Made this today. 4 different reeses put together. Notes were based off of Skope's track 'Crooked'
Re: The Reese Bass Thread
Posted: Sun Jul 07, 2013 1:17 am
by Genevieve
How do you go about giving a reese that... smooth and I hate saying that, but "warm" quality that it has here at 1:50? I get saturation and distortion but there's more going on. Band distortion targeted at the lower mids?
Re: The Reese Bass Thread
Posted: Thu Jul 11, 2013 8:44 pm
by TheOcularInvisible
Soundcloud
Harmor's log distortion is fucking sexy
Re: The Reese Bass Thread
Posted: Fri Jul 12, 2013 1:47 am
by PillowFight
TheOcularInvisible wrote:Soundcloud
Harmor's log distortion is fucking sexy
if they ever made harmor a VST for every DAW i would spend all of my money on it. That synth has such a raw organic powerful sound to it.
Re: The Reese Bass Thread
Posted: Fri Jul 12, 2013 2:10 am
by tayo
PillowFight wrote:
TheOcularInvisible wrote:Soundcloud
Harmor's log distortion is fucking sexy
if they ever made harmor a VST for every DAW i would spend all of my money on it. That synth has such a raw organic powerful sound to it.
edit: dunno if the soundcloud player is working but if it doesn't just click the link
I was thinking the other day when a track of yours popped up on soundcloud how you've "blown up" since I last saw you post around here, congrats man. Nice reese btw and I love your Justice remix.
edit: dunno if the soundcloud player is working but if it doesn't just click the link
I was thinking the other day when a track of yours popped up on soundcloud how you've "blown up" since I last saw you post around here, congrats man. Nice reese btw and I love your Justice remix.
hahahah thanks man still really trying to get into making these twisty reeses just not with fl or harmor because i feel like thats how every neuro type bass is made nowadays and I want mine to be unique. Also I draw inspiration from koan and culprate who use reason and ableton respectively. plus I only have a mac so I've never even had the chance to work on fl or harmor for my resynthesizing and resampling
edit: dunno if the soundcloud player is working but if it doesn't just click the link
I was thinking the other day when a track of yours popped up on soundcloud how you've "blown up" since I last saw you post around here, congrats man. Nice reese btw and I love your Justice remix.
hahahah thanks man still really trying to get into making these twisty reeses just not with fl or harmor because i feel like thats how every neuro type bass is made nowadays and I want mine to be unique. Also I draw inspiration from koan and culprate who use reason and ableton respectively. plus I only have a mac so I've never even had the chance to work on fl or harmor for my resynthesizing and resampling
Haha I know what you mean man, I see a lot of reese based tracks atm and they all scream "Harmor" based of SeamlessR's tuts lol... Btw how the hell did you score that Moby remix because that was official wasn't it?
edit: dunno if the soundcloud player is working but if it doesn't just click the link
I was thinking the other day when a track of yours popped up on soundcloud how you've "blown up" since I last saw you post around here, congrats man. Nice reese btw and I love your Justice remix.
hahahah thanks man still really trying to get into making these twisty reeses just not with fl or harmor because i feel like thats how every neuro type bass is made nowadays and I want mine to be unique. Also I draw inspiration from koan and culprate who use reason and ableton respectively. plus I only have a mac so I've never even had the chance to work on fl or harmor for my resynthesizing and resampling
Haha I know what you mean man, I see a lot of reese based tracks atm and they all scream "Harmor" based of SeamlessR's tuts lol... Btw how the hell did you score that Moby remix because that was official wasn't it?
yeah it was! moby's mgmt and the directors from the bourne movie hit me up
edit: dunno if the soundcloud player is working but if it doesn't just click the link
This is awesome. I'm starting to love the twisty messed up reese. Care to go through the general steps?
(I understand that you want something unique so wouldn't want to go too deeply into what you did)
edit: dunno if the soundcloud player is working but if it doesn't just click the link
This is awesome. I'm starting to love the twisty messed up reese. Care to go through the general steps?
(I understand that you want something unique so wouldn't want to go too deeply into what you did)
So basically I make my neuro basses without detuning waveshapes the basic sound is simply a square d wave being modulated by some pitch enverlope and a 24db notch filter (all within operator)
After that I have an eq eight mapped to max for live's lfo slowly sweeping through 100-500hz with a notch filter.
After that I bounced it down to audio (resampled it)
Found some cool pieces and cut em up and put them together
then using an eq eight I seperated the sub (low pass @100z) mid range (100-2.5k) and hi's (2.5-20k) resampled them and put each into a seperate channel
for the lows: glue compressor
for the mids: low pass autofilter modulation + some very light chorus
for the hi's: i used ableton's amp to get it nice and crunchy and then topped on some hi pass modulation (auto filter) with some
glue compressor to beef it up a bit
then sidechained it to the basic as f**k drums
keep in mind half of neuro basses are finding a good pitch bend/glide melody and arrangement
also I timestretched some pieces using abletons warp function to get some granular goodness/extra crunch/flutter textures
edit: dunno if the soundcloud player is working but if it doesn't just click the link
This is awesome. I'm starting to love the twisty messed up reese. Care to go through the general steps?
(I understand that you want something unique so wouldn't want to go too deeply into what you did)
So basically I make my neuro basses without detuning waveshapes the basic sound is simply a square d wave being modulated by some pitch enverlope and a 24db notch filter (all within operator)
After that I have an eq eight mapped to max for live's lfo slowly sweeping through 100-500hz with a notch filter.
After that I bounced it down to audio (resampled it)
Found some cool pieces and cut em up and put them together
then using an eq eight I seperated the sub (low pass @100z) mid range (100-2.5k) and hi's (2.5-20k) resampled them and put each into a seperate channel
for the lows: glue compressor
for the mids: low pass autofilter modulation + some very light chorus
for the hi's: i used ableton's amp to get it nice and crunchy and then topped on some hi pass modulation (auto filter) with some
glue compressor to beef it up a bit
then sidechained it to the basic as f**k drums
keep in mind half of neuro basses are finding a good pitch bend/glide melody and arrangement
also I timestretched some pieces using abletons warp function to get some granular goodness/extra crunch/flutter textures
Finally someone to sum it up nicely and not being a hard ass and say oh its just detuned saws with some filter
Great response but the warping idea is great! Going to try that out soon.
Re: The Reese Bass Thread
Posted: Sun Jul 14, 2013 8:40 pm
by PhotonOfficial
Went for the sort of gnarly growl style reese that works well in glitch hop, I haven't been very active on the forum lately:
I use ableton really interested in making these kinds of reeses (i.e. similar to koan sound)
not so much to incorporate in my tracks but just to learn the techniques to get this specific type of sound/harmonics
My super amateur reese in a song I've been working on.
Haha, welcome! Is your track set to private? Cannot follow the link, so you might want to add the private link if it is set to private. Press the 'Share' button under the waveform and copy the secret link!
I might as well add something to the thread while I'm here, so here's some of the reeses I've made recently. No verb or anything on them yet, not any foley layered either, that'll have to wait till they're in a tune, haha. Soundcloud
EDIT: Click the soundcloud link if the player doesnt work