Virus - why?
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- future producer
- Posts: 552
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Virus - why?
So what's the obsession with Access' Virus? What ever production forum you go on you can bet your house that there is at least one big thread with "What plugin sounds most like a Virus!?"
I think they sound good and wouldn't mind a Virus C if I ever had the spare cash, but does it really deserve so much attention?
I personally think that overall quality Alesis' Andromeda A6 pisses all over the Virus.
Views?
I think they sound good and wouldn't mind a Virus C if I ever had the spare cash, but does it really deserve so much attention?
I personally think that overall quality Alesis' Andromeda A6 pisses all over the Virus.
Views?
- thesynthesist
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Well, its all in your taste...
One difference, is that the A6 bankrupted Alesis, while the Virus became legendary... Just observation, but this has metaphysical effects also...
The Virus is easy to use, its got presets that sound dark and phat as fuck, its VERY easy to get around...
Shit, its likely that one artist had one (like Trent Reznor) someone got a photo of him with it, and then everyone wanted one...
But ultimately, who cares?
Just make a fat bass and everyone will be asking you what you used.
One difference, is that the A6 bankrupted Alesis, while the Virus became legendary... Just observation, but this has metaphysical effects also...
The Virus is easy to use, its got presets that sound dark and phat as fuck, its VERY easy to get around...
Shit, its likely that one artist had one (like Trent Reznor) someone got a photo of him with it, and then everyone wanted one...
But ultimately, who cares?
Just make a fat bass and everyone will be asking you what you used.
After the 80s to mid 90s, everything sounded either plain as fuck (think GM sounds), analog which had been done (all the Moog and 303 knock-offs that started appearing, or digital and fairly shit (Yamaha). This was when electronic music as a whole was taking a turn for the dark side. Techstep was on its way, Trip-hop was getting mainstream, Trance had already had its MDMA rush and was hitting the comedown hard, Beltram copycats were two a penny. The Virus was the first synth that came along and was purpose-built to sound AGGRO. Producers didn't need to wire up modular synths through guitar distortion, or MIDI up several synths and samplers to get a solid, phat, layered sound anymore, they had it all in the Virus. And soon everyone had one.
Why it's still as popular today? No idea. I guess everyone here knows I'm a hardware nut by now, but I've no intention of saving up for one, not at the prices they still go for. It's becoming the 303 of its day. The big, single, penis-extending true status symbol that marks you as a Serious Producer.
I've said it before, but just to evangelicise this synth one more time, Massive had a big update where they added two new oscs that basically are the Virus.
Why it's still as popular today? No idea. I guess everyone here knows I'm a hardware nut by now, but I've no intention of saving up for one, not at the prices they still go for. It's becoming the 303 of its day. The big, single, penis-extending true status symbol that marks you as a Serious Producer.
I've said it before, but just to evangelicise this synth one more time, Massive had a big update where they added two new oscs that basically are the Virus.

A Pulse->Saw one where the middle knob controls the PWM, and Pulse->Saw one where the middle knob controls "the rate at which the oscillator is reset" (from the manual), which sounds something like a Detune knob.tempest wrote:which ones?Auan wrote:Massive had a big update where they added two new oscs that basically are the Virus.

- MARCHMELLOW
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my computer was getting a bit slow, as i was rinsing the korg collections, albinos etc... i also needed a new soundcard...
so i bought a Access virus TI, its my midi keyboard, my soundcard and has 16 channells to use as different midi channels.it has built in DSP chips, so takes up no CPU in cubase. and the sounds in it are insane, recent updates to the software have added some wikid new functions too.
SORTED.
only issue is you have to bounce everything in real time to audio. if you got a 6 minute track with 20 individual tracks inside...(tries to count on fingers).. well i dunno the maths, but it takes a while.
so i bought a Access virus TI, its my midi keyboard, my soundcard and has 16 channells to use as different midi channels.it has built in DSP chips, so takes up no CPU in cubase. and the sounds in it are insane, recent updates to the software have added some wikid new functions too.
SORTED.
only issue is you have to bounce everything in real time to audio. if you got a 6 minute track with 20 individual tracks inside...(tries to count on fingers).. well i dunno the maths, but it takes a while.
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Dub & Run Records/Phreaks of Nature/Wicky Lindows/BassPunch Records/Tsunami Audio/ Love Sick Records.
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Far out.thesynthesist wrote:One difference, is that the A6 bankrupted Alesis, while the Virus became legendary... Just observation, but this has metaphysical effects also...

BlizzardMusic wrote:'in your face you miserable tosser'
You do tend to get this phenomenon of creepy levels of attachment to it among virus-nuts, i have seen several videos on youtube of people getting ridiculously excited about their new virus. I've only ever seen one once in real life, when my girlfriend played a gig at some pub, the band on before had a virus, but they used it in one song to play three notes that sounded like an organ.
Made me a bit ill, but obviously some people have more money than sense.
Made me a bit ill, but obviously some people have more money than sense.
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they're... nice.
crazy expensive for what they are BUT-- they do sound great, are easy to get into right off the bat and can go really, really deep as far as programming goes.
but still... rrrrreally expensive for a single desktop synth.
crazy expensive for what they are BUT-- they do sound great, are easy to get into right off the bat and can go really, really deep as far as programming goes.
but still... rrrrreally expensive for a single desktop synth.
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it's multi-timbral though, so you can run multipal patches at one time, meaning it's not a one trick pony.TeReKeTe wrote:they're... nice.
crazy expensive for what they are BUT-- they do sound great, are easy to get into right off the bat and can go really, really deep as far as programming goes.
but still... rrrrreally expensive for a single desktop synth.
get a used virus B and tell me it's not incredible.
believe it or not, hardware is STILL very different from software. don't pick one or the other, they are both great.
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- lucky_strike
- Posts: 801
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i have a virus c.
very powerfull. love it.
very powerfull. love it.
http://www.myspace.com/verilorecords
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AIM: luckystrike106 -
http://soundcloud.com/verilorecords/dropbox please send me demos via soundcloud dropbox
gary@cabrispromotions.co.uk
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http://soundcloud.com/verilorecords/dropbox please send me demos via soundcloud dropbox
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