Final Mix DB Level
Forum rules
By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk.
Quick Link to Feedback Forum
By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk.
Quick Link to Feedback Forum
-
- Posts: 51
- Joined: Tue Feb 11, 2014 7:18 pm
- Location: London
Final Mix DB Level
What Level sohuld i finish my mixes i usually turn everything down but should should i boost it with a compressor or limiter or should i just boost it to a level in a program such as audacity if so what Db level on the metre
Re: Final Mix DB Level
This is a very vague question, and hard to answer without a reference and a goal....
but generally, your pre-master mixdown should have plenty of headroom. How much.. I dont know, depends on what youre going to do with it and who is working with it and what headroom they prefer when mastering, but general from -3 to -6db of headroom, some people mix even lower like -10db but the most important thing is you have at least a few db of headroom and nothing is clipping
as for boosting with a compressor or a limiter, and boosting in audacity... are you talking about mastering your mix? If so, just boosting the mix in audacity would not be the best idea. A combination of EQ, Compression, and Limiting on your finished mix would probably be a good place to start.
but generally, your pre-master mixdown should have plenty of headroom. How much.. I dont know, depends on what youre going to do with it and who is working with it and what headroom they prefer when mastering, but general from -3 to -6db of headroom, some people mix even lower like -10db but the most important thing is you have at least a few db of headroom and nothing is clipping
as for boosting with a compressor or a limiter, and boosting in audacity... are you talking about mastering your mix? If so, just boosting the mix in audacity would not be the best idea. A combination of EQ, Compression, and Limiting on your finished mix would probably be a good place to start.
-
- Posts: 51
- Joined: Tue Feb 11, 2014 7:18 pm
- Location: London
Re: Final Mix DB Level
Basically i made a track kept everything low and eq but the final volume is far to low what do i do
Re: Final Mix DB Level
If your mixdown is good, you can get away with just chucking a limiter on the master bus, and upping the gain imo, at least just to get the volume you're looking for.

Re: Final Mix DB Level
Yea like stated above, i also keep my final mix jumping between -6 and -3 for the premaster, but before i put a clip up on sound cloud ill open up Ozone on the master, its a pretty sick mastering plug in, i would suggest getting it and learning a bit about dynamic and eq, there are lots of tutorials on your tube about ozone,
Re: Final Mix DB Level
You generally don't want to increase the gain a huge amount with a limiter. The envelope of that limiter will drastically affect your mix, so it's going to be hard to set it. You can do whatever sounds right to you though.
I usually master a track to somewhere around -0.3dBfs, but it all depends on the medium really.
When mixing I aim to not go over -6 full scale. Everyone has his own preferences and tools for measuring though. Meters that display loudness units are very popular now for example.
I've got very good results with just a peak meter and a VU. TL Labs and Bombfactory respectively.
I usually master a track to somewhere around -0.3dBfs, but it all depends on the medium really.
When mixing I aim to not go over -6 full scale. Everyone has his own preferences and tools for measuring though. Meters that display loudness units are very popular now for example.
I've got very good results with just a peak meter and a VU. TL Labs and Bombfactory respectively.
Agent 47 wrote:Next time I can think of something, I will.
Who is online
Users browsing this forum: No registered users and 0 guests