Dubstepforum.com

Guess I missed the 48? Hehe!

Slut

ehbrums1 wrote:Slut

Lloydy and BAM are cheating on us

I have plenty of love to go round motherfucker,i believe i saved my best 48 hr comp tune for you boys anyway so suck balls.

lloydy wrote:I have plenty of love to go round motherfucker,i believe i saved my best 48 hr comp tune for you boys anyway so suck balls.

Yes

Sonika wrote:

ehbrums1 wrote:Slut

Lloydy and BAM are cheating on us

Who the hell is bam

Lloydy have you sent your last few tunes to any labels?


BAM = blooming audio life


Process of elimination

Was that yes to sucking balls you dirty little pervert.

Sonika wrote:Lloydy have you sent your last few tunes to any labels?

No why?
I don't think my fragile mind state could handle the rejection.

lloydy wrote:

Sonika wrote:Lloydy have you sent your last few tunes to any labels?

No why?
I don't think my fragile mind state could handle the rejection.

Stiff upper lip old chap

They're beyond good enough in my humble opinion (unless you sent to some huge label)

Sonika wrote: (unless you sent to some huge label)

Are you implying i'm good enough to get on independent label but not the big ones lol
Talk about build me up then dash me back down

um does anyone in here know about Diminished 5iths? and more importantly a chord progression i can use after the first chord, for a horror film.
Thanks

lloydy wrote:

Sonika wrote: (unless you sent to some huge label)

Are you implying i'm good enough to get on independent label but not the big ones lol
Talk about build me up then dash me back down

STOP BEING SO SENSITIVE lol


No but let's think realistically....most artists don't have their first release on deep medi or swamp81, they work their way up

^ Id recommend waiting till you had something you really loved before sending out.

lloydy wrote:Was that yes to sucking balls you dirty little pervert.

Sonika wrote:

lloydy wrote:

Sonika wrote: (unless you sent to some huge label)

Are you implying i'm good enough to get on independent label but not the big ones lol
Talk about build me up then dash me back down

STOP BEING SO SENSITIVE lol


No but let's think realistically....most artists don't have their first release on deep medi or swamp81, they work their way up

No seriously i do music because i enjoy it not because i want to get signed,i had a local label interested they wanted me to do some remixes which i i done but they were too picky.I done this one remix of a tune that got into the top 10 of the itunes charts which in my humble opinion smashed the original to pieces,they really liked it passed it to their pr guy who deals with club music and he said it wasn't club enough whatever the fuck that means so i binned them off.
They kept banging on about the skrillex sound and you can imagine how i reacted,still got them as an after thought and they said if i ever feel i want to approach them again they would be more than willing to see what i could bring so you never know.
It was really funny really because the remix they ended up releasing was fucking terrible and the dubstep they are putting out is fucking awful,they are aiming for music to film and tv so it is an avenue that i might be interested in for the future but for now i just want to refine my craft.In complete honesty i want to make trip hop and ambient,stuff like massive attack or portishead.This girl i am working with at the moment wants the same sort of thing so i'm hoping once i get her vocal stems she will see that i can bring her the sound she is after and then we can keep writing stuff together because i really believe she has got some huge potential and someone i most definitely want to keep working with.

lloydy wrote:

Sonika wrote:

lloydy wrote:

Sonika wrote: (unless you sent to some huge label)

Are you implying i'm good enough to get on independent label but not the big ones lol
Talk about build me up then dash me back down

STOP BEING SO SENSITIVE lol


No but let's think realistically....most artists don't have their first release on deep medi or swamp81, they work their way up

No seriously i do music because i enjoy it not because i want to get signed,i had a local label interested they wanted me to do some remixes which i i done but they were too picky.I done this one remix of a tune that got into the top 10 of the itunes charts which in my humble opinion smashed the original to pieces,they really liked it passed it to their pr guy who deals with club music and he said it wasn't club enough whatever the fuck that means so i binned them off.
They kept banging on about the skrillex sound and you can imagine how i reacted,still got them as an after thought and they said if i ever feel i want to approach them again they would be more than willing to see what i could bring so you never know.
It was really funny really because the remix they ended up releasing was fucking terrible and the dubstep they are putting out is fucking awful,they are aiming for music to film and tv so it is an avenue that i might be interested in for the future but for now i just want to refine my craft.In complete honesty i want to make trip hop and ambient,stuff like massive attack or portishead.This girl i am working with at the moment wants the same sort of thing so i'm hoping once i get her vocal stems she will see that i can bring her the sound she is after and then we can keep writing stuff together because i really believe she has got some huge potential and someone i most definitely want to keep working with.

Tits???


gah distracted.

DIMINISHED FIFTHS PEOPLE???? anyone know anything about what notes to press to get this down with a chord progression.?

Diminished fifth don't you just flatten the second note in a minor chord?

I lied,major chord and just flatten the second and third note.So basically play a minor chord but flatten the third note.
So a c major is c d and e a diminished fifth would be c d# and g flat/f# i think

lloydy wrote:Diminished fifth don't you just flatten the second note in a minor chord?

Ah i get you,, use a sharp of flat is what you mean by flattern?