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kingGhost wrote:

cosby wrote:

kingGhost wrote:juke is complete waste. that track in the OP is so boring and repetitive.. seems like a troll song to me. recently saw Distal and that "boss of the south" track is soooo fuckin stupid... fuck this shit

I LOLed. Troll song?

PS. The DJ Roc album forthcoming on Mu is banging. You'll see... you'll all see. This comes off like a threat, maybe it kind of is.

yea man with how repetitive and annoying it is.

juke? more like joke lol

we get it, you don't like it, no need to visit this thread

Probably some of the most inspiring and interesting music I have heard in ages. The fact that it is so relentless, lawless and somehow seems to resonate with a sound not too far detached from Jungle, but at the same time, COMPLETELY detached from jungle, is amazing.

I mean really, a tune that repeats the words..'GI'DAT MAN ROOM, WHY U IN HIS FACE?' over and over and on the switch turns so gutter, just needs to be played again & again.

I personally find the repetitiveness one of it's best qualities, so addictive..

The only critique I have really is the over-use of the kanye west/dipset pitched up vocals, don't really appeal to me, prefer the more psychadelic, pitched down crack, footwurk annihilation tracks

@cosby, why bother? if it doesnt have train wreck major lazer midrange bollox bass, half the fuckheads on this board arent interested, leave them to enjoy their 'boom kissshhh, chaaiinnsasaawww' and half a gram of regretamine.

P&NCh M^S£LF IN THE FCUKĨNG FA©E

have i mentioned that i love bishop?

deamonds wrote:Probably some of the most inspiring and interesting music I have heard in ages. The fact that it is so relentless, lawless and somehow seems to resonate with a sound not too far detached from Jungle, but at the same time, COMPLETELY detached from jungle, is amazing.

This. It's the wild (mid)west of music right now. There is nothing so unrestrained and alien in the bass world right now, this is why people are freaking out.

fractal wrote:for sure, i get ya

i've heard a lot of talk lately about half time juke? anyone got any examples?

I'm really not trying to self-promote, but this one has a chill out meets juke vibe. To me, this one is all about slumping in the car rather than juking in the club:


...I've got a tune that's even a bit more smoked out and hazy at 150 bpm - it's under wraps at the moment. I'm doing a mix for KEXP next month and I'm more thank likely going to include it because I'll never get another chance to play it out.

cosby wrote:

fractal wrote:for sure, i get ya

i've heard a lot of talk lately about half time juke? anyone got any examples?

I'm really not trying to self-promote, but this one has a chill out meets juke vibe. To me, this one is all about slumping in the car rather than juking in the club:


...I've got a tune that's even a bit more smoked out and hazy at 150 bpm - it's under wraps at the moment. I'm doing a mix for KEXP next month and I'm more thank likely going to include it because I'll never get another chance to play it out.

wow man, that's really good! thanks for sharing


let me know when you're playing on KEXP, i'll lock on for sure!

fractal wrote:let me know when you're playing on KEXP, i'll lock on for sure!

Audioasis' all regional electronic music special on September 11th. The date is quite easy to remember.

yes it is


will be locked for sure!

juke makes me wanna get cdjs

About repetitiveness: THIS ->

cosby wrote:The tracks, on their own, do get repetitive; but if you are DJing juke and you are letting a track run for more than 90 seconds, you are doing it all wrong.

It's all about using them like dj-tools because they kind of are dj-tools. Deejaying juke/ghetto tech/etc. well needs some skills 'cos it's about improvisation than just systematically playing intro -> drop -> breakdown-type tracks.

For dancers footwork tracks are like "dancer-tools" to do their footworking, like 8bar grime was tools for mcs to do their bars. This thing is heavily about the context. A culture thing.

ps. there's a little juke/footwork track in my Soundcloud

s.a.m wrote:I'm not talking about Footcrab or Work them or IRL, I'm talking about the new DJ Nate EP on Planet Mu or the DJ Rashad stuff (audio here http://www.planet.mu/discography/ZIQ285). Just seems relentless and overly repetitive, bit boring and annoying. Am I just not getting it? I'm not being quick to judge, spent quite alot of time listening to what I can and still can't get it.

This is not music...it's terrible.

Thing is... when I look at it as a subculture I see something really exciting and fresh going on. It was the same with grime years ago, but back in then I also wanted to listen to the music in my car and in my bedroom etc. With Juke, I'd love to see people dancing live to it or maybe on youtube, but that is about it, and seeing as no one at my local club can dance to it or plays it that is a tough proposition. I took a juke mix on holiday to listen to by the pool and it just gave me a headache.

THAT SAID... when elements of the sonics of Juke are re-appropriated into grime, 2-step and bass/130bpm it can get interesting... but even then it can be headache vibes for me, if not used in a sparing way. I do like the Addison Groove stuff for instance, but am I right in thinking it is not exactly pure in it's form?

DJ Rashad in NYC August 28th at PS1 and September 3rd at Turrbotax!!!

http://www.planet.mu/discography/ZIQ285

deamonds wrote:Probably some of the most inspiring and interesting music I have heard in ages. The fact that it is so relentless, lawless and somehow seems to resonate with a sound not too far detached from Jungle, but at the same time, COMPLETELY detached from jungle, is amazing.

YES!

http://www.dissensus.com/showthread.php?8360-Juke

^ pretty interesting 64 page thread on the whole Juke thing, if you want to spend a rainy afternoon working your way through it there's some pretty interesting discussion in there towards the end of it all as well as many many many links.

Sentinels wrote:Thing is... when I look at it as a subculture I see something really exciting and fresh going on. It was the same with grime years ago, but back in then I also wanted to listen to the music in my car and in my bedroom etc. With Juke, I'd love to see people dancing live to it or maybe on youtube, but that is about it, and seeing as no one at my local club can dance to it or plays it that is a tough proposition. I took a juke mix on holiday to listen to by the pool and it just gave me a headache.

Really? Because I am completely and totally obsessed with the stuff and listening to it at home, at work, in the car... I've lost track of how many times I've listened to the µ-Ziq mix. That was my introduction to footwurk. I played the mix and then just started it over, I think 4 times. I couldn't fucking believe the shit.

@fractal "half-time juke" - that is the dark footwurk stuff that µ-Ziq is repping. Party juke is the stuff that's been around since the 90's and has a clap on 2 and 4. Footwurk tends to have a clap on 3, although they fuck with it a lot.

@fractal Is Bishop the producer on all these vids yer posting? if so why the hell isn't µ-Ziq on the case?!?!

As far as the dj roc album goes, i've heard it too and if you're into the sound you'll love it but it's not going to win any converts. People that don't get dj nate are not going to get turned around by the crack capone.

You would think people who approached Dubstep because it was something new, unique, fresh and wasn’t bound by a set of cliché rules would love footwurk, but obviously not.

Oh and saying ‘IT IZNT MUZIK’ without justifying it is silly. Go and spit over your half time wobble you speng.

Here's a new artist to watch out for - Young Smoke

i dont enjoy juke and footwork, some songs have appealed to me, but alot of stuff isnt that good

didnt like any of the dj nate album, some good beats but retarded out of time hats and unnessacerily repetitive vocals got too in the way.

hopefully i am just seeing the wrong side of the genre though because im not getting this hype