Posted: Sat Dec 27, 2008 5:18 pm
interessin stuff, knew he was using albino3 
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Rusko producer masterclass in next month's CM
Page 7 of 7
Posted: Sat Dec 27, 2008 11:53 pm
minus 12, minus 24, duck
Posted: Tue Dec 30, 2008 12:27 pm
And Pred!dux wrote:interessin stuff, knew he was using albino3
Posted: Tue Dec 30, 2008 1:14 pm
the pitch bend function is in the Piano Roll window. just click on the funny icon in the bottom left of it, then on the down arrow thing and select 'pitch bend'. now use the pencil to draw how you want the pitch to moveChrisH wrote:I can automate everything outside of pitch using the ES2 synth in Logic. I can get some crazy sounds, but being able to automate pitch would be rad. Thanks for the input though!
Sorry for the OT folks....
you'll prob want to change the ES2's default setting of pitch bend range from '2' to something like 7 or 12 though
Posted: Tue Dec 30, 2008 10:52 pm
Never thought to look in the piano roll. I was looking under the automation view. This rocks. Thanks!setspeed wrote:the pitch bend function is in the Piano Roll window. just click on the funny icon in the bottom left of it, then on the down arrow thing and select 'pitch bend'. now use the pencil to draw how you want the pitch to moveChrisH wrote:I can automate everything outside of pitch using the ES2 synth in Logic. I can get some crazy sounds, but being able to automate pitch would be rad. Thanks for the input though!
Sorry for the OT folks....
you'll prob want to change the ES2's default setting of pitch bend range from '2' to something like 7 or 12 though
Posted: Sun Jan 04, 2009 7:15 pm
Thanks for hosting this...real interesting to watch
Posted: Tue Jan 06, 2009 7:43 pm
Posted: Tue Jan 06, 2009 7:45 pm
hey a geek pie! well fuckin mexico!
Posted: Wed Jan 07, 2009 1:20 am
Such a great video, I think i've watched it 3 times now ..
I noticed that he doesn't talk about compression. Is this cause he doesn't use any or he didn't have time .. ?
I noticed that he doesn't talk about compression. Is this cause he doesn't use any or he didn't have time .. ?
Re: Rusko producer masterclass in next month's CM
Posted: Mon Dec 17, 2012 8:01 am
I think this is the best dubstep tutorial. Underneath the jokes and obscure software is an elegent process:
1) Get your percussion and incidental sound effects down. Have this be interesting alone, before putting anything over it. Obviously work at 135-140 bpm, half time. Start with a straight beat like: kick on one, hat on two, snare on three, hat on four; then add hits "off to either side" or on the second and third quarter-note triplets, to give it shuffle.
2) Get a wobble bass sound with a sinewave subbass foundation. Program out your melody, and automate the LFO rate. Dubstep is all about automation.
3) Add a vocal sample to give the track a hook, or "identity".
4) You may not need much else, but possibly a high lead. "Get your melodies in there."
5) Arrange and edit.
You now have a dancefloor wobbler. You can hear a similar process in classic dubstep tunes, like Coki.
I think he had the mousemat hanging over edge to save his wrist from the table corner. What he needs is a gel wrist pad.
1) Get your percussion and incidental sound effects down. Have this be interesting alone, before putting anything over it. Obviously work at 135-140 bpm, half time. Start with a straight beat like: kick on one, hat on two, snare on three, hat on four; then add hits "off to either side" or on the second and third quarter-note triplets, to give it shuffle.
2) Get a wobble bass sound with a sinewave subbass foundation. Program out your melody, and automate the LFO rate. Dubstep is all about automation.
3) Add a vocal sample to give the track a hook, or "identity".
4) You may not need much else, but possibly a high lead. "Get your melodies in there."
5) Arrange and edit.
You now have a dancefloor wobbler. You can hear a similar process in classic dubstep tunes, like Coki.
I think he had the mousemat hanging over edge to save his wrist from the table corner. What he needs is a gel wrist pad.