Dubstepforum.com

i've got my copy!!

*sets to work remixing request line

Fushimi wrote:

Shonky wrote: I'm already wondering whether there's a dubstep sample cd being created now

http://www.hmv.co.jp/product/detail/1272782

Sting Recordings Presents: Dubstep Samples: Vol.1

Released 14 Aug 2006

!

Should either flood the market with unimaginative shite or up folks' game I suppose. Let's hope it's the latter

Will buy it tomorrow, record all my releases on cassettes and call myself Analog Mystikz.

What is becoming quite obvious is that there is too much half step for my taste, last dmz was just half-stepper after half-stepper, i'm not the biggest fan of left leg out but it was a relief when that got played. I mean, i am a half-step fan but its getting a little tedious for my liking after 4 hours of it.

1. the harmonic progression should ALWAYS be compatible with the melody from "london bridge" sung in ANY key, in the octave above middle C.

thats f-in comedy right there

spooKs wrote:no. i don't think it's a joke.

poor u

Foamo wrote:

narcossist wrote:

bedward wrote:it's simple:

bpm = 133 to 145.

time sig = 6 bars of 7/8 followed by 2 in 11/8
or, sometimes, 6 bars of 9/8, one of 5/8.

snare should follow bassdrum after 5 or 12 16ths,
with hihats in between in symmetrical speed ramps, like:
x.. . . . i . . . ..x

shakers/tambs should NEVER land on the same beat as cowbell or cymbal,
except if the bassdrum has missed a beat.

note-intervals in the bassline should reflect time-distance (in 32nds) between the highest percussion and next melodic event.

easiest way to imagine it is like a horizon with the sun setting reflected in a lake surrounded by bare wind-blown trees swayin first left, then right.

melodic scales/modes tend to conflate around dynamic axes every 13 or 17 bars.

apart from that, the only rules are:

1. the harmonic progression should ALWAYS be compatible with the melody from "london bridge" sung in ANY key, in the octave above middle C.

2. any percussion sound with duration more than 1.2 seconds should be pitch bent halfway thru.

3. rising melodies should be melancholy or mysterious/brooding, descending melodies ahould be happy, celebratory or stridently affirmative.

4. just Go For It!!!!!!

lol am i the only person to notice that its a joke?

1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.1,boom 2, tick 3, snap, 4, tick,tick.

Where's the Whump-Whump-Wobble-Wobble?

Joseph-J wrote:Where's the Whump-Whump-Wobble-Wobble?

That a different subject. Let him get to grips with the drums firrst and then we can go onto bass.

metalboxproducts wrote:

Joseph-J wrote:Where's the Whump-Whump-Wobble-Wobble?

That a different subject. Let him get to grips with the drums firrst and then we can go onto bass.

I suppose its all a matter of priorities.

Joseph-J wrote:

metalboxproducts wrote:

Joseph-J wrote:Where's the Whump-Whump-Wobble-Wobble?

That a different subject. Let him get to grips with the drums firrst and then we can go onto bass.

I suppose its all a matter of priorities.

I say the bast thing is for every one to goto a dance and just imagine the music. It's really easy.

try this, get a mic turn the click on and badly beatbox the pattern you want, then replace your bad beatboxing with real samples

Joseph-J wrote:Where's the Whump-Whump-Wobble-Wobble?

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There ya go - instant dubstep. Anybody asks again they get one of these