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According to the actual magazine interview I'm pretty sure he said he switched to Nuendo.Mannyyyyy wrote:he switched to cubase and massive but i assume he rewires to get best of both worlds
JBE wrote:According to the actual magazine interview I'm pretty sure he said he switched to Nuendo.Mannyyyyy wrote:he switched to cubase and massive but i assume he rewires to get best of both worlds
"So... Reason 5 or 6?"Mannyyyyy wrote:JBE wrote:According to the actual magazine interview I'm pretty sure he said he switched to Nuendo.Mannyyyyy wrote:he switched to cubase and massive but i assume he rewires to get best of both worlds
i didnt get the magazine so i didnt know that but in this interview he says cubase
nuendo and cubase are practically the sameJBE wrote:According to the actual magazine interview I'm pretty sure he said he switched to Nuendo.Mannyyyyy wrote:he switched to cubase and massive but i assume he rewires to get best of both worlds
Difference being that one cost an arm and a leg, so chances are, if he's running Nuendo he's cracking that AiR.symmetricalsounds wrote:nuendo and cubase are practically the sameJBE wrote:According to the actual magazine interview I'm pretty sure he said he switched to Nuendo.Mannyyyyy wrote:he switched to cubase and massive but i assume he rewires to get best of both worlds
1 - cracked DAW+vstsPedro Sánchez wrote:Difference being that one cost an arm and a leg, so chances are, if he's running Nuendo he's cracking that AiR.symmetricalsounds wrote:nuendo and cubase are practically the sameJBE wrote:According to the actual magazine interview I'm pretty sure he said he switched to Nuendo.Mannyyyyy wrote:he switched to cubase and massive but i assume he rewires to get best of both worlds
Everyone has used cracked software at some point but if you are earning more than your rent's worth from making music with the said software, then you should put payment the developers way. There is so much more good free software out there these days and the daws and becoming cheaper and cheaper, that there is no need to crack at all even on a modest budget.Trainrek wrote:I have a mutual respect for people who crack software.
For alot of reasons.
hayze99 wrote: "So... Reason 5 or 6?"
"Reason 4, actually"
"4!?"
This is exactly the reason.Pedro Sánchez wrote:Everyone has used cracked software at some point but if you are earning more than your rent's worth from making music with the said software, then you should put payment the developers way. There is so much more good free software out there these days and the daws and becoming cheaper and cheaper, that there is no need to crack at all even on a modest budget.Trainrek wrote:I have a mutual respect for people who crack software.
For alot of reasons.
You should see his blog.hayze99 wrote: Interviewer's an idiot.
LOLGrumblex wrote:FUNTCASE IS SICK AS FUCKKK FUCK THE HATERSSSS
bokatordubstep wrote:LOLGrumblex wrote:FUNTCASE IS SICK AS FUCKKK FUCK THE HATERSSSS
hi pete
what he saidJBE wrote:Wow....this thread has gotten insane.
Whether you love Funtcase, or hate him, I think we can all agree that he is doing something that most of us want to be doing....and that's making money from making music. The fact that he has achieved that level makes people wonder about his general production techniques.
No successfull producer will ever give away all their little tricks that they do. This video did exactly what everyone should have expected it to do, considering every other masterclass video was the same way. You get a general idea of workflow, hardware, software, and a few little looks into a bit of how they go about the style they work. Sure, maybe it wasn't the best masterclass video made, but it wasn't bad either. Personally I've enjoyed watching all the Masterclass videos, just simply because it gives you the chance to just watch a "successful" producer sit down and put in work doing something that I would like to achieve some day.
If you are watching these masterclass videos expecting these producers to sit and down and tell you exactly how they make all their music, then you myswell just stop, cause the frustration of disappointment could potentially make you suicidal. Take them for what they are. A peek into the personal workspace of a music producer. Like them or hate them, you have the choice to watch it or not.
very accurate thisHifuntcase wrote: 3. hi
I cracked them all and still don't know how to use any of them lol. Except for FL Studio, I bought that because it was cheap with a student discount.Trainrek wrote:This is exactly the reason.Pedro Sánchez wrote:Everyone has used cracked software at some point but if you are earning more than your rent's worth from making music with the said software, then you should put payment the developers way. There is so much more good free software out there these days and the daws and becoming cheaper and cheaper, that there is no need to crack at all even on a modest budget.Trainrek wrote:I have a mutual respect for people who crack software.
For alot of reasons.
There probably wouldn't be half of the producers there are today if there were no cracking teams
Me, I use cracked software not because I can, but because I simply couldn't afford to buy it.
but if you think about it, in a way, its good. doesn't it show that a product is good if people work for weeks/months/years cracking it?