Kinda like the ones everyone is raving about from Zomboy but with a bit more movement in my opinion.
https://www.youtube.com/watch?v=6HBjIlEW6aA
Hits around 0:51
Thanks for any help that can be offered!
Anyone know how to make this bass?
Re: Anyone know how to make this bass?
Something like this... Not exact, but should be a good starting point.
Basically take a low sine wave, phase mode it with a higher octave than you have on the oscillator and pass it through a heavy does of sine shaping. Then route it through a scream filter (assuming you use massive) and tweak the parameters til you get what you want. Then tele tube a little bit to fill it up and lastly use a chorus ensemble to get the sound where you want it. I say turn the depth down and the dry wet just a little down. Then EQ and slight processing (OTT and whatnot).
Soundcloud
Basically take a low sine wave, phase mode it with a higher octave than you have on the oscillator and pass it through a heavy does of sine shaping. Then route it through a scream filter (assuming you use massive) and tweak the parameters til you get what you want. Then tele tube a little bit to fill it up and lastly use a chorus ensemble to get the sound where you want it. I say turn the depth down and the dry wet just a little down. Then EQ and slight processing (OTT and whatnot).
Soundcloud
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Re: Anyone know how to make this bass?
Okay so i had a go at this and couldn't get it how i wanted it. Anyone got any ideas?
Re: Anyone know how to make this bass?
Soundcloud
Two oscs of carbon, WT all the way to the left. Sidechained reverb so it's dry when it's playing and then goes "WHOOSH" when it's gone. Sine shaped automations on a macro that controls the oscs amp giving a LFO effect.
Osc one is on spectrum and osc two is formant. Osc one's spectrum is all the way to the right (spectrum is a lp filter so I don't want any high freqs gone) and osc two's formant is set to just below 9 o'clock. Osc one's pitch is -24.02 and osc two is -23.98. Osc 1 goes all the way to filter 2 and osc 2 goes about 50% to filter 1. Filters are 100% paralell. Mix between them is almost all the way to filter 2. Neither filters actually have anything goin on though. Restart via gate is on. Tiny bit of bright noise with the amp linked to the lfo macro so that there's more noise when there's more sound. About 5% there. Feedback is on but barely so. Sine shaper is insert one and is at full drive and 3 o'clock dry/wet. Bitcrush is insert 2 and it's max in both. In the mod osc we have ring mod on osc 2, at about 2 o'clock and then filter FM is at just over 4 o'clock. Then tele tube in fx 1 and max for that and then a chorus ensemble with rate and offset both at 12 o'clock and dry/wet and depth at about 9. Mess around with the routing tab so that insert 2 affects filter 1 before insert 1 does. Or something.
Post processing includes a highpass filter so a seperate sub can be the bass, a Dimension Expander (which is a delightful free plugin by Xfer) with dry/wet at zero and size at 11 o'clock. Then a pingpong delay at 16 ms and low volume and then OTT (also by Xfer and free) with depth at 29% and time at 625%. Then a fruity limiter to sidechain to the kick and snare AND WE'RE DONE.
Two oscs of carbon, WT all the way to the left. Sidechained reverb so it's dry when it's playing and then goes "WHOOSH" when it's gone. Sine shaped automations on a macro that controls the oscs amp giving a LFO effect.
Osc one is on spectrum and osc two is formant. Osc one's spectrum is all the way to the right (spectrum is a lp filter so I don't want any high freqs gone) and osc two's formant is set to just below 9 o'clock. Osc one's pitch is -24.02 and osc two is -23.98. Osc 1 goes all the way to filter 2 and osc 2 goes about 50% to filter 1. Filters are 100% paralell. Mix between them is almost all the way to filter 2. Neither filters actually have anything goin on though. Restart via gate is on. Tiny bit of bright noise with the amp linked to the lfo macro so that there's more noise when there's more sound. About 5% there. Feedback is on but barely so. Sine shaper is insert one and is at full drive and 3 o'clock dry/wet. Bitcrush is insert 2 and it's max in both. In the mod osc we have ring mod on osc 2, at about 2 o'clock and then filter FM is at just over 4 o'clock. Then tele tube in fx 1 and max for that and then a chorus ensemble with rate and offset both at 12 o'clock and dry/wet and depth at about 9. Mess around with the routing tab so that insert 2 affects filter 1 before insert 1 does. Or something.
Post processing includes a highpass filter so a seperate sub can be the bass, a Dimension Expander (which is a delightful free plugin by Xfer) with dry/wet at zero and size at 11 o'clock. Then a pingpong delay at 16 ms and low volume and then OTT (also by Xfer and free) with depth at 29% and time at 625%. Then a fruity limiter to sidechain to the kick and snare AND WE'RE DONE.
bouncingfish wrote: AU like australia? I went to the site it uses paypal. They have paypal down under don't they? jhaha
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