Mono vs. Stereo for Club Systems

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tylerblue
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Mono vs. Stereo for Club Systems

Post by tylerblue » Thu Sep 16, 2010 6:29 am

Safe,

When you're mixing down a tune, how do you like to treat your stereo width for properly playing on loud club style systems? For example, which elements do you feel need to be mono (aside from everything below ~120hz)? Do you have anything mid/high range in mono? Will you mono percussion and pan it accordingly? Perhaps there aren't any hard and fast rules for mixing down a tune for a club system, but perhaps someone can point me in the right direction.

Overall I'd like my mixdowns to be a more controlled and I feel like it may be time to mono certain sounds and pan them rather than having weird stereo effects fluttering around everywhere. Does anyone else do this?
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Re: Mono vs. Stereo for Club Systems

Post by Ldizzy » Thu Sep 16, 2010 8:35 am

most clubs are mono,

regarding that logic...

think of the things u wouldnt want to see disappear from your track or loose significant volume... and center them...

thats the first thing id do
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Re: Mono vs. Stereo for Club Systems

Post by Basic A » Thu Sep 16, 2010 8:44 am

It shouldnt be a big deal above sub range, if it is, 99% bet youve made a brostep tune with just plain to many effects (Im guilty as sin)

Just check everything in full mono while you work, remember to switch back to stereo but as you add elements, stop occasionally, mono the track n have a listen. if anythings going phased, you at least have time to fix it.

USE YOUR DAMN EARS. :lol:
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Re: Mono vs. Stereo for Club Systems

Post by futures_untold » Thu Sep 16, 2010 9:43 am

Scrolling down about ten threads in the list of threads in the production forum would have revealed http://www.dubstepforum.com/topic42895.html ;)

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Re: Mono vs. Stereo for Club Systems

Post by Depone » Thu Sep 16, 2010 10:53 am

All i do is make my tune, Use my sonalksis stereo tools to check the stereo field/correlation, and then hit the mono button to check the mono summed. If it sounds banging... its all i need doing. You shouldn't make tunes with club systems being mono in mind. You should always strive for the best stereo sound, but make sure it translates ok to mono.

In my honest opinion.

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Re: Mono vs. Stereo for Club Systems

Post by sully_harmitage » Thu Sep 16, 2010 11:57 am

^^^
I would disagree. If you make music for the club then work with that in mind.
It won't sound as rich on a hi-fi but does that always matter?

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Re: Mono vs. Stereo for Club Systems

Post by Depone » Thu Sep 16, 2010 12:09 pm

sully.harmitage wrote:^^^
I would disagree. If you make music for the club then work with that in mind.
It won't sound as rich on a hi-fi but does that always matter?
to me it does

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Re: Mono vs. Stereo for Club Systems

Post by sully_harmitage » Thu Sep 16, 2010 12:40 pm

and more power to ya!
depends on the intended environment...

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Re: Mono vs. Stereo for Club Systems

Post by tylerblue » Thu Sep 16, 2010 4:39 pm

Depone wrote:If it sounds banging... its all i need doing.
Fair enough, and I guess I'm concerned about losing that banging dance music sound with my highs running around all over the place. But your tunes don't seem to have that problem. I take it you don't mono (or close to it) your hats/perc and pan them accordingly?

Ldizzy wrote:most clubs are mono,

regarding that logic...

think of the things u wouldnt want to see disappear from your track or loose significant volume... and center them...

thats the first thing id do

Isn't there a difference between mono and center panning?
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Re: Mono vs. Stereo for Club Systems

Post by Ldizzy » Thu Sep 16, 2010 5:05 pm

tylerblue wrote:
Depone wrote:If it sounds banging... its all i need doing.
Fair enough, and I guess I'm concerned about losing that banging dance music sound with my highs running around all over the place. But your tunes don't seem to have that problem. I take it you don't mono (or close to it) your hats/perc and pan them accordingly?

Ldizzy wrote:most clubs are mono,

regarding that logic...

think of the things u wouldnt want to see disappear from your track or loose significant volume... and center them...

thats the first thing id do

Isn't there a difference between mono and center panning?
there is indeed.. i didnt want to imply it was the same... i just said its the first thing i would care about... but i def saw the potential confusion... and then went like ''fuck it'' and clicked submit mehehehehehhee... :twisted:

ill rephrase that : say, ur kick is stereo.... it prolly wont sound exactly the same thru a mono system, but if its centered it wont vanish! :o
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Re: Mono vs. Stereo for Club Systems

Post by Depone » Thu Sep 16, 2010 5:24 pm

tylerblue wrote:
Depone wrote:If it sounds banging... its all i need doing.
Fair enough, and I guess I'm concerned about losing that banging dance music sound with my highs running around all over the place. But your tunes don't seem to have that problem. I take it you don't mono (or close to it) your hats/perc and pan them accordingly?
Nope, i make my tracks full stereo with panning, widening and all. I just check that it sounds ok/ish in mono at the last stage, so that it would have a leg to stand on in the club.

Remember around %80 of digital music sold is going to listened to on ipods, home hifi's etc... only a handful will be actually played out in a club. To a lot more people granted, but think about your target audience.

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Re: Mono vs. Stereo for Club Systems

Post by press » Thu Sep 16, 2010 7:42 pm

Depone wrote:All i do is make my tune, Use my sonalksis stereo tools to check the stereo field/correlation, and then hit the mono button to check the mono summed. If it sounds banging... its all i need doing. You shouldn't make tunes with club systems being mono in mind. You should always strive for the best stereo sound, but make sure it translates ok to mono.

In my honest opinion.
i agree.
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Re: Mono vs. Stereo for Club Systems

Post by Basic A » Fri Sep 17, 2010 12:32 am

Depone wrote: Remember around %80 of digital music sold is going to listened to on ipods, home hifi's etc... only a handful will be actually played out in a club. To a lot more people granted, but think about your target audience.
Why do i doubt this?

I mean, youve more experience in sales field then me man, but my predictions/mindset always had me assuming the only people actually buying tunes were djs. before I mixed i know all i did was download sets and get what i could off pirate sites. djs have that motivation that if they buy it now they can get it sooner then the pirates/normal listeners, and also creative motivation(this will mix perfectly with...)

IDK, doesnt seem the ordinary listeners would be your market in edm is all. Could be all wrong though.
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Re: Mono vs. Stereo for Club Systems

Post by samkablaam » Mon Sep 20, 2010 6:14 pm

Ldizzy wrote:
tylerblue wrote:
Depone wrote:If it sounds banging... its all i need doing.
Fair enough, and I guess I'm concerned about losing that banging dance music sound with my highs running around all over the place. But your tunes don't seem to have that problem. I take it you don't mono (or close to it) your hats/perc and pan them accordingly?

Ldizzy wrote:most clubs are mono,

regarding that logic...

think of the things u wouldnt want to see disappear from your track or loose significant volume... and center them...

thats the first thing id do

Isn't there a difference between mono and center panning?
there is indeed.. i didnt want to imply it was the same... i just said its the first thing i would care about... but i def saw the potential confusion... and then went like ''fuck it'' and clicked submit mehehehehehhee... :twisted:

if everything in your song is centre panned, the tune will be mono.
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Re: Mono vs. Stereo for Club Systems

Post by staticcast » Mon Sep 20, 2010 6:29 pm

samkablaam wrote:if everything in your song is centre panned, the tune will be mono.
Not if you use stereo samples.
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Re: Mono vs. Stereo for Club Systems

Post by stompzi » Mon Sep 20, 2010 6:34 pm

Can anyone recommend a free/affordable plugin I can stick on the master that has a togglable "mono button" I could use while mixing a track?

Sonalksis stereo tools is a bit outside my price range for what it does and I don't really know what I'm looking for to search. :(
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Re: Mono vs. Stereo for Club Systems

Post by Sharmaji » Mon Sep 20, 2010 7:33 pm

Depone wrote:All i do is make my tune, Use my sonalksis stereo tools to check the stereo field/correlation, and then hit the mono button to check the mono summed. If it sounds banging... its all i need doing. You shouldn't make tunes with club systems being mono in mind. You should always strive for the best stereo sound, but make sure it translates ok to mono.

In my honest opinion.
this is how it works. check that your tune works in mono; if it does, great, if it doesn't, fix the problems.
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Re: Mono vs. Stereo for Club Systems

Post by tylerblue » Mon Sep 20, 2010 7:34 pm

stompzi wrote:Can anyone recommend a free/affordable plugin I can stick on the master that has a togglable "mono button" I could use while mixing a track?

Sonalksis stereo tools is a bit outside my price range for what it does and I don't really know what I'm looking for to search. :(
What DAW are you using? The Utility audio effect in Ableton will work if you take the widening down to 0%.
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club music

Post by RmoniK » Tue Jan 29, 2013 9:27 am

Alright, so i have a question. Most people who make commercial music have their highs set very very wide. This results in an extreme lack of lows when you solo the mid channel of a song. You can hear this too, just import a commercial house or dubstep song and solo the mid channel on an eq or whatever.

Now my question is, doesn't this matter for clubs? As far as i know, club systems are always mono. Doesn't the lack of highs and even high mids ruin the song when it's played in a club? Cause it sure ruins the sound when it's played in mono at home...

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Re: club music

Post by Barka » Wed Jan 30, 2013 3:03 am

Club systems being mono is becoming more and more a myth as very few club systems are actually mono nowadays. But remember, that even on a mono system, mono ≠ mid signal. Mono is the two channels (left & right) summed to one, so it includes the sides except things that get left out due to phase cancellation.
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