worldwide dubstep community
https://www.dubstepforum.com/forum/
bore off. it's a forum, ppl will talk if they want (as done well on the previous page).Harkat wrote:Is it important for some people to make sure nobody considers the Keysound sound cool and new?
alex bk-bk wrote: some of you lot chat bare shit
Lye Form wrote:Seems like everyone is over thinking it.
Basically its a bunch of people writing music they want to taking influences from whatever they like & linked by it being music dusk and blackdown like to play. influences are all over the place, Wen largely from grime, Epoch from dubstep, Sully from 2step and jungle, E.M.MA from Microsoft Encarta ’96....
You're right of course. Just get a weird vibe from the response. Wonder what the motivation is. Don't really want to shut down conversation or anything.TopManLurka wrote:bore off. it's a forum, ppl will talk if they want (as done well on the previous page).Harkat wrote:Is it important for some people to make sure nobody considers the Keysound sound cool and new?
Interesting stuff, which I've thought about before, I remember Mount Kimbie mentioning in that 'Post-Dubstep' documentary about how British artists are largely much more resistant to 'genrefication' than American ones. Probly warrants its own thread rather than taking over this one, but cheers for the links.nclpad wrote:Yes, it's music that they like to play, and I'm with you on the influences. But don't you think it's important that these sounds now fit into one coherent set? Blackdown has talked about how, in the past, their DJ sets would be much more segmented. Whereas in the past they might have had separate grime, dubstep etc. sections in their mixes, now all of these disparate influences seem to be coming together to form something with a bit more coherence.Lye Form wrote:Seems like everyone is over thinking it.
Basically its a bunch of people writing music they want to taking influences from whatever they like & linked by it being music dusk and blackdown like to play. influences are all over the place, Wen largely from grime, Epoch from dubstep, Sully from 2step and jungle, E.M.MA from Microsoft Encarta ’96....
Regarding people trying to give it a term, there's been a lot written on this (lot's of it fairly interesting, I'll link it at the bottom) and I'm not entirely sure where I stand on the whole 'to name or not to name' debate. One thing I would say, however, is that 'getting aggy' is totally justified if the term is imposed from the outside rather than generated from within. It's all about ownership, innit?
http://www.dummymag.com/features/2012/0 ... -to-genre/
http://www.postwutchyalike.net/editorial-post-genre/
http://www.postwutchyalike.net/editoria ... enre-pt-2/
http://rougesfoam.blogspot.co.uk/2012/0 ... alike.html
There was also a discussion on NTS - https://api.soundcloud.com/tracks/58046 ... 6a7dc2d72c
Like this?jsml wrote:I really hope Blackdown just comes riding into this thread saying Keysound are about to release a really 'colourful' record thats not 130 bpm.
Just to shut everyone up.
Homage is a badman tune, those wubs......blackdown wrote:Like this?jsml wrote:I really hope Blackdown just comes riding into this thread saying Keysound are about to release a really 'colourful' record thats not 130 bpm.
Just to shut everyone up.
blackdown wrote:Like this?jsml wrote:I really hope Blackdown just comes riding into this thread saying Keysound are about to release a really 'colourful' record thats not 130 bpm.
Just to shut everyone up.
Cooly G instrumentalsHarkat wrote:I reckon Cooly G would do a killer keysound release.
Sounds needs to come out fwaaackMuncey wrote:Yeah Pulse is a madness.
Muncey wrote:blackdown wrote:Like this?jsml wrote:I really hope Blackdown just comes riding into this thread saying Keysound are about to release a really 'colourful' record thats not 130 bpm.
Just to shut everyone up.
i didn't even want to contribute to this thread again but i had to after the hilarious statement below.TGDavies wrote:Interesting stuff, which I've thought about before, I remember Mount Kimbie mentioning in that 'Post-Dubstep' documentary about how British artists are largely much more resistant to 'genrefication' than American ones. Probly warrants its own thread rather than taking over this one, but cheers for the links.nclpad wrote:Yes, it's music that they like to play, and I'm with you on the influences. But don't you think it's important that these sounds now fit into one coherent set? Blackdown has talked about how, in the past, their DJ sets would be much more segmented. Whereas in the past they might have had separate grime, dubstep etc. sections in their mixes, now all of these disparate influences seem to be coming together to form something with a bit more coherence.Lye Form wrote:Seems like everyone is over thinking it.
Basically its a bunch of people writing music they want to taking influences from whatever they like & linked by it being music dusk and blackdown like to play. influences are all over the place, Wen largely from grime, Epoch from dubstep, Sully from 2step and jungle, E.M.MA from Microsoft Encarta ’96....
Regarding people trying to give it a term, there's been a lot written on this (lot's of it fairly interesting, I'll link it at the bottom) and I'm not entirely sure where I stand on the whole 'to name or not to name' debate. One thing I would say, however, is that 'getting aggy' is totally justified if the term is imposed from the outside rather than generated from within. It's all about ownership, innit?
http://www.dummymag.com/features/2012/0 ... -to-genre/
http://www.postwutchyalike.net/editorial-post-genre/
http://www.postwutchyalike.net/editoria ... enre-pt-2/
http://rougesfoam.blogspot.co.uk/2012/0 ... alike.html
There was also a discussion on NTS - https://api.soundcloud.com/tracks/58046 ... 6a7dc2d72c
kind of sums up everything i was getting at in the previous pages.fractal wrote:it's my fault really, i'm from the time when we always wondered what's next>>>