Re: ZOMBY
Posted: Sun Feb 05, 2012 10:46 am
tru powaNevalo wrote:what was the name of that dub tune rusko put a bassline & snare on? then tried to pass it off as his own?
tru powaNevalo wrote:what was the name of that dub tune rusko put a bassline & snare on? then tried to pass it off as his own?
that's not what i meant at all, lolLucifa wrote:what can't you understand about the difference between sampling and stealing?fractal wrote:bah, that's just one example in a scene filled with them. guess no one was around in the eighties,,,
one of my favorite hip hop producers, 9th wonder, makes beats straight out of loops and get's paid for all of em
just curious as to how y'all feel about dilla? he made a lot of changes to loops but also just used loops straight up... or is it acceptable in hip hop? curious as to where you guys draw your lines
Listen to what Reark has posted, actually listen to it, now tell me what Zomby did was just 'sampling'. He's literally just cut the intro, took out some vocal, and added little edits to the drums. That's it. The main body, content, synths, concept, and emotion of the track came from Reark. Yet Zomby feels entitled to release the track under his own name, openly brag about writing it himself, then profit of it without even the slightest credit to it's creator.
How anyone can compare that to cutting up a sample of something and interpreting it into an original piece of music is beyond me. It's not even a copyright/legality issue here, it's the moral bankruptcy of it.
No offence, but anyone who thinks Zomby is in no way in the wrong here is a dickhead. This is pure theft.
so what would one consider this? sampling or stealing?fractal wrote:tru powaNevalo wrote:what was the name of that dub tune rusko put a bassline & snare on? then tried to pass it off as his own?
What a wonderful excusefractal wrote: rusko said he found it in his hard drive and assumed it was his
fractal wrote:here's the original
rusko said he found it in his hard drive and assumed it was his
and the jungle/footwork ones.say_whut wrote:As a means of apology to the people he pissed off (I'm pretty neutral here, reark got his dues it seems) I reckon Zomby should drop a big ass zip file of all them eski tings
pikeymobile wrote:shelovesme/shelovesmenot plz
rayman612 wrote:Dilla stole a lot of techno/house loops without crediting the creators...
But usually once the producers found out they talked to him and he was apologetic and sometimes he even collabed with them afterwards
Lucifa wrote:what can't you understand about the difference between sampling and stealing?fractal wrote:bah, that's just one example in a scene filled with them. guess no one was around in the eighties,,,
one of my favorite hip hop producers, 9th wonder, makes beats straight out of loops and get's paid for all of em
just curious as to how y'all feel about dilla? he made a lot of changes to loops but also just used loops straight up... or is it acceptable in hip hop? curious as to where you guys draw your lines
Listen to what Reark has posted, actually listen to it, now tell me what Zomby did was just 'sampling'. He's literally just cut the intro, took out some vocal, and added little edits to the drums. That's it. The main body, content, synths, concept, and emotion of the track came from Reark. Yet Zomby feels entitled to release the track under his own name, openly brag about writing it himself, then profit of it without even the slightest credit to it's creator.
How anyone can compare that to cutting up a sample of something and interpreting it into an original piece of music is beyond me. It's not even a copyright/legality issue here, it's the moral bankruptcy of it.
No offence, but anyone who thinks Zomby is in no way in the wrong here is a dickhead. This is pure theft.
rayman612 wrote:Dilla stole a lot of techno/house loops without crediting the creators...
But usually once the producers found out they talked to him and he was apologetic and sometimes he even collabed with them afterwards
lolCaveLvl wrote:rayman612 wrote:Dilla stole a lot of techno/house loops without crediting the creators...
But usually once the producers found out they talked to him and he was apologetic and sometimes he even collabed with them afterwards
Ok see thats sampling. Not stealing. Sampling, biting , and stealing are different things. But it doesn't matter. Its minor right !! Moving on...
He sampled one Thomas Bangalter song and remixed four tet. not sure what you're on aboutrayman612 wrote:Dilla stole a lot of techno/house loops without crediting the creators...
But usually once the producers found out they talked to him and he was apologetic and sometimes he even collabed with them afterwards
exactly what you're on aboutdsprainman wrote:He sampled one Thomas Bangalter song and remixed four tet. not sure what you're on aboutrayman612 wrote:Dilla stole a lot of techno/house loops without crediting the creators...
But usually once the producers found out they talked to him and he was apologetic and sometimes he even collabed with them afterwards