Re: Anyone honestly feeling Juke?
Posted: Thu Sep 23, 2010 5:34 am
hope so. they should release thisfractal wrote:sick! nice to see elmoe on a list! wonder if he'll get some love on mu wax
worldwide dubstep community
https://www.dubstepforum.com/forum/
hope so. they should release thisfractal wrote:sick! nice to see elmoe on a list! wonder if he'll get some love on mu wax
Supreme Word !bellybelle wrote:From a production standpoint, juke has got to be the most inspiring, deceptively difficult, and completely fun music I've heard in awhile.
1. The use of toms are fucking sick. They add texture. I know ..... sonic texture? Yes!!!
2. The raw abuse of vocal samples is amazing. Down to the syllable, cut, re-structured, and used in innovative ways. This is no, "Lemme find the perfect sample to put at the best, ironic time." More like, "This shit sounds ill. Lemme chop it up, drop drop drop it up, and pitch up or down to create an entirely different instrument.
3. That sub is sick. If you haven't got to hear juke with some serious sub, I think you'll miss out on a lot of the appeal.
4. The snares are ridiculous. Placement and structure doesn't seem like it should work but somehow magically it does!
5. There is no mistaking how important the relationship between dancer and DJ/Producer is. There is no juke w/o footwurkers. The structures have evolved through the repeated requests of dancers. It wasn't just producers sitting around thinking about how weird for weird sake they could be with their music. And I really appreciate a form of DANCE music that remembers how important DANCE is.
It's not for everyone....but man oh man I hope it gets big enough so that I don't have to go to Chicago to actually see footwurkers in their prime. Planes are expensive, y'all. I just wanna see it where I live instead of always watching clips on youtube and hoping it comes to my town. *sniffles*
the tune thats on 3:49 and around there sounds sexy... anyone know?hasezwei wrote:ok so i guess theres some well-versed jukeheads (is that a term? lol) here, can anyone tell me at least some of the tunes in the first 4 minutes of this video? loving the vibes there, it's probably the reverb of the room where it's recorded but it has that awesome ambient feel to it, add to that the vocals and the constant BOOOMBOOOM-assault....
trippy as fuck, i didn't feel juke before i saw this video. now i'm all excited about it.
sorry sorry sorry, and 6:00 minutes...busker wrote:the tune thats on 3:49 and around there sounds sexy... anyone know?hasezwei wrote:ok so i guess theres some well-versed jukeheads (is that a term? lol) here, can anyone tell me at least some of the tunes in the first 4 minutes of this video? loving the vibes there, it's probably the reverb of the room where it's recorded but it has that awesome ambient feel to it, add to that the vocals and the constant BOOOMBOOOM-assault....
trippy as fuck, i didn't feel juke before i saw this video. now i'm all excited about it.
im literally listening to that video on repeat for the last 2 days most of the time. man i need those tunes, damn.busker wrote:sorry sorry sorry, and 6:00 minutes...busker wrote:the tune thats on 3:49 and around there sounds sexy... anyone know?hasezwei wrote:ok so i guess theres some well-versed jukeheads (is that a term? lol) here, can anyone tell me at least some of the tunes in the first 4 minutes of this video? loving the vibes there, it's probably the reverb of the room where it's recorded but it has that awesome ambient feel to it, add to that the vocals and the constant BOOOMBOOOM-assault....
trippy as fuck, i didn't feel juke before i saw this video. now i'm all excited about it.
DJ Assault is a classic Detroit artist bro.sandeman wrote:Didn't read the entire thread... but Juke and Footwerk have been going on in Chicago's ghettos since the late 80's - early 90's
DJ Slugo
DJ Funk
DJ Chip
DJ Nate
DJ SPINN
DJ GANT MAN
DJ TRAX MAN
DJ Assault
now you know!
you have to get creative and use blends, cuts, fade outs or effects if possible. or if you have any ambient records or fun children's records, you know? for examples of people mixing multiple genres and bpm's check http://thisisluckyme.com/html/1music/mixtapes.html or you can just use records that slowly go higher in bpm as your mix goes on like how addison groove did for his fact mixapmje wrote:How would you go about mixing juke with dubstep obviously not walking about Footcrab but Rashad and Nate? The tempos are so different, my guesses are you couldn't without just pausing.
Apologises if this is a total newbie question but only recently started learning about mixing and wondering if its worth picking up some footwork records that I like if I can even put them into my mixes.
Ambient records is a pretty good idea, mix dubstep into that and then out into juke? As for effects and stuff, I've only got a fairly basic standard turntable set up...nothing fancy, so effects I couldn't use since my mixer doesn't have them. I was thinking of going with the slowly lower my tempo down but from 130-140 to 80-90 bpm is a loooong way down.fractal wrote:you have to get creative and use blends, cuts, fade outs or effects if possible. or if you have any ambient records or fun children's records, you know? for examples of people mixing multiple genres and bpm's check http://thisisluckyme.com/html/1music/mixtapes.html or you can just use records that slowly go higher in bpm as your mix goes on like how addison groove did for his fact mixapmje wrote:How would you go about mixing juke with dubstep obviously not walking about Footcrab but Rashad and Nate? The tempos are so different, my guesses are you couldn't without just pausing.
Apologises if this is a total newbie question but only recently started learning about mixing and wondering if its worth picking up some footwork records that I like if I can even put them into my mixes.
How do you go about having juke at 160 compared to 80?titched wrote:if you check the girl unit xlr8r mix he does it. he counts juke at 160 not 80 and he slowly revs the tempo. he starts at about 135 and ends up at 160 on a dj nate tune. a lot of the future bass stuff is down in the 130's but if you just want to mix out of dubstep you could even pitch up your first tune to 143 or something. you'd only have a range of 17 bpm to rev up and that's not much. question is can you find tracks that fit your style in the 150's?
It's just doubled. It's all relative but I've found in dance music people like to think of beats in the doublish range (if you think of Juke as 80 then you in turn need to think of dubstep as beling 70 bpm and if dubstep is 140 then juke is 160). If you stretched 140 to 80 it would indeed sound really odd, so you make a much smaller jump up and it's way easier.apmje wrote:How do you go about having juke at 160 compared to 80?titched wrote:if you check the girl unit xlr8r mix he does it. he counts juke at 160 not 80 and he slowly revs the tempo. he starts at about 135 and ends up at 160 on a dj nate tune. a lot of the future bass stuff is down in the 130's but if you just want to mix out of dubstep you could even pitch up your first tune to 143 or something. you'd only have a range of 17 bpm to rev up and that's not much. question is can you find tracks that fit your style in the 150's?
dj donga wrote:here's a download link 4 Wheez-ie's guest mix for Well Rounded Radio 08-11-10
it's a belter!!
WHEEZ-IE GUEST MIX
1. Flatline feat. Trae - Fuckin with Texas
2. Distal - Boss of the South
3. Hypno - Dilemma (Octapush rmx)
4. Wheez-ie - Bak it in (forthcoming Individuals)
5. Cedaa - Hypnotiq
6. Big Boi feat Yelawolf - You ain't no DJ
7. Loefah - Just a Beat
8. Distal and Dj Rashad - Stuck up money
9. Canblaster - Lovejuke
10. Juxta - Foundations (Sines lose myself rmx)
11. Distal - Boca Ratawn
12. Trae - Swang
13. Wheez-ie - Leave her alone (forthcoming Individuals)
http://www.sendspace.com/file/mfc2kw