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narrator wrote:its not that hard actually..

well then plz post the craziest Massive reese you can make so I can figure out how its done

the only decent one I've made is the very first sound in this tune and also at 2:03
Soundcloud

^^ don't hold your breathe...

I don't know if he intends on eventually sharing or not -- but so far 2 ppl (at least) have pm'ed him -- and I don't know about dannydubstep, but I haven't got a response from narrator. lol.

The fact that he offers help via pm, but has ignored incoming msg's while continuing to login and post into this thread random 10 second long clips and adding comments like "its EZ" - leads me to believe he won't share at all.

Lads, chill out for me.. i'm gonna post up a bit of a guide thing very soon. i cant get a second to just get it out on text for ye. damn christmas..

^^ fair enough, and good looking out... I'm busy as f*kk myself -- isnt this supposed to be holidays?!

just good to hear from you.... I'll be on the lookout for anything you post...
sick sounds - hope I can learn something !!

also lookin forward to this

Right, fuck, here goes...



OSC 1 - Vulgar > Bend -/+
Wavetable - all the way to the right
Intensity to 12 o clock position
Amp - Full
Filter crossfade 50/50

OSC 2 - Vulgar > Bend -/+ > 1 Octave above
Wavetable - all the way to the right
Intensity to 12 o clock position
Amp - to 10 o clock position
Filter Crossfade 50/50

Envelope 1
Attack 9 o clock
Decay at 12 o clock
level at 3 o clock
s loop at 2 o clock
morph turned down
Morph drop down box a at 1
morph drop down box b at 5
loop set to infinite with level up full
release set to 10 o clock

route env 1 to wavetable and intensity of both oscillators with intensity full positive and WT on full negative


Filter 1 - Lp4 > Cutoff up full and res at 12 o Clock

Filter 2 - Band Reject > Cutoff to 8 o clock > BW to 10 o clock > Res to 11 0 clock

Filters set to series with mix fade set to filter 2

FX - Classic tube > both 12 o clock

phaser - to taste really, low enough rate with low feedback and high depth

EQ - Boost > Freq > hi all at 2 o clock

Insert 1 P shaper (routed between filters) - wet @ 100% > Drive @ 2 o clock

Voicing

3 voices

Pitch cutoff - about 3 notches in

WT position - 1 notch

Pan - between mono and full

Legato triller and monorotate


Automate everything like a tnuc, even route several things to various macros etc..

______________________________________________________________________________________

EFX

CMT bitcrusher - just turned on with nothing touched

EQ - Hi pass at 100Hz
Bit of a boost at 800Hz
Bit of a boost at 10kHz
LP at around 16kHz

Ableton Saturator - a Bit warmer preset

Slight bit of compression with about 14ms attack, high enough ratio and fast release

______________________________________________________________________________________

Send/Return EFX (start all sends at around 10 to begin with and mess about to taste)

Channel 1

Nitro - Gentle chorus preset

Channel 2

Wow filter -

Vowel Mode > Wet 100% Band Reject > Vowels A - E > Cutoff at 8 o clock > Env follower full right
> Overdrive & resonance at 3 o clock

CMT bitcrusher - To taste

Hi pass at 100Hz

Ableton compressor - mix gel preset

Channel 3

PSP mixsaturator - Hot valve preset 100% wet > shape to valve 3

CMT bit crusher - type 2 > DS at 2

Nitro - Gentle chorus preset again,

Hi pass at 100Hz > lo pass at 16kHz

________________________________________________________________________________________

Outside of that i just layered it with a simple sub and group the two together for a bit of compression and some vintage warmer with just fat turned on.


Automation is the key to getting the sounds to morph. which sounds like http://www38.zippyshare.com/v/23111328/file.html

any questions??



I also accept blowjobs as payment - Filtroniks

narrator wrote: any questions??

Yeah...why not just post a screenshot?

wub wrote:

narrator wrote: any questions??

Yeah...why not just post a screenshot?

+1

why not just have ya round me house and fuck my sister..

narrator wrote:why not just have ya round me house and fuck my sister..

lol, but nah safe for that, ill test this out, not really into the sound but im sure danny wud appreciate it, although i think this thread has gone abit off the rails

It's gone a bit off the hook now though. heh..

Haha enjoying this now. ;L

Narrator could you please please please post a preset?

I promise I will have nothing to do with your sister.

Wait okay hold up, forget that last comment. I made the sound, it's pretty *hot, thanks!!

But can you break down the 'Scary Monsters & Nice Sprites main 'Yuuueeeeehhhh' Sound at the beggining of the drop?
I'll send my sis round with her handjob tool box.

Thanks.





*like your sister.

haha, already huntin for the next presets yea..

dj nation wrote:haha, already huntin for the next presets yea..

Yeah man, I must be somekind of preset whore.

narrator wrote:why not just have ya round me house and fuck my sister..

Does she come with presets as well?

If not, can you give a breakdown of how best to program her?

LMFAO!! joker

DannyDubstep wrote:

dj nation wrote:haha, already huntin for the next presets yea..

Yeah man, I must be somekind of preset whore.

Obligatory

DannyDubstep wrote:Haha enjoying this now. ;L

Narrator could you please please please post a preset?

Fucksake, Narrator was kind enough to give you a detailed description of how to make the patch yet you still want to do nothing and get a preset sent to you. Some people are beyond belief.

PERCEPT wrote:
Fucksake, Narrator was kind enough to give you a detailed description of how to make the patch yet you still want to do nothing and get a preset sent to you. Some people are beyond belief.

Yeah that's pretty much where i draw the line myself.
it would be one thing if someone asked for a patch to a generic "Electro House" bass preset, It's not like there's a great supply of info out there on Skrillex basslines..