Fabriclive37: Caspa & Rusko review
Fabriclive37: Caspa & Rusko review
http://www.deeptime.net/blog/?p=217
the author hardly lets up on the criticism at all (not to mention adapting kode9's term "the D"), but it's a good read overall. that is, if you ever ponder the state of dubstep, where it came from, and where it will go. blackdown's "end of 2007" column was a bit more constructive tho, offering possible new directions to explore in the coming year.
the author hardly lets up on the criticism at all (not to mention adapting kode9's term "the D"), but it's a good read overall. that is, if you ever ponder the state of dubstep, where it came from, and where it will go. blackdown's "end of 2007" column was a bit more constructive tho, offering possible new directions to explore in the coming year.
Re: Fabriclive37: Caspa & Rusko review
there is a follow-up piece up there, btw. i also wrote a long end-of-2007 piece that never went up talking about punch drunk, blackdown, hessle, tectonic, hyperdub, skull disco, ikonika, skream, d1, martyn, amen-ra, t++ and others. had a mix planned as well but no time at the moment.staypuft wrote:blackdown's "end of 2007" column was a bit more constructive tho, offering possible new directions to explore in the coming year.
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ufo over easy
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- Joined: Mon Oct 17, 2005 12:27 am
ah shit..
surely there's room for caspa/rusko AND stuff like hyperdub, keysound, tectonic etc?????
seriously, the reviewer admits to never having heard spongebob on a proper system but says he can't see how that would make a difference... er, it BLATANTLY makes a difference.
i'd be the first to be pissed off if dubstep was ONLY of the caspa/rusko variety.. but, luckily for us (!), we've got mala, kode9, pinch, martyn, burial, benga etc.. so why not enjoy some of caspa's ridiculously filthy tunes at the same time??>
caspa & rusko's set on thursday was SICK. properly good fun. fair enough, i wouldn't wanna hear sets like that all the time, but their tunes on a fat sytstem sounded

surely there's room for caspa/rusko AND stuff like hyperdub, keysound, tectonic etc?????
seriously, the reviewer admits to never having heard spongebob on a proper system but says he can't see how that would make a difference... er, it BLATANTLY makes a difference.
i'd be the first to be pissed off if dubstep was ONLY of the caspa/rusko variety.. but, luckily for us (!), we've got mala, kode9, pinch, martyn, burial, benga etc.. so why not enjoy some of caspa's ridiculously filthy tunes at the same time??>
caspa & rusko's set on thursday was SICK. properly good fun. fair enough, i wouldn't wanna hear sets like that all the time, but their tunes on a fat sytstem sounded
gotta be honest, I agree. I'm not a massive fan of the CD or the kind of tunes represented, but I'm glad it's there - fun music with a sense of humour has its place. I certainly don't resent them doing a Fabric Live CD. I just hope it paves the way for Fabric to do more dubstep.benjybars wrote:i'd be the first to be pissed off if dubstep was ONLY of the caspa/rusko variety.. but, luckily for us (!), we've got mala, kode9, pinch, martyn, burial, benga etc.. so why not enjoy some of caspa's ridiculously filthy tunes at the same time??>
caspa & rusko's set on thursday was SICK. properly good fun. fair enough, i wouldn't wanna hear sets like that all the time, but their tunes on a fat sytstem sounded![]()
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Dubstep must continue to diversify to stick around and it is developing all over the world. Let us embrace the various musical elements being brought to the table.
For what it's worth, I am here visiting my parents in Wilmington, NC (about 90,000) people. Upon asking for dubstep at a local record store, they actually busted out the very Fabric mix currently being discussed. The kids at the store told me it was the first they had heard about the style and are digging it. As much as folks in certain circles have heard some of the tunes in this mix rinsed to death, others are just waiting to hear it for the first time..especially in the states.
This young style has A LOT to work on and develop musically, so the only rule I say is NO GATE-KEEPING. I have already heard some people attempting to confine the definitions of the style to a few artists, countries, and limited musical elements. Limiting the scope of a particular style is a trap which has turned many great electronic genres into small scale success stories with very few tracks that make it around the rest of the music world.
BTW for what it's worth, this mix got my Mom liking Dubstep when I played it in the car:)
For what it's worth, I am here visiting my parents in Wilmington, NC (about 90,000) people. Upon asking for dubstep at a local record store, they actually busted out the very Fabric mix currently being discussed. The kids at the store told me it was the first they had heard about the style and are digging it. As much as folks in certain circles have heard some of the tunes in this mix rinsed to death, others are just waiting to hear it for the first time..especially in the states.
This young style has A LOT to work on and develop musically, so the only rule I say is NO GATE-KEEPING. I have already heard some people attempting to confine the definitions of the style to a few artists, countries, and limited musical elements. Limiting the scope of a particular style is a trap which has turned many great electronic genres into small scale success stories with very few tracks that make it around the rest of the music world.
BTW for what it's worth, this mix got my Mom liking Dubstep when I played it in the car:)
DUBS ALIVE, FULLMELT, BADMAN DIGITAL, TUBA, BRAP DEM, SUB LIFE, BASSISM, GRIME CITY, RECORD LABEL RECORDS
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http://www.soundcloud.com/dubsworth
http://www.soundcloud.com/spitbrothers
http://www.soundcloud.com/dubsalive
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http://www.soundcloud.com/dubsworth
http://www.soundcloud.com/spitbrothers
http://www.soundcloud.com/dubsalive
nope, you can buy the CD online from any good retailer tho, like this one:knicki wrote:nah i ent tryin to rip...jus wondered if i cud dl it cuz their r no decent shops tht sell nice music..
www.soundsoftheuniverse.com/releases/?id=10813
- rickyricardo
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Re: Fabriclive37: Caspa & Rusko review
Sponge Bob was both a peak and the death knell of dubstep.
Can yu remember how we went off? Fuck yeah.
but then there was Rusko's screech.
with fidget
and crap
& noise.
Can yu remember how we went off? Fuck yeah.
but then there was Rusko's screech.
with fidget
and crap
& noise.
{*}
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herbalicious
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Re: Fabriclive37: Caspa & Rusko review
Nice to see this article revisited. I'd not read it before, and it's amazing how - in a style of music that's all abotu change and pushing the sound - the messages and opinions in here are still applicable to the state of the "The D" today...
Nice to see that the reviewer here had exactly the same view that I did (and, when i first heard this mix, I'd not really heard this style of Dubstep so prominantly in a mix), that the best tracks were the first couple and then the ones on from (my favourite track on the mix) I'm Lovin.
It'd be fair to say though, that after more listens, and the more familiar I became with this style, the more I liked it (in terms of say, hearing a set like this in amongst a couple more progressive sets). My interest in this style didn't last very long mind you.
Nice to see that the reviewer here had exactly the same view that I did (and, when i first heard this mix, I'd not really heard this style of Dubstep so prominantly in a mix), that the best tracks were the first couple and then the ones on from (my favourite track on the mix) I'm Lovin.
It'd be fair to say though, that after more listens, and the more familiar I became with this style, the more I liked it (in terms of say, hearing a set like this in amongst a couple more progressive sets). My interest in this style didn't last very long mind you.
I don't turn on Korn to get it on, I be playin Digi Mystikz 'til the dawn
Re: Fabriclive37: Caspa & Rusko review
is that because exactly *one of* the criticisms of wobble is that it is a narrowing of dubstep's template? this applies to dubstep now as it did back then because the rate of change has been slowed.herbalicious wrote:Nice to see this article revisited. I'd not read it before, and it's amazing how - in a style of music that's all about change and pushing the sound - the messages and opinions in here are still applicable to the state of the "The D" today...
Keysound Recordings, Rinse FM, http://www.blackdownsoundboy.blogspot.com, sub, edge, bars, groove, swing...
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herbalicious
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- Joined: Sun Jan 31, 2010 8:41 pm
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Re: Fabriclive37: Caspa & Rusko review
I didn't want to be so boldblackdown wrote:is that because exactly *one of* the criticisms of wobble is that it is a narrowing of dubstep's template? this applies to dubstep now as it did back then because the rate of change has been slowed.herbalicious wrote:Nice to see this article revisited. I'd not read it before, and it's amazing how - in a style of music that's all about change and pushing the sound - the messages and opinions in here are still applicable to the state of the "The D" today...
But I think that's exactly why.
I don't turn on Korn to get it on, I be playin Digi Mystikz 'til the dawn
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