This one was in the old music forum, never had any reaction (really, they can't be _that_ bad?)
i've started a lot of tracks, but because too small amount of time i never finished one fully
i don't know where to start, so if you could help me, i would like to hear which are the most potential ones, and i'll try to finish the most popular
http://www.stijlfigurant.nl/audio/dead_ ... _tight.mp3
http://www.stijlfigurant.nl/audio/dead_ ... _brap2.mp3
http://www.stijlfigurant.nl/audio/dead_ ... troit4.mp3
http://www.stijlfigurant.nl/audio/dead_ ... raaier.mp3
http://www.stijlfigurant.nl/audio/dead_ ... elstep.mp3
http://www.stijlfigurant.nl/audio/dead_ ... s_rees.mp3
http://www.stijlfigurant.nl/audio/dead_ ... nklein.mp3
http://www.stijlfigurant.nl/audio/dead_ ... antasm.mp3
http://www.stijlfigurant.nl/audio/dead_ ... _mimic.mp3
http://www.stijlfigurant.nl/audio/dead_ ... wobble.mp3
http://www.stijlfigurant.nl/audio/dead_ ... t_-_op.mp3
http://www.stijlfigurant.nl/audio/dead_ ... bwafel.mp3
http://www.stijlfigurant.nl/audio/dead_ ... handel.mp3
http://www.stijlfigurant.nl/audio/dead_ ... dekaas.mp3
http://www.stijlfigurant.nl/audio/customize2.mp3
Cheers!
Once Again : Unfinished Buzz (10+ tracks) (got lost)
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Once Again : Unfinished Buzz (10+ tracks) (got lost)
Last edited by jimmeah on Tue Jun 13, 2006 8:08 pm, edited 1 time in total.
- intoccabile
- Posts: 528
- Joined: Sun Oct 23, 2005 9:28 pm
- Location: Shizuoka, Japan
Finish game tight / de verdraaide basverdraaier ( links to the same tune ) definitely.
I think you're at a point where you have your own sound, an original sound
I think you've cracked the " poc poc " bassline, speedy then slow lfo's ( and I'm wondering how the hell you did it )
What sequencer do you work with ? What do you use to make your basslines ?
The tune named " op " has the best percussions imo
If you could combine this tune's metallic sounding kit and game tight's bassline...... ouch
The percussions in mimic feel like they lack a bit of midrange ? Or is it me ?
The most accomplished tune ( mixdown, sound design, bassline, percussions, etc. ) might be mantasm fantasm.
I request the permission to play out mantasm fantasm !
More comments people !
I think you're at a point where you have your own sound, an original sound
I think you've cracked the " poc poc " bassline, speedy then slow lfo's ( and I'm wondering how the hell you did it )
What sequencer do you work with ? What do you use to make your basslines ?
The tune named " op " has the best percussions imo
If you could combine this tune's metallic sounding kit and game tight's bassline...... ouch

The percussions in mimic feel like they lack a bit of midrange ? Or is it me ?
The most accomplished tune ( mixdown, sound design, bassline, percussions, etc. ) might be mantasm fantasm.
I request the permission to play out mantasm fantasm !

More comments people !
Thanks for the comments, I've checked de de verdraaide basverdraaier and game tight and you're right. I've replaced de verdraaide basverdraaier now.
The golden trick of them changing LFO's is to automate them during the pattern, if you want to keep it clean with the speed of the track and play safe you should automate them within the sync speeds. But I guess I've automated this with Herz speeds (i'll check later this day). It makes it more 'human' and then it gains more flow.
Usually I work with Buzz Tracker (free open source tracker, but kinda buggy) and some VST's . I'm currently trying to start with Cubase. But Cubase puts a little hold on my creativity. Because with Buzz you can put parralel different effects on your machines. So by instance you can tap 400 hz and 800 hz with two different filters from your bassline and then put an LFO, or maybe 2, or 3 or 4 on each filter, parralel again.
The most of my basslines are born in Z3ta+ VST. Which is very powerful to make them 'sour wobbles' effictively. And some come from my Microkorg.
The percussion on mimic lacking some mid, could be, this one is one of my first dubstep tryouts.
Mentasm is the one almost finished. But i gotta do something new after the scenond drop. You can play this one out if you like too. I'll try to provide a 320 kbps this week.
Thanks again
The golden trick of them changing LFO's is to automate them during the pattern, if you want to keep it clean with the speed of the track and play safe you should automate them within the sync speeds. But I guess I've automated this with Herz speeds (i'll check later this day). It makes it more 'human' and then it gains more flow.
Usually I work with Buzz Tracker (free open source tracker, but kinda buggy) and some VST's . I'm currently trying to start with Cubase. But Cubase puts a little hold on my creativity. Because with Buzz you can put parralel different effects on your machines. So by instance you can tap 400 hz and 800 hz with two different filters from your bassline and then put an LFO, or maybe 2, or 3 or 4 on each filter, parralel again.
The most of my basslines are born in Z3ta+ VST. Which is very powerful to make them 'sour wobbles' effictively. And some come from my Microkorg.
The percussion on mimic lacking some mid, could be, this one is one of my first dubstep tryouts.
Mentasm is the one almost finished. But i gotta do something new after the scenond drop. You can play this one out if you like too. I'll try to provide a 320 kbps this week.
Thanks again

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