but i def saw the potential confusion... and then went like ''fuck it'' and clicked submit mehehehehehhee...tylerblue wrote:Fair enough, and I guess I'm concerned about losing that banging dance music sound with my highs running around all over the place. But your tunes don't seem to have that problem. I take it you don't mono (or close to it) your hats/perc and pan them accordingly?Depone wrote:If it sounds banging... its all i need doing.
Ldizzy wrote:most clubs are mono,
regarding that logic...
think of the things u wouldnt want to see disappear from your track or loose significant volume... and center them...
thats the first thing id do
Isn't there a difference between mono and center panning?![]()
if everything in your song is centre panned, the tune will be mono.
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Re: Mono vs. Stereo for Club Systems
Not if you use stereo samples.samkablaam wrote:if everything in your song is centre panned, the tune will be mono.
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Re: Mono vs. Stereo for Club Systems
Can anyone recommend a free/affordable plugin I can stick on the master that has a togglable "mono button" I could use while mixing a track?
Sonalksis stereo tools is a bit outside my price range for what it does and I don't really know what I'm looking for to search.
Sonalksis stereo tools is a bit outside my price range for what it does and I don't really know what I'm looking for to search.

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Re: Mono vs. Stereo for Club Systems
this is how it works. check that your tune works in mono; if it does, great, if it doesn't, fix the problems.Depone wrote:All i do is make my tune, Use my sonalksis stereo tools to check the stereo field/correlation, and then hit the mono button to check the mono summed. If it sounds banging... its all i need doing. You shouldn't make tunes with club systems being mono in mind. You should always strive for the best stereo sound, but make sure it translates ok to mono.
In my honest opinion.
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Re: Mono vs. Stereo for Club Systems
What DAW are you using? The Utility audio effect in Ableton will work if you take the widening down to 0%.stompzi wrote:Can anyone recommend a free/affordable plugin I can stick on the master that has a togglable "mono button" I could use while mixing a track?
Sonalksis stereo tools is a bit outside my price range for what it does and I don't really know what I'm looking for to search.
club music
Alright, so i have a question. Most people who make commercial music have their highs set very very wide. This results in an extreme lack of lows when you solo the mid channel of a song. You can hear this too, just import a commercial house or dubstep song and solo the mid channel on an eq or whatever.
Now my question is, doesn't this matter for clubs? As far as i know, club systems are always mono. Doesn't the lack of highs and even high mids ruin the song when it's played in a club? Cause it sure ruins the sound when it's played in mono at home...
Now my question is, doesn't this matter for clubs? As far as i know, club systems are always mono. Doesn't the lack of highs and even high mids ruin the song when it's played in a club? Cause it sure ruins the sound when it's played in mono at home...
Re: club music
Club systems being mono is becoming more and more a myth as very few club systems are actually mono nowadays. But remember, that even on a mono system, mono ≠ mid signal. Mono is the two channels (left & right) summed to one, so it includes the sides except things that get left out due to phase cancellation.
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